Screening Torture: Media Representations of State Terror and Political Domination by Michael FlynnScreening Torture: Media Representations of State Terror and Political Domination by Michael Flynn

Screening Torture: Media Representations of State Terror and Political Domination

byMichael Flynn, Fabiola Fernandez Salek

Paperback | September 18, 2012

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Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions.

This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.

Michael Flynn is associate professor of psychology at York College, City University of New York, and associate director of the Center on Terrorism at John Jay College of Criminal Justice. He is the coeditor, with Charles B. Strozier, of Genocide, War, and Human Survival; Trauma and Self; and The Year 2000: Essays on the End; and, with...
Title:Screening Torture: Media Representations of State Terror and Political DominationFormat:PaperbackDimensions:328 pagesPublished:September 18, 2012Publisher:Columbia University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0231153597

ISBN - 13:9780231153591

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Table of Contents

Screening Torture: An IntroductionPart I. Torture and the Implications of Masculinity1. Countering the Jack Bauer Effect: An Examination of How to Limit the Influence of TV's Most Popular, and Most Brutal, Hero2. Mel Gibson's Tortured Heroes: From the Symbolic Function of Blood to Spectacles of Pain3. It's a Perfect World: Torture, Confession, and SacrificePart II. Torture and the Sadomasochistic Impulse4. Lust, Caution: Torture, Sex, and Passion in Chinese Cinema5. The Art of Photogenic Torture6. Beyond Susan Sontag: The Seduction of Psychological Torture7. Stanley Kubrick's A Clockwork Orange as Art Against TorturePart III. Confronting the Legacies of Torture and State Terror8. "Accorded a Place in the Design": Torture in Post-Apartheid Cinema9. Confessing Without Regret: An Israeli Film GenrePart IV. Torture and the Shortcomings of Film10. Movies of Modern Torture as Convenient Truths11. Torture at the Limit of Politics12. Doing Torture in Film: Confronting Ambiguity and Ambivalence13. Documenting the Documentaries on Abu Ghraib: Facts Versus DistortionList of ContributorsIndex

Editorial Reviews

This book is a compelling critique of our dominant political and media discourses.