The Art of Vase-painting in Classical Athens by Martin RobertsonThe Art of Vase-painting in Classical Athens by Martin Robertson

The Art of Vase-painting in Classical Athens

byMartin Robertson

Paperback | January 28, 1994

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In this book, Professor Martin Robertson, author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981), draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the "red-figure" technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject--whether scholar, student, curator, collector or amateur--will find it essential reading.
Title:The Art of Vase-painting in Classical AthensFormat:PaperbackDimensions:364 pages, 10.87 × 8.62 × 0.75 inPublished:January 28, 1994Publisher:Cambridge University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0521338816

ISBN - 13:9780521338813

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Table of Contents

Preface; Introduction; 1. The beginning of red-figure; 2. A time of ferment: the red-figure Pioneers and their contemporaries; 3. After the Pioneers: red-figure mastery; the beginnings of white-ground; 4. Archaic into classical; 5. Early classical; 6. High classical; 7. Developments from the high classical; 8. The later fifth century; developments into the fourth; 9. The fourth century; Notes; Bibliography and abbreviations; List of illustrations; Index.

From Our Editors

In this book, Professor Martin Robertson draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produces over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground.

Editorial Reviews

"...a thorough, sober, yet critical, and very scholarly work which will provide hours of learned company for the specialist art historian, and from which the nonspecialist reader can derive extensive information and great enjoyment." Birgitte Ginge, Classical World