The Bloody Chamber: And Other Stories: 75th-anniversary Edition (penguin Classics Deluxe Edition) by Angela CarterThe Bloody Chamber: And Other Stories: 75th-anniversary Edition (penguin Classics Deluxe Edition) by Angela Carter

The Bloody Chamber: And Other Stories: 75th-anniversary Edition (penguin Classics Deluxe Edition)

byAngela CarterIntroduction byKelly Link

Paperback | May 26, 2015

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For the 75th anniversary of her birth, a Deluxe Edition of the master of the literary supernatural’s most celebrated book—featuring a new introduction by Kelly Link

Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Angela Carter (1940-1992) wrote nine novels and numerous short stories, as well as nonfiction, radio plays, and the screenplay for Neil Jordan's 1984 movie The Company of Wolves, based on her story of the same name. She won numerous literary awards, traveled and taught widely in the United States, and lived in London.Kelly Link is the ...
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Title:The Bloody Chamber: And Other Stories: 75th-anniversary Edition (penguin Classics Deluxe Edition)Format:PaperbackDimensions:176 pages, 8.36 × 5.64 × 0.46 inPublished:May 26, 2015Publisher:Penguin Publishing GroupLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0143107615

ISBN - 13:9780143107613

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Reviews

Rated 4 out of 5 by from Gothic Fairy Tales The Bloody Chamber is what you’d get if the Brothers Grimm were feminists. With similar elements to Sarah Waters’ Fingersmith, Jeannette Winters’ The Passion, Bram Stoker's Dracula, and a multitude of folk tales, this book is an essential collection of grown-up fantasy stories. Dealing with themes of objectification, virginity, sexuality, entrapment, and animality (be warned), it illuminates feminist issues, presenting these fairy tales as profound metaphors. Each one is grotesque and disturbing in its own way – except, perhaps, for “Puss-In-Boots,” which incorporates humour into the story through its narrator, and is a personal favourite of mine. This is one author from whom I would very gladly read more. Something about her dark storytelling is engrossing. A really interesting read with stunning images, bold, lyrical language, and settings that are simply enchanting.
Date published: 2017-10-04
Rated 3 out of 5 by from Mixed Feelings Some stories were absolutely brilliant but some stories were uninteresting.
Date published: 2017-07-04
Rated 4 out of 5 by from Great collection Great collection, with some stories being stronger than others. Still recommended for those who like dark, twisted fairy tales.
Date published: 2016-12-26

Editorial Reviews

“Since I first came across The Bloody Chamber, I have kept a copy with me wherever I have been living. . . . The things that I needed, when I was beginning to think about writing short stories, were the things that I found in The Bloody Chamber. . . . Reading Carter, each time, [is] electrifying. It [lights] up the readerly brain and all the writerly nerves. . . . What we don’t have, of course, is any more Angela Carter stories. And how I yearn for exactly this.” —Kelly Link, from the Introduction“Her masterpiece . . . Sex isn’t a subtext in The Bloody Chamber, but the text itself. . . . Eroticism hangs heavy in the air here . . . like an expensive, drugging perfume. . . . Carter produced . . . fiction that was lavishly fabulist and infinitely playful, with a crown jeweler’s style, precise but fully colored. . . . Her books are . . . revered by fans of speculative fiction stateside and have influenced writers as diverse as Rick Moody, Sarah Waters, Neil Gaiman, Jeff VanderMeer, Jeanette Winterson and Kelly Link. Salman Rushdie, who became her friend, described her as ‘the first great writer I ever met.’ Yet her legacy has been a slow and stealthy one, invisible to many of the readers who have benefited from it. . . . Most contemporary literary fiction with a touch of magic, from Karen Russell’s to Helen Oyeyemi’s, owes something to Angela Carter’s trail-blazing. . . . If our personal and literary spaces feel more wide open now, she’s one of the ones we have to thank.” —Laura Miller, Salon“A deluxe edition of her masterpiece, a bold collection of short stories tinged with the supernatural . . . just in time for the 75th anniversary of Carter’s birth.” —Entertainment Weekly“The Bloody Chamber is such an important book to me. Angela Carter, for me, is still the one who said: ‘You see these fairy stories, these things that are sitting at the back of the nursery shelves? Actually, each one of them is a loaded gun. Each of them is a bomb. Watch: if you turn it right it will blow up.’ And we all went: ‘Oh my gosh, she’s right—you can blow things up with these!’ ” —Neil Gaiman, The Daily Telegraph“A wonderfully written book, ironical, cerebral, elegant . . . distinguished by bold, inflected language and ornate, indeed often bloody, imagery.” —Joyce Carol Oates, The New York Times Book Review “The tales are retold by Angela Carter with all her supple and intoxicating bravura.” —The New York Review of Books “She was, among other things, a quirky, original, and baroque stylist, a trait especially marked in The Bloody Chamber—her vocabulary a mix of finely tuned phrase, luscious adjective, witty aphorism, and hearty, up-theirs vulgarity.” —Margaret Atwood, The Observer “She writes a prose that lends itself to magnificent set pieces of fastidious sensuality . . . dreams, myths, fairy tales, metamorphoses, the unruly unconscious, epic journeys, and a highly sensual celebration of sexuality in both its most joyous and darkest manifestations.” —Ian McEwan“The Bloody Chamber retains its power because there will never be enough writing this perceptive—or just plain beautiful.” —Flavorwire“The best horror writer of the 20th century you’ve probably never heard of . . . Her most celebrated book is a high gothic collection of short stories called The Bloody Chamber that you should read immediately if the genre holds any appeal for you.” —New York magazine’s Vulture