Stage Fright: Modernism, Anti-theatricality, And Drama by Martin PuchnerStage Fright: Modernism, Anti-theatricality, And Drama by Martin Puchner

Stage Fright: Modernism, Anti-theatricality, And Drama

byMartin Puchner

Paperback | August 31, 2011

Pricing and Purchase Info

$38.81 online 
$45.95 list price save 15%
Earn 194 plum® points

In stock online

Ships free on orders over $25

Not available in stores

about

Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores the conflict between avant-garde theater and modernism. While the avant-garde celebrated all things theatrical, a dominant strain of modernism tended to define itself against the theater, valuing lyric poetry and the novel instead. Defenders of the theater dismiss modernism's aversion to the stage and its mimicking actors as one more form of the old "anti-theatrical" prejudice. But Puchner shows that modernism's ambivalence about the theater was shared even by playwrights and directors and thus was a productive force responsible for some of the greatest achievements in dramatic literature and theater.

A reaction to the aggressive theatricality of Wagner and his followers, the modernist backlash against the theater led to the peculiar genre of the closet drama-a theatrical piece intended to be read rather than staged-whose long-overlooked significance Puchner traces from the theatrical texts of Mallarmé and Stein to the dramatic "Circe" chapter of Joyce's Ulysses. At times, then, the anti-theatrical impulse leads to a withdrawal from the theater. At other times, however, it returns to the stage, when Yeats blends lyric poetry with Japanese Nôh dancers, when Brecht controls the stage with novelistic techniques, and when Beckett buries his actors in barrels and behind obsessive stage directions. The modernist theater thus owes much to the closet drama whose literary strategies it blends with a new mise en scène. While offering an alternative history of modernist theater and literature, Puchner also provides a new account of the contradictory forces within modernism.

Martin Puchner is a professor of English and comparative literature at Harvard University and author of The Drama of Ideas: Platonic Provocations in Theater and Philosophy.
Title:Stage Fright: Modernism, Anti-theatricality, And DramaFormat:PaperbackDimensions:248 pages, 9 × 6 × 0.53 inPublished:August 31, 2011Publisher:Johns Hopkins University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1421403994

ISBN - 13:9781421403991

Look for similar items by category:

Customer Reviews of Stage Fright: Modernism, Anti-theatricality, And Drama

Reviews

Table of Contents


Contents:

The Invention of Theatricality

Richard Wagner

The Modernist Closet DramaStephane Mallarme

James Joyce

Gertrude Stein

The Diegetic TheaterWilliam Butler Yeats

Bertolt Brecht

Samuel Beckett

Editorial Reviews

Puchner's positioning of the Epic Theater in a larger, exhaustively and well-theorized context of modernist attempts to reconfigure the actor and create legible gestures by diegetic means certainly makes his book a major contribution to Brecht scholarship.