Selected Plays of Louis MacNeice by Louis MacneiceSelected Plays of Louis MacNeice by Louis Macneice

Selected Plays of Louis MacNeice

byLouis MacneiceEditorAlan Heuser, Peter Mcdonald

Hardcover | April 30, 1999

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Louis MacNeice (1907-1963) is rightly regarded as one of the foremost Irish poets of this century, but he was also a distinctive, gifted, and popular playwright. This unique selection of eight of MacNeice's best-known plays, most of which were written for BBC Radio, draws on the mostauthoritative texts to provide a much-needed reminder of the power of his dramatic writing. All the plays are published here in authentic versions for the first time, several considerably changed, and two entirely new plays, never before published. The volume comprises MacNeice's famous The Dark Tower, published here for the first time in its third and final version; the saga play They Met on Good Friday and the parable The Mad Islands, both of which use explicitly Irish subject-matter; the stage play One for the Grave, which mercilesslysatirizes television and commercialism; the epic Christopher Columbus; He Had a Date (in its second version), an experiment in radio biography; Prisoner's Progress, a prize-winning parable about an escape from a prisoner-of-war camp; and MacNeice's last play, Persons from Porlock, which traces thenemesis of an artist and was broadcast just four days before MacNeice's own death. This generous and representative selection makes available again MacNeice's entertaining and innovative Irish blend of fantasy and realism, prose and verse, and offers important new perspectives on MacNeice's poetry.
Alan Heuser is at McGill University, Montreal. Peter McDonald is at University of Bristol.
Title:Selected Plays of Louis MacNeiceFormat:HardcoverDimensions:420 pages, 8.5 × 5.43 × 1.22 inPublished:April 30, 1999Publisher:Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10:0198112459

ISBN - 13:9780198112457


Editorial Reviews

`Heuser's and McDonald's edition is competent and assertive, without being overtly ideological.'Essays in Theatre