Technique and Technology: Script, Print, and Poetics in France 1470-1550 by Adrian ArmstrongTechnique and Technology: Script, Print, and Poetics in France 1470-1550 by Adrian Armstrong

Technique and Technology: Script, Print, and Poetics in France 1470-1550

byAdrian Armstrong

Hardcover | March 15, 2000

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Literary studies cannot neglect the study of books, the physical objects through which literary texts are transmitted. Book form is especially relevant to the literature of the late fifteenth and early sixteenth centuries, which saw the crucial shift from manuscript to print in Western Europe.This book examines manuscripts and printed editions of three major French writers of this key period: Jean Molinet, Jean Lemaire de Belges and Jean Bouchet. Presentational features which influence the reading of poems, such as layout, illustration, anthologization and paratext, are analysed. Thedevelopment of these features reflects a gradual change in the ways in which literary self-consciousness is manifested. In earlier texts, produced within an essentially manuscript culture, poets' creative investment in their work is exhibited primarily as formal virtuosity. As printing becomesdominant, such virtuosity tends to be rejected in favour of self-commentary and an apparently more personal discourse.
Adrian Armstrong is Lecturer in French, University of Manchester
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Title:Technique and Technology: Script, Print, and Poetics in France 1470-1550Format:HardcoverPublished:March 15, 2000Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198159897

ISBN - 13:9780198159896

Reviews

Table of Contents

Introduction1. Manuscripts of Molinet's poetry2. Editions of Molinet's poetry3. Manuscripts of Lemaire's poetry4. Editions of Lemaire's poetryConclusionBibliographyIndex

Editorial Reviews

`a brilliant, tightly structured, and fully argued analysis ... combining solid traditional bibliography happily with modern theoretical concepts, he says important things about how literary figures envisaged their work, and how physical presentation affects what they meant to say.'Stephen Rawles, June 2001