Stranger In The Room: A Novel by Amanda Kyle WilliamsStranger In The Room: A Novel by Amanda Kyle Williams

Stranger In The Room: A Novel

byAmanda Kyle Williams

Mass Market Paperback | November 26, 2013

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“One of the most addictive new series heroines since Stephanie Plum.”—The Atlanta Journal-Constitution

Atlanta private investigator and ex–FBI profiler Keye Street wants nothing more than time alone with her boyfriend, Aaron—but, as usual, murder gets in the way. A.P.D. Lieutenant Aaron Rauser is called to the disturbing scene of the strangling death of a thirteen-year-old boy. Meanwhile, Keye, a recovering alcoholic, must deal with her emotionally fragile cousin, who has her own history of drug abuse and is now convinced that she is being stalked. But all hell breaks loose when another murder—the apparent hanging of an elderly man—hits disturbingly close to home for Keye. Though the two victims have almost nothing in common, there are bizarre similarities between this case and that of Aaron’s strangled teen. With the threat of more deaths to come, Keye works on pure instinct alone—and soon realizes that a killer is circling ever closer to the people she loves the most.
 
Praise for Amanda Kyle Williams and Stranger in the Room
 
“Keye Street remains the most interesting, cynically funny and smart series detective today. . . . The tension buzzes like cicadas on a hot Georgia night and the pace is relentless.”—Seattle Post-Intelligencer
 
“The best fictional female P.I. since Sue Grafton’s Kinsey Millhone.”—The Plain Dealer
 
“Keye Street immediately puts herself in the top echelon of suspense heroes. She’s a mess of fascinating contradictions—effortlessly brilliant on a case, totally inept in managing her own life. She is brutally funny and powerfully human—one of the most realistic protagonists in crime fiction that I’ve had the thrill to read.”—Tess Gerritsen, New York Times bestselling author of Last to Die
 
“There’s a new voice in Atlanta, and her name is Amanda Kyle Williams—captivating, powerful and compelling.”—Julia Spencer-Fleming, New York Times bestselling author of One Was a Soldier
 
“Readers of this fast-paced thriller will be eager for the next Street tale.”—Publishers Weekly

Amanda Kyle Williams is the author of The Stranger You Seek, her Shamus Award–nominated suspense debut, and Stranger in the Room. Bantam will publish the next Keye Street thriller, Don’t Talk to Strangers, in hardcover in 2013.
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Title:Stranger In The Room: A NovelFormat:Mass Market PaperbackDimensions:400 pages, 6.8 × 4.1 × 1.06 inPublished:November 26, 2013Publisher:Random House Publishing GroupLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0553593811

ISBN - 13:9780553593815

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Customer Reviews of Stranger In The Room: A Novel

Reviews

Rated 3 out of 5 by from Good Thriller, Not as Good as the First This is the second book in Amanda Kyle Williams' Keye Street series. I think that you could read this as a standalone novel. I really enjoyed the first book The Stranger You Seek, so you may just want to pick it up for a good read. Williams picks up a few months after The Stranger You Seek, and Keye is still trying to comprehend and deal with what has happened to her, but she has bills to pay and White Trash needs to eat so she takes on more cases than she really should. Everyone thinks that Miki is just off her Meds again and is seeing things, hearing noises; I mean Miki is an alcoholic and a drug user so why should anyone believe what she has to say. Good think that Miki has a fairly famous cousin, well famous for many of the wrong reason and Keye Street has been taught that she cannot say no to family. Miki is convinced that she is being stalked and wants Keye to figure out who especially when she claims there was someone in her house. APD Lieutenant Aaron Rauser also needs Keye's help when a thirteen year old boy is found strangle and he needs Keye's help with the profile. However, Keye also needs to pay the bills, so she has accepted a paying job investigating the contamination of cremated ashes, even though it sounds like the missing cow from the year before, but it pays the rent. With all of this going on Keye needs to keep her focus on all the cases if she has a hope of getting everyone out alive. It took me awhile to get into this book. I am unsure why as I enjoyed the first novel, but for some reason this book was unable to grab my attention right off. I'm not sure if it was the flow, or the book picked up a little too far after the first but the first few chapters in the book were unable to really grab onto me. However, once I got past this funk in the beginning I realized once again why I enjoyed the first book, Keye Street. Keye is a great character who is strong, cynical, witty and flawed, and well very real. Her struggle with addiction, her adoption and her relationships are what draws the reader in, and then watching her work on cases, while attempting to quell her need for a drink is fantastic. Williams knows how to write characters, there is depth in all the characters that she has created, but the main focus is on Keye. I appreciate that Williams does not let Keye forget that she was an alcoholic, there is always that need for a drink and with job that Keye does there is a need and temptation constantly. I liked that Williams took the time to show more of how Keye struggled with her relationship with her mother and south and what it was like growing up as a Chinese child in the American South. I felt that the reader gets to know a lot more about Keye in this novel that the first novel, especially with the introduction to Keye's cousin Miki, who is a lot like Keye, even if she does not want to think that, but Miki is also things that Keye thinks that she could never achieve. I like that Williams has the intersection of two different lifestyles with Keye, the one where she helps Rauser out and the one where she does different types of private investigator work, in this case cement mix in urns instead of a family members ashes. Of course this is taking place in a small town and Keye in a small town you know that there are going to be some funny moments. I like that Williams uses the small town setting to add the humor and give the reader some relief from the intensity of her other cases. Some people may find the intersection of the two different cases to be a negative because it takes away for a while from the main plot, which is Miki’s stalker but what people do not realize, is that this is what most investigations are like. An officer, detective or private investigator will have multiple cases they are working on, and at times cases are put aside to work other. So yes, the main plot does take the back seat to the ashes investigation, but this just makes it more true to life. I personally liked the funeral investigation, more than the case that involved Keye's cousin Miki. I found that the funeral investigation was more interesting and involved more of Keye's detective work, than Miki's case, until later in the book. Additionally, the ashes investigation had everything that a reader is looking for, a mystery, some thrills and humor, it is just a nice change from the ordinary, and as I stated above, a nice change from the seriousness of the other cases. Although I do not think that this book is as good as the first it is Keye as a character that will keep me coming back to Williams for more. As long as Williams keeps Keye as authentic and true to her character as possible I will always be back for more. If you are looking for a new up and coming thriller author to read, Amanda Kyle Williams is the author for you, as her books have everything you could want in a thriller read; Mystery, strong and interesting lead character and of course some thrills. Enjoy!!!!
Date published: 2012-12-29

Read from the Book

1It was ten-thirty when I answered the phone, the Thursday night before Independence Day. Atlanta’s tree-lined neighborhoods flew flags in anticipation from front porches and garden stakes. Red, white, and blue ribbons decorated mailboxes. In town, the city’s diverse population celebrated July’s holiday weekend with food and art and music festivals, rooftop bars and ground-shaking fireworks displays.“I need to see you,” my cousin, Miki, told me.Oh boy. Miki, the daughter of my adoptive mother’s troubled sister, Florence. She’d lived on a houseboat in her own backyard when Jimmy and I were kids. I hadn’t seen Miki in a couple of months. She was probably embroiled in some drama. She might also be in real trouble. Miki had a flair for trouble.I was in my office late, catching up on the work I’d put off all week, a last-ditch effort to take a long weekend off. The air-conditioning was working overtime. Atlanta’s smoldering summer had dropped down around us like a burning building.My name is Keye Street. I run a little detective agency in Atlanta called Corporate Intelligence & Investigations. And when I say “little,” I mean it’s just me and my red-eyed computer guy, Neil Donovan. And when I say “red-eyed,” I mean he probably smoked a joint with his scrambled eggs this morning. My background is in law enforcement, criminology, psychology, and, well, drinking. I was once a criminal investigative analyst in the Behavioral Analysis Unit (BAU) at the Bureau. But I set fire to that and to nearly everything else in my life back then. So this is what I do now. Detective work suits me.“What’s up, Miki?” I asked. “You okay?”“No,” said my lovely sandy-haired cousin. Put us side by side and we looked like the photograph and the negative. I’m a Chinese American recovering alcoholic with a southern accent, white parents, and a gay African American brother. Neil is convinced there’s a way to cash in on this—reaching minority status on so many levels. A government program, perhaps. But that’s what happens when you combine Neil’s Generation-Y sense of entitlement with his subversive stoner’s brain.Neil handles most of the computer searches and I collect the human intelligence, which means I trail around behind certain folks, search their trash, take unwanted pictures of them, listen in on their conversations when I have the opportunity, and generally intrude on their private affairs. It’s all very glamorous. There’s a pile of Little Debbie wrappers and Starbucks cups in my car to prove it. Our client roster is mostly law firms and headhunting agencies, but we’ll work for anyone who wants the secrets swept out from under the rugs. Missing persons, surveillance, bond enforcement, and process serving keep the cash flowing when business slows to a crawl over the winter holidays. But when Atlanta starts to heat up and the glaring southern sun sets our bloodstreams ablaze, when the clothes get skimpy and overworked servers stagger out with trays of frosty pitchers at packed pavement cafés, my phone gets busy. The badly behaved fill my coffers. I’m fine with that. It buys the Krispy Kremes. Original glazed, warm—the current monkey on my back.“Keye, I need to see you right away,” Miki insisted. “It’s serious.”I rolled my neck a couple of times. Everything was always massively serious with Miki. I was tired. I’d served two subpoenas today; one of them meant following someone to work, bullying my way into her workplace, and tossing it at her before she could put her coffee down. I then dealt with the cluster-fuck they call a parking system near Fulton County’s courthouse, filed the paperwork for the attorney, left there, and picked up a bail jumper for Tyrone’s Quikbail in East Atlanta and delivered him to the police station. Also, my bitchy cat hadn’t had a shot of half-and-half in hours.“Someone broke into my house, Keye. I don’t even want to be there right now.”I grabbed my keys. “I’ll pick you up.” Miki’s Inman Park home was just a few blocks from my North Highland office.“No. Meet me at Gabe’s. I need to be around people. And I need a drink.”I picked up my ink pen and bit into it. I needed a friggin’ drink too.“Keye, please,” Miki said, and I heard it for the first time—genuine fear in my cousin’s voice.Nine minutes later I pulled into the small parking lot across the street from Gabe’s on Juniper. It was a fireplace bar and restaurant with plush seating and room to lounge, a cigar room, the kind of place that served single malt at exactly the right temperature. In spring and summer, the big deck that edged right up to the street with a view of Midtown’s crowded skyline cranked out gourmet tapas and stayed packed late into the evening. Runoff from the 14th Street Playhouse, the Alliance Theatre, Symphony Hall, and The Fox Theatre, all kept it brimming with hip clientele, multitaskers who can chat with you while conducting text conversations, updating their Facebook status, and Tweeting the wine list.I saw a crowd in the parking lot as I searched for an empty spot for the Impala. Instinct told me Miki was at the heart of it. Miki always seemed to be putting on some kind of show. I’d never been out with her when she didn’t have an entourage, faithful followers to bask in her brilliant light. It was how she kept everyone at arm’s length while soaking up the adoration she craved.I parked, took a ticket stub from the attendant, and headed that way. The knot of nicely clad humans loosened just enough for me to glimpse my cousin’s wispy figure at its center. As I moved closer, I smelled something burning and saw a small fire of twigs and leaves and something made of fabric. I stopped on the fringe.“It’s her black gloves,” the woman next to me whispered reverently. Ah, the black gloves. No need to explain. Everyone in Miki’s life knew about the gloves. They had become a part of Miki’s depression rituals. I think we had all hoped at some point that wearing them would be expression enough of her misery to prevent her from hurting herself again. But the gloves had merely acted as a warning. Someone would find her in the bathtub, on the floor, in the bed, with her veins open and enough barbs in her system to give Keith Richards a run for his money.I moved through the group and saw Miki standing over the smoldering pile. Someone handed her a champagne flute. She held up the glass dramatically as the last bit of fabric curled into the fire. A cheer went up as she drained her glass.She spotted me and smiled, raised her voice. “I’ve turned the corner, Keye. The curtain has lifted.” And then she stepped out of the circle and walked away from her fans without so much as a word. She hugged me and whispered: “Be my date tonight. Protect me from the wolves.”I laced my arm in hers, and we crossed Juniper to Gabe’s, maneuvered our way across the busy patio and went inside. The first whiff of tequila and lime wrapped its arms around me like an old friend. Most of the time now, I don’t even really want a drink. Not when I’m thinking. But when I’m reacting to some trigger—a smell, a certain glass, a social situation—my addict’s brain gets busy romancing the memories—the way that first drink of the day settles in on your stress, the way a good tawny port feels in your mouth and lingers on your lips after a meal. That’s when my sobriety feels fleeting. I felt prickly heat on the back of my neck. I needed to get back to AA. Not surprisingly, I’d made a mess out of that as well.Miki was wearing a black dress that flared out above her knees, more Judy Jetson than Audrey Hepburn, and over-the-knee boots. She stood near me at the bar, searching my face. We must have looked like lovers, something Miki had already calculated, I was sure. And another way of keeping her flock at bay.“Are you all right?” she asked, then went on without giving me time to answer. “Oh, right. The alcohol thing. What’s the big deal, anyway? I won’t let you get wasted. Just order a fucking drink.”“That’s the worst idea I’ve heard all day.”She reached into her bag and withdrew a tiny glass vial with a black cap. “I’ve got some coke. Would a line help?”That’s my Miki, always thinking of others. “Probably not,” I answered, with more revulsion than I wanted to show her. We’d all been watching Miki’s self-medicated self-destruction for years. I felt really over it at the moment. I’d been down that road. We are always less tolerant of our own reflections, aren’t we?I ordered grape juice and got the same smirk I’m usually subjected to when I order grape juice in a bar. They didn’t have it, of course. “Okay, how about a Diet Pepsi?” A couple of heads turned. Ordering Pepsi in a Coca-Cola town was an act of treason.“We have Diet Coke,” the bartender told me.I settled on club soda with a twist and Miki ordered an Absolut martini, extra-dirty. We found an empty couch with a coffee table in a back section off the main bar. The room was set up with lacquered cherrywood tables and chessboards. And though our long, hot summer was in full swing, the bar was air-conditioned to frosty cold so the gas fireplaces could warm it back up. I could see the bar from where we sat, mirrored and glimmering in the soft light. I looked at Miki and tried not to notice the marks on both her arms. The thick horizontal streaks of white scar tissue were a reminder of how desperate she’d been, and how utterly incapable she was of loving herself. There must have been eight or ten slashes on each arm. They seemed especially out of place on my porcelain-doll cousin. She’d just burned the long, black gloves that had covered those scars. Perhaps she was ready to look at them. It wasn’t the first time I’d been grateful the DNA that had poisoned Miki’s mental health and her mother’s, and perhaps even flirted with my adoptive mother’s happiness from time to time, was not surging through my own veins. Mother’s family had a history of quiet and hidden gloominess. Depression isn’t something one freely admits to down South. But Florence and Miki had blown the lid off the family secrets vault with their overt and sometimes public illness. Fortunately, someone had always managed to find Miki after she’d sliced herself up or swallowed a mountain of pills—a self-appointed watcher, a groupie, one of the countless men or women who flocked to her like hungry gulls. They couldn’t help themselves. A radiant, brilliant, dark, and emotionally unavailable woman is irresistible to the demons and obsessions of codependent fixers and masochists. Miki’s illness only sparked theirs.“So what’s up with the gloves?” I wanted to know. We had leaned back, drinks in hand, legs crossed, facing each other.“That part of my life is over.”“You taking your meds?”Miki shook her head. “I can’t live like that. I can’t do my life numb. I just can’t.”Yeah sure. Coke and alcohol wasn’t numbing at all. She was probably on some manic tear with stimulants and booze and no meds. I wondered if the break-in was real, imagined, or outright fabrication. She must have read the concern on my face.She leaned in close and whispered, “I think I’m following someone. I’m just not sure who.”I stared at her blankly.“Oh, come on, Keye. Lighten up. It’s a joke.”Stress hormones began to jet-ski through my bloodstream. My eyes dropped to the martini. It was cloudy and cold. My saliva glands were working overtime. I didn’t want to be here. What’s the big deal, anyway? . . . Just order a fucking drink.A busty brunette with an old-fashioned cigarette tray attached to her by a neck strap passed through and headed for the cigar room, where she’d clip ends and refill cognacs. Someone at the bar was licking salt and lemon and shooting tequila. I squeezed lime into my club soda and blinked up at Miki. Patience. Something had frightened her. She wanted to be here right now, and I needed to function in the real world, where people drink and want to talk to me in bars. I’m a PI, for Christ’s sake. Half my clients are drunks. The old tapes were playing, telling me this was hard, telling me I wanted a drink. I didn’t. Not ever. I reminded myself it wasn’t real. Just the mind stalking shadowy old corridors. I reeled myself in, knowing that each time I did that, each time I said no, new pathways were burned into me that might help avert the next crisis.“I hired this trainer who uses alternative treatments as mood stabilizers to get people off meds,” Miki told me. “Exercise and supplements, acupuncture and diet. It’s working. I exercise my ass off. It releases some kind of chemical that keeps me healthy. You know I’ve been good for a while, right?”By “good” she meant she hadn’t been institutionalized for cutting or overdosing in a couple of years. She took the vial out of her bag, filled the cap with white powder, glanced around the room before she lifted it to her nostril and inhaled.“Cocaine and vodka part of the regimen?”“So judgmental, Keye.” She swirled the martini glass gently, then sipped it. I smelled the olive juice. Her blue eyes lifted to mine. “It’s really disappointing.”“You’re not the first bipolar patient to argue against meds.”“I’m not a fucking patient!” Miki exploded. Heads turned. She set her martini down too hard. Liquid sloshed over the rim. “I’m family, Keye. I mean, what the fuck?”“It was a valid question, Miki,” I shot back.“I was a finalist last year, Keye, for a Pulitzer for feature photography. A goddamned Pulitzer. You ever notice how many World Photography Awards I have on my shelves? Some of us can manage our cravings just fine. How about you?”I felt that knife twist in my gut. “I fought for my addiction too, Miki,” I replied evenly. “For a long time. It didn’t pay off.”“Someone was in my house when I got home tonight. Can we just focus on that?”“Tell me what happened,” I said calmly. I wanted the heat to dissipate a little.She told me about fumbling with her keys at the door, then hearing something and knowing someone was inside the house. The combative demeanor began to peel away. Tears spilled out and ran down pale cheeks. She swiped them away and picked up her martini glass with a shaky hand. “I went to the window off the porch, and I saw him. Inside my house, Keye. He had walked from my front door to the window. And he just stood there looking at me. He made his hand into a pistol like this.” Miki raised her thumb and jutted out her forefinger. “And he squeezed the trigger.” Another tear trickled.

Editorial Reviews

Praise for Amanda Kyle Williams and Stranger in the Room   “Keye Street remains the most interesting, cynically funny and smart series detective today. . . . The tension buzzes like cicadas on a hot Georgia night and the pace is relentless.”—Seattle Post-Intelligencer   “One of the most addictive new series heroines since Stephanie Plum.”—The Atlanta Journal-Constitution   “The best fictional female P.I. since Sue Grafton’s Kinsey Millhone.”—The Plain Dealer   “Keye Street immediately puts herself in the top echelon of suspense heroes. She’s a mess of fascinating contradictions—effortlessly brilliant on a case, totally inept in managing her own life. She is brutally funny and powerfully human—one of the most realistic protagonists in crime fiction that I’ve had the thrill to read.”—Tess Gerritsen, New York Times bestselling author of Last to Die   “There’s a new voice in Atlanta, and her name is Amanda Kyle Williams—captivating, powerful and compelling.”—Julia Spencer-Fleming, New York Times bestselling author of One Was a Soldier   “Readers of this fast-paced thriller will be eager for the next Street tale.”—Publishers Weekly