The Abbey Theatre, 1899-1999: Form and Pressure

Paperback | February 1, 2003

byRobert Welch

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A century ago this year, productions of W. B. Yeats's iThe Countess Cathleen/i and Edward Martyn's iThe Heather Field/i inaugurated the Irish Literary Theatre, which was to take its name from its home in Abbey Street, Dublin. Despite riot, fire, and critical controversy, the Abbey Theatre hashoused Ireland's National Theatre ever since: at once the catalyst and focus for the almost unprecedented renaissance of drama witnessed by Ireland in the twentieth century. This is the first history of the Abbey to discuss the plays and the personalities in their underlying historical and politicalcontext, to give due weight to the theatre's work in Irish, and to take stock of its artistic and financial development up to the present. The research for the book draws extensively on archive sources, especially the manuscript holdings on the Abbey at the National Library of Ireland.Many outstanding plays are examined, with detailed analysis of their form and their affective and emotional content; and persistent themes in the Abbey's output are identified - visions of an ideal community; the revival of Irish; the hunger for land and money; the restrictions of a societyundergoing profound change. But these are integrated with accounts of the Abbey's people, from Yeats, Martyn, and Lady Gregory, whose brainchild it was, to the actors, playwrights, directors, and managers who have followed - among them the Fays, Synge, O'Casey, Murray, Robinson, Shiels, Johnston,Murphy, Molloy, Friel, McGuiness, Deevy, Carr, and many others. The role of directors and policy-makers, and the struggle for financial security, subsidy, and new-style 'partnerships', is discussed as a crucial part of the theatre's continuing evolution.

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A century ago this year, productions of W. B. Yeats's iThe Countess Cathleen/i and Edward Martyn's iThe Heather Field/i inaugurated the Irish Literary Theatre, which was to take its name from its home in Abbey Street, Dublin. Despite riot, fire, and critical controversy, the Abbey Theatre hashoused Ireland's National Theatre ever since...

Robert Welch is at University of Ulster at Coleraine.

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Format:PaperbackDimensions:294 pages, 9.21 × 6.14 × 0.65 inPublished:February 1, 2003Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199261350

ISBN - 13:9780199261352

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Table of Contents

Prologue 1.1. 1899-1902, 'Four Green Fields'2. 1902-1910, 'Screeching in a Straightened Waistcoat'3. 1911-1925, 'O Absalom, my son'4. 1926-1951, 'The birth of a nation is no immaculate conception'5. 1951-1966, 'I remember everything'6. 1966-1985, 'History is personal'7. 1985-1999, 'The dead are not the past, the dead are the future'EpilogueNotesBibliographyIndex

Editorial Reviews

`Welch has one major advantage over the previous historians of the Abbey. As a fluent Irish speaker and writer who has published in both languages, he is in a position to assess the Irish-language repertory of the Abbey as well as the English.'Nicholas Grene, Irish Studies Review