Seeing Sodomy In The Middle Ages

Hardcover | February 27, 2015

byRobert Mills

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During the Middle Ages in Europe, some sexual and gendered behaviors were labeled “sodomitical” or evoked the use of ambiguous phrases such as the “unmentionable vice” or the “sin against nature.” How, though, did these categories enter the field of vision? How do you know a sodomite when you see one?
           
In Seeing Sodomy in the Middle Ages, Robert Mills explores the relationship between sodomy and motifs of vision and visibility in medieval culture, on the one hand, and those categories we today call gender and sexuality, on the other. Challenging the view that ideas about sexual and gender dissidence were too confused to congeal into a coherent form in the Middle Ages, Mills demonstrates that sodomy had a rich, multimedia presence in the period—and that a flexible approach to questions of terminology sheds new light on the many forms this presence took. Among the topics that Mills covers are depictions of the practices of sodomites in illuminated Bibles; motifs of gender transformation and sex change as envisioned by medieval artists and commentators on Ovid; sexual relations in religious houses and other enclosed spaces; and the applicability of modern categories such as “transgender,” “butch” and “femme,” or “sexual orientation” to medieval culture.
           
Taking in a multitude of images, texts, and methodologies, this book will be of interest to all scholars, regardless of discipline, who engage with gender and sexuality in their work.

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During the Middle Ages in Europe, some sexual and gendered behaviors were labeled “sodomitical” or evoked the use of ambiguous phrases such as the “unmentionable vice” or the “sin against nature.” How, though, did these categories enter the field of vision? How do you know a sodomite when you see one?             In Seeing Sodomy in th...

Robert Mills is a reader in medieval art at University College London. He is the author of Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture and coeditor of Rethinking Medieval Translation: Ethics, Politics, Theory. He lives in London.

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Format:HardcoverDimensions:400 pages, 10 × 7 × 1.6 inPublished:February 27, 2015Publisher:University Of Chicago PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:022616912X

ISBN - 13:9780226169125

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Table of Contents

List of Illustrations
Acknowledgments
Introduction: Jerome in a Dress

1 Translating Sodom
First Things First: Moralizing the Fall
Between a Rock and a Hard Place: Bibles moralisées and Translation
Sodomitry, Rats, and Hemorrhoids
For Your Eyes Only: Reception, Audience, Impact

2 Transgender Time
How to Do the History of Transgender
“A Strange and Perverse Adultery”: Sequence and Imitation in Hildegard’s Scivias
Ovid in Other Words: Iphis and Ianthe, and Their Transformations
How to Do Queer with Things
Imag(in)ing Transgender: Illustrated Ovide moralisé
Manuscripts
Presenting Transgender: Christine de Pizan’s Le livre de la mutacion de Fortune
Lesbian Futures: Ali Smith’s Girl Meets Boy

3 The First Sodomite
Sidestepping Orphic Pederasty in the Middle Ages
Unnatural Unions and “Masculine” Love in the Ovide moralisé
Other Medieval Responses to Orpheus: Gender Inversion and “Un-love”
Orpheus, “First Sodomite,” in Art
Orpheus with Lot’s Wife: Retro-vision and Gender
Looking/Feeling Backward

4 The Sex Lives of Monks
Vézelay, Mary Magdalene, and Translatio
Eugenia, Temptation, and Transformation
Ganymede in Hell
Benedictine Regulations of Sex
Ganymede Revisited: Ambivalence, Translatio, Divine Love
The Sex Crimes of Priests

5 Orientations
Holding it Straight: Virginity as a Sexual Orientation
“Sodom Thy Sister”: Friendship, Sodomy, and the Anchorhold
Phenomenology of the Anus
The Sodomites of San Gimignano

Conclusions
Notes
Bibliography
Index

Editorial Reviews

“Seeing Sodomy in the Middle Ages is an ambitious reexamination of the categories of sexuality and gender and the implications of the multiple ways in which they are linked both in the Middle Ages and today. This book single-handedly brings the discourse to a new level of maturity. This extremely stimulating meditation on the role of the visual in meditating about sodomy as a set of acts, ideas, and emotions overflows with productive rethinking; further, it models and encourages what has been too often lacking in this field, subtlety of thought and tolerance of ambiguity. Mills addresses directly and thoughtfully the challenges of working in a discourse the very terms of which are unstable in the present and makes his own brilliant and significant contribution. Mills’s study makes an extremely substantive and highly timely contribution to a major field within both medieval studies and contemporary discourse.”