Sweet Science: Romantic Materialism And The New Logics Of Life by Amanda Jo GoldsteinSweet Science: Romantic Materialism And The New Logics Of Life by Amanda Jo Goldstein

Sweet Science: Romantic Materialism And The New Logics Of Life

byAmanda Jo Goldstein

Paperback | July 10, 2017

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Today we do not expect poems to carry scientifically valid information. But it was not always so. In Sweet Science, Amanda Jo Goldstein returns to the beginnings of the division of labor between literature and science to recover a tradition of Romantic life writing for which poetry was a privileged technique of empirical inquiry.

Goldstein puts apparently literary projects, such as William Blake’s poetry of embryogenesis, Goethe’s journals On Morphology, and Percy Shelley’s “poetry of life,” back into conversation with the openly poetic life sciences of Erasmus Darwin, J. G. Herder, Jean-Baptiste Lamarck, and Étienne Geoffroy Saint-Hilaire. Such poetic sciences, Goldstein argues, share in reviving Lucretius’s De rerum natura to advance a view of biological life as neither self-organized nor autonomous, but rather dependent on the collaborative and symbolic processes that give it viable and recognizable form. They summon De rerum natura for a logic of life resistant to the vitalist stress on self-authorizing power and to make a monumental case for poetry’s role in the perception and communication of empirical realities. The first dedicated study of this mortal and materialist dimension of Romantic biopoetics, Sweet Science opens a through-line between Enlightenment materialisms of nature and Marx’s coming historical materialism.
Amanda Jo Goldstein is assistant professor of English at Cornell University.
Title:Sweet Science: Romantic Materialism And The New Logics Of LifeFormat:PaperbackDimensions:336 pages, 9 × 6 × 1.2 inPublished:July 10, 2017Publisher:University of Chicago PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:022648470X

ISBN - 13:9780226484709

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Table of Contents

Introduction: “Sweet Science”
a. Tingeing the Cup with Sweet
b. Undisciplined Romantics
c. The “Poetry of Life”
d. Matter Figures Back
e. Chapters and Scope
Chapter 1. Blake’s Mundane Egg: Epigenesis and Milieux
a. Into the Egg
b. The Missing Baumeister
c. From Epi- to Autogenesis
d. Epigenesis and Milieux
e. Beholding
f. Epigenesis, an Epilogue
Chapter 2. Equivocal Life: Goethe’s Journals on Morphology
1. Goethe and the Equivocal Matter of De rerum natura
a. Endlessly Small Points, 1785–86
b. Life Is Not a Power
c. Equivocity
2. Obsolescent Life
d. Going to Dust, Vapor, Droplets
e. Trying Not to Think about Sex
f. Natural Simulacrum
g. Writing Decadent Life
Chapter 3. Tender Semiosis: Reading Goethe with Lucretius and Paul de Man
1. Phenomenality and Materiality in Goethe and Lucretius
a. The Skins or Signs of Things
b. Another “Rhetoric of Temporality”
c. Atoms, Letters, Figures
2. Tender Empiricism
d. Kant’s Immodesty
e. Active like an Object
Chapter 4. Growing Old Together: Lucretian Materialism in Shelley’s The Triumph of Life
a. Prologue: Montaigne’s Face
b. Morphology and Shelley’s “Shapes”
c. Shelley, Wrinkled
d. Life, Triumphant
e. A Thousand Unimagined Shapes
f. What Shares the Air
g. Atmospheres of Sensation
h. Historical Material
Chapter 5. A Natural History of Violence: Allegory and Atomism in Shelley’s The Mask of Anarchy
a. “The Occasion of the Massacre at Manchester”
b. Ghastly Masquerade
c. Events Take Shape
d. Material Poetic Justice
e. Atomic Prehistories for The Mask of Anarchy
f. Getting Didactic
g. As Nature Teaches
h. Pedagogy of Knowledge-Power
i. The Power of Assembly
Coda: Old Materialism, or Romantic Marx

Editorial Reviews

“Goldstein’s Sweet Science has been anticipated with a keenness unusual for a first book. It does not disappoint. More than a valuable rereading of Blake, Erasmus Darwin, Goethe, and Percy Shelley, this book offers a new chapter in the recent recovery of Lucretianism as a powerful shaping force in European literature and thought. It challenges longstanding assumptions about nature and culture, materialism and figuration, some that derive from the Romantic period itself. In the neo-Lucretian alternative excavated by Goldstein, the work of poetry is not inimical to, or even quite distinct from, the work of empirical science. Instead, empiricism and poetics emerge as interanimating one another, fully cooperative in the work of making a world. It is a bold thesis, deftly argued, with implications spelled out for the young Marx and, indeed, for ourselves.”