Sleeping with the Dictionary by Harryette MullenSleeping with the Dictionary by Harryette Mullen

Sleeping with the Dictionary

byHarryette Mullen

Paperback | February 22, 2002

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Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group Oulipo, a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's "Jabberwocky"--also creates a kind of automatic poetic discourse.

Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being "licked all over by the English tongue," and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a "pillow dictionary."
Harryette Mullen is Associate Professor of English and African American Studies at the University of California, Los Angeles. She is the author of Tree Tall Woman (1981), Trimmings (1991), S*PeRM**K*T (1992), and Muse & Drudge (1995).
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Title:Sleeping with the DictionaryFormat:PaperbackPublished:February 22, 2002Publisher:UNIVERSITY OF CALIFORNIA PRESSLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0520231430

ISBN - 13:9780520231436

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Reviews

Rated 5 out of 5 by from Bravo! Brilliant. Absolutely brilliant. I loved this collection; I loved the word choice and it is true to the title. More people should be reading and writing work of this quality, especially if it is to be poetry. I found myself laughing at the wittiness of word choice and how she brilliantly infuses language and word choice into a poem with a point. If you're looking for something smart for a change, tired of poets trying to be poets, turn to Sleeping with the Dictionary. She gets her point across without the obnoxious pretention that seems to follow most poets.
Date published: 2008-03-19

Table of Contents

Acknowledgments
All She Wrote
The Anthropic Principle
Any Lit
Ask Aden
Between
Bilingual Instructions
Black Nikes
Blah-Blah
Bleeding Hearts
Bolsa Algodón
Coals to Newcastle, Panama Hats from Ecuador
Coo/Slur
Daisy Pearl
Denigration
Dim Lady
Dream Cycle
Ectopia
Elliptical
European Folk Tale Variant
Eurydice
Exploring the Dark Content
Fancy Cortex
Free Radicals
The Gene for Music
Hitched to a Star
Jinglejangle
Junk Mail
Kamasutra Sutra
Kirstenography
The Lunar Lutheran
Mantra for a Classless Society, or Mr. Roget's Neighborhood
Music for Homemade Instruments
Naked Statues000
Natural Anguish
Once Ever After
O, 'Tis William
Outside Art
Present Tense
Quality of Life
Resistance Is Fertile
She Swam On from Sea to Shine
Sleeping with the Dictionary
Souvenir from Anywhere
Suzuki Method
Swift Tommy
Ted Joans at the Café Bizarre
Transients
Variation on a Theme Park
Way Opposite
We Are Not Responsible
Why You and I
Wino Rhino
Wipe That Simile Off Your Aphasia
Xenophobic Nightmare in a Foreign Language
X-ray Vision
Zen Acorn
Zombie Hat

Editorial Reviews

"Harryette Mullen's latest set of artful mishearings and mis-writings gives you the queasy sense that you haven't been paying enough attention. . . . Submit to its 'Blah-Blah' and you'll be bothered and delighted by what you find there."--The "Boston Review