Somebody With A Little Hammer: Essays by Mary GaitskillSomebody With A Little Hammer: Essays by Mary Gaitskill

Somebody With A Little Hammer: Essays

byMary Gaitskill

Hardcover | April 4, 2017

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From one of the most singular presences in American fiction comes a searingly intelligent book of essays on matters literary, social, cultural, and personal. Whether she’s writing about date rape or political adultery or writers from John Updike to Gillian Flynn, Mary Gaitskill reads her subjects deftly and aphoristically and moves beyond them to locate the deep currents of longing, ambition, perversity, and loneliness in the American unconscious. She shows us the transcendentalism of the Talking Heads, the melancholy of Björk, the playfulness of artist Laurel Nakadate. She celebrates the clownish grandiosity and the poetry of Norman Mailer’s long career and maps the sociosexual cataclysm embodied by porn star Linda Lovelace. And in the deceptively titled “Lost Cat,” she explores how the most intimate relationships may be warped by power and race. 

Witty, tender, beautiful, and unsettling, Somebody with a Little Hammer displays the same heat-seeking, revelatory understanding for which we value Gaitskill’s fiction.
MARY GAITSKILL is the author of the story collections Bad Behavior, Because They Wanted To (nominated for the PEN/Faulkner Award), and Don’t Cry, and the novels The Mare, Veronica (nominated for the National Book Award), and Two Girls, Fat and Thin. Her stories and essays have appeared in The New Yorker, Harper’s, Artforum, and Granta,...
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Title:Somebody With A Little Hammer: EssaysFormat:HardcoverDimensions:288 pages, 8.5 × 5.7 × 1 inPublished:April 4, 2017Publisher:Knopf Doubleday Publishing GroupLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0307378225

ISBN - 13:9780307378224

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Reviews

Table of Contents

A Lot of Exploding Heads
On Reading the Book of Revelation 3

The Trouble with Following the Rules
On “Date Rape,” “Victim Culture,” and Personal Responsibility 10

A Lovely Chaotic Silliness
A Review of The Fermata by Nicholson Baker 27

Toes ’n Hose
A Review of From the Tip of the Toes to the Top of the Hose by Elmer Batters, and Nothing But the Girl, edited by Susie Bright and Jill Posener 30

Crackpot Mystic Spirit
A Review of Invisible Republic: Bob Dylan’s Basement Tapes by Greil Marcus 33

Bitch
A Review of Bitch: In Praise of Difficult Women by Elizabeth Wurtzel 36

Dye Hard
A Review of Blonde by Joyce Carol Oates 41

Mechanical Rabbit
A Review of Licks of Love by John Updike 46

I’ve Seen It All
Thoughts on a Song by Björk 53

And It Would Not Be Wonderful to Meet a Megalosaurus
On Bleak House by Charles Dickens 58

Remain in Light
On the Talking Heads 71

Victims and Losers: A Love Story
Thoughts on the Movie Secretary 76

The Bridge
A Memoir of Saint Petersburg 85

Somebody with a Little Hammer
On Teaching “Gooseberries” by Anton Chekhov 105

Enchantment and Cruelty
On Peter Pan by J. M. Barrie 111

Worshipping the Overcoat
An Election Diary 114

This Doughty Nose
On Norman Mailer’s An American Dream and The Armies of the Night 120

Lost Cat
A Memoir 131

I See Their Hollowness
A Review of Cockroach by Rawi Hage 180

Lives of the Hags
A Review of Baba Yaga Laid an Egg by Dubravka Ugresic 185

Leave the Woman Alone!
On the Never-Ending Political Extramarital Scandals 191

Master’s Mind
A Review of Agaat by Marlene van Niekerk 199

Imaginary Light
A Song Called “Nowhere Girl” 205

Form over Feeling
A Review of Out by Natsuo Kirino 210

Beg for Your Life
On the Films of Laurel Nakadate 215

The Cunning of Women
On One Thousand and One Nights by Hanan al-Shaykh 222

Pictures of Lo
On Covering Lolita 229

The Easiest Thing to Forget
On Carl Wilson’s Let’s Talk About Love 235

She’s Supposed to Make You Sick
A Review of Gone Girl by Gillian Flynn 241

Icon
On Linda Lovelace 248

That Running Shadow of Your Voice
On Nabokov’s Letters to Véra 261

Acknowledgments 271

Editorial Reviews

“Gaitskill’s intuition . . . borders on clairvoyance. Her prescience is agenda-free, but it’s her exceptionally discerning writings on women—Linda Lovelace, Elizabeth Wurtzel, Sarah Palin, Hillary Clinton—that make one wish she had (or even wanted) her own syndicated newspaper column.” —Kate Bolick, The New York Times Book Review“Indispensable . . . Gaitskill has a gift for traversing taboo territory with a subtlety that’s sometimes downright Jamesian . . . She draws on her personal experience to crack the veneers of the social codes and sexual ambiguities we all navigate . . . Essential reading.” —Michael Upchurch, The Boston Globe “It feels refreshing to finally have a grownup in the room, laying down the law but not really caring whether you follow it or not.” —Merve Emre, The Boston Review“If you have not yet worked through a thought with Gaitskill, Somebody with a Little Hammer is a primer. It makes entirely clear how seriously she takes the idea of fairness, in life and in fiction, and how averse she is to even the lightest thumb on the scale.” —Sasha Frere-Jones, Bookforum“As in her fiction, Gaitskill sees everything . . . The essays in Somebody with a Little Hammer . . . further establish her as the important critical thinker she’s always been. Her extreme sensitivity makes her one of the most reliable witnesses to life in the US.” —Chris Kraus, 4Columns“While Gaitskill is best known for her fiction, this collection demonstrates her power as an essayist, and thrums with the same sexual energy.” —The New Yorker“Mary Gaitskill never fails to transport her reader . . . These essays not only embrace but define their subjects, making you rethink the way you interact with the things around you in a much more meaningful way.” —Newsweek“[Gaitskill’s] explorations are incisive and unpredictable . . . The emotional centerpiece of this collection, ‘Lost Cat: A Memoir,’ is as fine a personal essay as you will find anywhere . . . A bracing, terrific new collection.” —Mark Cecil, The Millions“A voice of reason and sanity, of piercing intelligence and generous humanity.” —Sariah Dorbin, Los Angeles Review of Books“[Mary Gaitskill] says the things you didn’t know needed to be said until she says them, and only then do you know what you’ve been missing.” —Emily Simon, The Buffalo News“A cool and formidable collection.” —Dwight Garner, The New York Times“Immersing yourself in [Gaitskill’s] world for a page or three has the bracing aliveness of throwing yourself into almost-freezing water.” —Margaret Quamme, The Columbus Dispatch “Expect to never look at any of her subjects the same way again.” —Cosmopolitan“Gaitskill is as original in these reviews and personal essays, gathered over two decades, as she is in her fiction; from pieces on Gone Girl and Talking Heads to others on losing her cat, date rape, and born-again Christianity her trajectory may seem apparent but she often takes us to unexpected, revelatory places.” —Paul S. Makishima, The Boston Globe“Gaitskill uses compassion as a conduit for interpretation.” —Larissa Pham, The Nation“Mary writes with startling, otherworldly clarity, peeling back the surface of things we might think we understand to peer into the slippery psychological realities underneath.” —Jason Gots, Big Think “A beautiful, thought-provoking work that cements Mary Gaitskill as one of the sharpest critical thinkers and most important cultural critics of our time.” —Sadie L. Trombetta, Bustle“Gaitskill’s biting tongue and literary pyrotechnics make for a delightful combination.”—Poornima Apte, Booklist"This collection of essays spanning two decades has the same fearless curiosity about the human psyche that Gaitskill exhibits in her fiction, along with the same unerring precision of prose . . . The pages burst with insight and a candid, unflinching self-assessment sure to thrill Gaitskill’s existing fans and win her new ones." —Publisher’s Weekly (starred review)--------------------PRAISE FOR MARY GAITSKILL “No writer is sharper about the fickle exigencies of desire.” —Alexandra Schwartz, The New Yorker“Ambiguity—the inseparability of light and darkness, love and pain, nurture and destruction, progress and regress—is her métier. The question she seems to ask again and again, and with astonishing force . . . is how to feel, how we do feel.” —Stacey D’Ersamo, The New York Times Book Review“Gaitskill’s prose has never been cold, that’s only what it has been called; and her writing has never been about the absence of emotion so much as its unapologetic abundance. She resists sentimentality not by banishing feeling to the white margins with understatement but by granting emotion enough space to misbehave.” —Leslie Jameson, Bookforum “Gaitskill’s strange gift is to unfold emotions, no matter how petty or upsetting, and describe them with disarming patience for their stutters and silences, their repetitions and contradictions. The result often feels both primal and electric, something like a latter-day D. H. Lawrence.” —Amy Gentry, Chicago Tribune “Bracing in its rigorous truth-seeking, subtle and capacious in its moral vision, Gaitskill’s work feels more real than real life, and reading her leads to a place that feels like a sacred space.” —Priscilla Gilman, The Boston Globe