244 pages, 8.02 × 5.3 × 0.7 in
August 31, 2005
The following ISBNs are associated with this title:
ISBN - 10: 0060837020
ISBN - 13: 9780060837020
From the Publisher
"The Bell Jar" chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under -- maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made "The Bell Jar" a haunting American classic.
This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
About the Author
Plath's best poetry was produced, tragically, as she pondered self-destruction---in her poems as well as her life---and she eventually committed suicide. She had an extraordinary impact on British as well as American poetry in the few years before her death, and affected many poets, particularly women, in the generation after. She is a confessional poet, influenced by the approach of Robert Lowell. Born in Boston, a graduate of Smith College, Plath attended Newnham College, Cambridge University, on a Fulbright Fellowship and married the British poet Ted Hughes. Of her first collection,The Colossus and Other Poems (1962), the Times Literary Supplement remarked, "Plath writes from phrase to phrase as well as with an eye on the larger architecture of the poem; each line, each sentence is put together with a good deal of care for the springy rhythm, the arresting image and---most of all, perhaps---the unusual word." Plath's second book of poetry, Ariel, written in 1962 in a last fever of passionate creative activity, was published posthumously in 1965 and explores dimensions of women's anger and sexuality in groundbreaking new ways. Plath's struggles with women's issues, in the days before the second wave of American feminism, became legendary in the 1970s, when a new generation of women readers and writers turned to her life as well as her work to understand the contradictory pressures of ambitious and talented women in the 1950s. The Bell Jar---first published under a pseudonym