Shakespeares Late Style by Russ McDonaldShakespeares Late Style by Russ McDonald

Shakespeares Late Style

byRuss McDonald

Paperback | February 4, 2010

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When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he created a distinctive poetic idiom that often bewildered audiences and readers. The plays of this period, Pericles, Cymbeline, The Winter's Tale, The Tempest, as well as Shakespeare's part in the collaborations with John Fletcher (Henry VIII and The Two Noble Kinsmen), exhibit a challenging verse style - verbally condensed, metrically and syntactically sophisticated, both conversational and highly wrought. In Shakespeare's Late Style, McDonald anatomizes the components of this late style, illustrating in a series of topically organized chapters the contribution of such features as ellipsis, grammatical suspension, and various forms of repetition. Resisting the sentimentality that frequently attends discussion of an artist's 'late' period, Shakespeare's Late Style shows how the poetry of the last plays reveals their creator's ambivalent attitude towards art, language, men and women, the theatre, and his own professional career.

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Title:Shakespeares Late StyleFormat:PaperbackDimensions:272 pages, 9.02 × 5.98 × 0.63 inPublished:February 4, 2010Publisher:Cambridge University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0521129621

ISBN - 13:9780521129626

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Table of Contents

Introduction; 1. The idioms of the late tragedies; 2. Elision; 3. Syntax (I): divagation; 4. Syntax (II): suspension; 5. Repetition; 6. Style and the making of meaning.

Editorial Reviews

"Certainly, in Shakespeare studies, there has been a notable lack of precise technical accounts of Shakespeare's late style, presumably in part because few critics have either the skills or the sheer persistence required to do the work well. Russ McDonald sets out in Shakespeare's Late Style to rectify this situation, and he does so superbly...what stands out above all from Shakespeare's Late Style is the critic's sheer delight in the language of the plays, his determination to investigate the mechanics of their verbal force while never losing sight of the pleasure and frisson of their effect, and the sheer clarity of description that his enthusiasm brings with it. McDonald's book feels like a genuine labour of love; it is also a tour de force, one that all Shakespeareans should read and absorb if we are to know what we really mean when we refer to the playwright's 'late style'." --Gordon McMullan, King's College London, Shakespeare Quarterly