T. S. Eliot's Personal Waste Land: Exorcism of the Demons by James E. Miller Jr.T. S. Eliot's Personal Waste Land: Exorcism of the Demons by James E. Miller Jr.

T. S. Eliot's Personal Waste Land: Exorcism of the Demons

byJames E. Miller Jr., Jr. James E. Miller

Paperback | June 22, 2005

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A major reinterpretation, T. S. Eliot's Personal Waste Land: Exorcism of the Demons takes Eliot at his word in his reiterated statements that The Waste Land was not a "criticism of the contemporary world" but a personal "grouse against life." It is the first critical work to investigate in depth the sources of the poem in Eliot's life, with particular attention to Eliot's "Calamus"-like attachment to a French youth during Eliot's graduate year in Paris, his subsequent precipitate (and disastrous) marriage following the death of his young French friend in World War I, and his 1921 nervous breakdown (suffering from what he called "an aboulie and emotional derangement which has been a lifelong affliction") that led to the writing of The Waste Land. Yet the main thrust of this work is not on Eliot's life, but on his poetry, exploring ways in which the fragmentary details of his life shape and illuminate the poems.

While some consideration is given to the early, confession-like "Ode" (later suppressed), and to the famous "familiar compound ghost" of the later Four Quartets, primary attention is focused on the original drafts of The Waste Land. The poem emerges from a meticulous and detailed reading of the manuscripts as indeed a kind of elegy for a dead friend, with links to Tennyson's In Memoriam and Whitman's "When Lilacs Last in the Dooryard Bloom'd," and thus not a piece of "social criticism" but an expression of anguish and pain and despair working toward resignation, resolution, and reconciliation.

It becomes clear that this interpretation is not dependent on biographical conjecture and reconstruction, but flows inevitably from simple close scrutiny of the intricate evolution of The Waste Land; therefore the firm establishment of the full facts of Eliot's early life is unnecessary to this "meaning." In following Eliot's own frequent hints, this book offers a vital corrective to all the previous readings (or misreadings) of The Waste Land, and has important implications for the entire Modernist Movement.

James E. Miller Jr. is the Helen A. Regenstein Professor Emeritus of English at the University of Chicago. His most recent book, T. S. Eliot: The Making of an American Poet, 1888–1922, was published by Penn State Press in 2005. Miller's other books include The American Quest for a Supreme Fiction: Whitman's Legacy in the Personal Epic ...
Title:T. S. Eliot's Personal Waste Land: Exorcism of the DemonsFormat:PaperbackDimensions:192 pages, 9 × 6 × 0.5 inPublished:June 22, 2005Publisher:Penn State University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0271027371

ISBN - 13:9780271027371

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Editorial Reviews

“James E. Miller Jr. has written a stimulating and important book. Not only does it succeed in yielding a significantly new interpretation of T. S. Eliot’s The Waste Land; it also demonstrates the manner in which biographical material can be tactfully used to enrich literary criticism. Miller effectively demolishes the last vestiges of the determined efforts of the New Critics to separate a poet from his poem.”—Robert D. Spector, World Literature Today