Skellig by David AlmondSkellig by David Almond

Skellig

byDavid Almond

Mass Market Paperback | September 11, 2001

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Michael was looking forward to moving into a new house. But now his baby sister is ill, his parents are frantic, and Doctor Death has come to call. Michael feels helpless. Then he steps into the crumbling garage and encounters a strange being who changes his world forever.
“I grew up in a big extended Catholic family [in the north of England]. I listened to the stories and songs at family parties. I listened to the gossip that filled Dragone’s coffee shop. I ran with my friends through the open spaces and the narrow lanes. We scared each other with ghost stories told in fragile tents on dark nights. We p...
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Title:SkelligFormat:Mass Market PaperbackDimensions:208 pages, 6.88 × 4.25 × 0.56 inPublished:September 11, 2001Publisher:Random House Children's BooksLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0440229081

ISBN - 13:9780440229087

Appropriate for ages: 9 - 12

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Customer Reviews of Skellig

Reviews

Rated 4 out of 5 by from Excellent Junior High Read This is an excellent novel of adventure for Junior High students. The novel explores themes of friendship, family, loyalty, and hope.
Date published: 2017-08-25
Rated 5 out of 5 by from Extraordinary Adventure This Book was an extraordinary book and in your mind you can picture every little detail this book tells of
Date published: 2002-12-29
Rated 5 out of 5 by from A Terrific Book This book was phenomenal! The plot of having a character that didn't really know what he was, was a terrific idea. Having a main character that was homeschooled gave a very interesting twist to the story because she was a little more educated and had a different perspective to things. Having a baby that was fighting to stay alive was a very thought provoking idea. I would really recommend this book.
Date published: 2001-03-09

Read from the Book

I found him in the garage on a Sunday afternoon. It was the day after we moved into Falconer Road. The winter was ending. Mum had said we'd be moving just in time for the spring. Nobody else was there. Just me. The others were inside the house with Dr. Death, worrying about the baby.He was lying there in the darkness behind the tea chests, in the dust and dirt. It was as if he'd been there forever. He was filthy and pale and dried out and I thought he was dead. I couldn't have been more wrong. I'd soon begin to see the truth about him, that there'd never been another creature like him in the world.We called it the garage because that's what the real estate agent, Mr. Stone, called it. It was more like a demolition site or a rubbish dump or like one of those ancient warehouses they keep pulling down at the wharf. Stone led us down the garden, tugged the door open, and shined his little flashlight into the gloom. We shoved our heads in at the doorway with him."You have to see it with your mind's eye," he said. "See it cleaned, with new doors and the roof repaired. See it as a wonderful two-car garage."He looked at me with a stupid grin on his face."Or something for you, lad-a hideaway for you and your pals. What about that, eh?"I looked away. I didn't want anything to do with him. All the way round the house it had been the same. Just see it in your mind's eye. Just imagine what could be done. All the way round I kept thinking of the old man, Ernie Myers, that had lived here on his own for years. He'd been dead nearly a week before they found him under the table in the kitchen. That's what I saw when Stone told us about seeing with the mind's eye. He even said it when we got to the dining room and there was an old cracked toilet sitting there in the comer behind a plywood screen. I just wanted him to shut up, but he whispered that toward the end Ernie couldn't manage the stairs. His bed was brought in here and a toilet was put in so everything was easy for him. Stone looked at me like he didn't think I should know about such things. I wanted to get out, to get back to our old house again, but Mum and Dad took it all in. They went on like it was going to be some big adventure. They bought the house. They started cleaning it and scrubbing it and painting it. Then the baby came too early. And here we were.Chapter 2I NEARLY GOT INTO THE GARAGE that Sunday morning. I took my own flashlight and shined it in. The outside doors to the back lane must have fallen off years ago and there were dozens of massive planks nailed across the entrance. The timbers holding the roof were rotten and the roof was sagging in. The bits of the floor you could see between the rubbish were full of cracks and holes. The people that took the rubbish out of the house were supposed to take it out of the garage as well, but they took one look at the place and said they wouldn't go in it even for extra money. There were old chests of drawers and broken washbasins and bags of cement, ancient doors leaning against the walls, deck chairs with the cloth seats rotted away. Great rolls of rope and cable hung from nails. Heaps of water pipes and great boxes of rusty nails were scattered on the floor. Everything was covered in dust and spiders' webs. There was mortar that had fallen from the walls. 'There was a little window in one of the walls but it was filthy and there were rolls of cracked linoleum standing in front of it. The place stank of rot and dust. Even the bricks were crumbling like they couldn't bear the weight anymore. It was like the whole thing was sick of itself and would collapse in a heap and have to get bulldozed away.I heard something scratching in one of the corners, and something scuttling about; then it all stopped and it was just dead quiet in there.I stood daring myself to go in.I was just going to slip inside when I heard Mum shouting at me"Michael! What you doing?"She was at the back door."Didn't we tell you to wait till we're sure it'sI stepped back and looked at her."Well, didn't we?" she shouted."Yes," I said."So keep out! All right?"I shoved the door and it lurched half shut on itssingle hinge."All right?" she yelled.',All right,” said. "Yes. All right. All right.""Do you not think we've got more to worry about than stupid you getting crushed in a stupid garage?"Yes." "You just keep out, then! Right?" "Right. Right, right, right.Then I went back into the wilderness we called garden and she went back to the stupid baby.

Bookclub Guide

US1. Michael is very unhappy at the beginning of the novel. Discuss how Michael's life changes after he discovers Skellig and meets Mina. Think about ways that you deal with fear and loneliness. How can you help a friend who appears unhappy?2. Almond never gives the reader a specific description of Skellig. Based on the glimpses of Skellig found throughout the novel, what is your impression of Skellig? How might Michael describe Skellig at the end of the novel?3. Michael brushes his hands against Skellig's back and detects what appear to be wings. When he asks his mother about shoulder blades, she answers, "They say that shoulder blades are where your wings were when you were an angel . . . where your wings will grow again one day." What does this statement reveal about Skellig?4. When Michael questions why Skellig eats living things and makes pellets like an owl, Mina answers, "We can't know. Sometimes we just have to accept that there are things we can't know." Why is this an important moment in the novel?5. When Michael's soccer teammates discover his friendship with Mina, they begin teasing him. How does this affect Michael's relationship with them? Why do you think they make fun of Mina? How does she handle the teasing? How would you handle the situation if your classmates made fun of a special friend?6. Discuss Michael's relationship with his mother and father. How does the baby's illness put a strain on these relationships? How is Michael's relationship with his parents different from Mina's relationship with her mother?7. At the same time that his sister is undergoing heart surgery, Michael discovers that Skellig is gone. Mina calms Michael by quoting William Blake: "[Blake] said the soul was able to leap out of the body for a while and then leap back again. He said it could be caused by great fear or enormous pain. Sometimes it was because of too much joy. It was possible to be overwhelmed by the presence of so much beauty in the world." Why do you think Mina quoted this passage to Michael? How are fear and pain related? How are joy and beauty related? How does Skellig represent all these qualities?8. What does the nurse mean when she describes Michael's baby sister as having a "heart of fire"? Why does Michael want to name the baby Persephone? Why is Joy an appropriate name for her? What other names might symbolize her journey and her place in the world?9. Skellig returns for one last visit with Michael and Mina. What do you think is Skellig's purpose for entering Michael's life? How does he touch other lives? Do you think he'll ever return?

Editorial Reviews

"Its strength as a novel is in its subtlety. . . . Skellig is a fine book." — The New York Times Book Review

"British novelist Almond makes a triumphant debut in the field of children’s literature with prose that is at once eerie, magical, and poignant." — Publishers Weekly, Starred