Settling Scores: German Music, Denazification, And The Americans, 1945-1953 by David MonodSettling Scores: German Music, Denazification, And The Americans, 1945-1953 by David Monod

Settling Scores: German Music, Denazification, And The Americans, 1945-1953

byDavid Monod

Hardcover | June 15, 2005

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Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwdngler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population's faith in its moral and cultural superiority was shattered. In "Settling Scores, David Monod examines the attempted "denazification" of the German music world by the Music Control Branch of the Information Control Division of Military Government.

The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an "authoritarian personality." They also imported new European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, Monod argues, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting "new" (anti-Nazi) music.

Title:Settling Scores: German Music, Denazification, And The Americans, 1945-1953Format:HardcoverDimensions:320 pages, 1.06 × 6.14 × 9.48 inPublished:June 15, 2005Publisher:University of North Carolina PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0807829447

ISBN - 13:9780807829448

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