Russia's Dangerous Texts: Politics Between The Lines by Kathleen F. ParthéRussia's Dangerous Texts: Politics Between The Lines by Kathleen F. Parthé

Russia's Dangerous Texts: Politics Between The Lines

byKathleen F. Parthé

Hardcover | December 11, 2004

Pricing and Purchase Info

$84.77

Earn 424 plum® points
Quantity:

In stock online

Ships free on orders over $25

Not available in stores

about

Russia's Dangerous Texts examines the ways that writers and their works unnerved and irritated Russia's authoritarian rulers both before and after the Revolution. Kathleen F. Parthé identifies ten historically powerful beliefs about literature and politics in Russia, which include a view of the artistic text as national territory, and the belief that writers must avoid all contact with the state.
Parthé offers a compelling analysis of the power of Russian literature to shape national identity despite sustained efforts to silence authors deemed subversive. No amount of repression could prevent the production, distribution, and discussion of texts outside official channels. Along with tragic stories of lost manuscripts and persecuted writers, there is ample evidence of an unbroken thread of political discourse through art. The book concludes with a consideration of the impact of two centuries of dangerous texts on post-Soviet Russia.

Kathleen F. Parthé is professor of Russian and director of Russian studies at the University of Rochester. She is the author of Russian Village Prose and, with James H. Billington, The Search for a New Russian National Identity.
Loading
Title:Russia's Dangerous Texts: Politics Between The LinesFormat:HardcoverDimensions:304 pages, 9.25 × 6.12 × 0.98 inPublished:December 11, 2004Publisher:Yale University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0300098510

ISBN - 13:9780300098518

Look for similar items by category:

Reviews

Editorial Reviews

"Russia's Dangerous Texts will be the first in-depth re-evaluation of Russian literary history up to the present to date to take sufficient advantage of the hindsight of the ten years since the Soviet Union and its official cultural institutions collapsed. Parthe exploits this privileged vantage point to the fullest to expose the issues that hinder the (re)constitution of a coherent vision of what Russian literature is today."—Catharine Theimer Nepomnyashchy, Chair of the Slavic Department of Barnard College and Director of the Harriman Institute of Columbia University