912 pages, 8 × 5.19 × 1.83 in
March 1, 2007
Barnes & Noble Classics
The following ISBNs are associated with this title:
ISBN - 10: 1593080808
ISBN - 13: 9781593080808
Read from the Book
From Robert W. Hanning’s Introduction to The Canterbury Tales The twenty-first-century reader of The Canterbury Tales experiences Chaucer’s tale collection in a manner very different from any the poet could have imagined. What we read today in carefully prepared printed editions may not correspond to what Chaucer wanted his poem to look like; indeed, it seems doubtful that he even had a final plan for its contents and order. He probably began to compose a collection of tales quite different from the monothematic, classically oriented stories comprising The Legend of Good Womenbut like it, a collection headed by a considerable prologuesometime in the late 1380s, before or after he left London for Kent. How long he worked on The Canterbury Tales is unknownperhaps until illness or death interrupted his labors, but he may have abandoned the project much earlier. Other unanswerable questions: Did he ever really contemplate writing 120 tales, as is implied by the Host’s suggestion to the Canterbury-bound pilgrims that each of the thirty travelers tell two tales on the road to the shrine and two more on the way back to the celebratory dinner at his inn, the Tabard? (Elsewhere in the framing fiction there are suggestions that one tale will suffice from each pilgrim.) And how many of the tales had been written and either circulated in writing or performed orally before the poet had the idea of incorporating them within a frame? (A list of his works included by Chaucer in the prolog
From the Publisher
The Canterbury Tales
, by Geoffrey Chaucer
, is part of the Barnes & Noble Classics
series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics
- New introductions commissioned from today's top writers and scholars
- Biographies of the authors
- Chronologies of contemporary historical, biographical, and cultural events
- Footnotes and endnotes
- Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
- Comments by other famous authors
- Study questions to challenge the reader's viewpoints and expectations
- Bibliographies for further reading
- Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader's understanding of these enduring works.
Pilgrims on their way to worship at the shrine of Saint Thomas à Becket in Canterbury stop at the Tabard Inn. Representing a cross-section of medieval English society, the group includes a knight and his squire, a prioress, a friar, a miller, and a wife. To amuse themselves on their journey, they agree that each will tell a tale. These storiesby turns bawdy, hilarious, scurrilous, romantic, heroic, and movingreveal a great deal about the tellers and the world they live in, which, despite the distance of six hundred years, seems remarkably like our own. Indeed, the structure of The Canterbury Tales and the sophisticated, intricate interplay between the stories, their narrators, and the general narrator (himself a complex comic character) give the book its strikingly modern flavor.
Often called the first book of poetry written in English, Chaucer’s masterpiece is also the first anthology of English short fiction, one that will resonate with readers for as long as folly and courage, deceit and generosity, love and jealousy remain part of the human personality.
Robert W. Hanning is Professor of English at Columbia University, where he has taught since 1961. He has published The Vision of History in Early Britain, The Individual in Twelfth-Century Romance, The Lais of Marie de France (co-translated with Joan Ferrante), and Castiglione: the Ideal and the Real in Renaissance Culture (co-edited with David Rosand), as well as many articles on Chaucer’s poetry and other medieval and Renaissance subjects.
Peter Tuttle's most recent poetry is Looking for a Sign in the West, published by Back Short in 2003.
About the Author
Geoffrey Chaucer, one of England's greatest poets, was born in London about 1340, the son of a wine merchant and deputy to the king's butler and his wife Agnes. Not much is known of Chaucer's early life and education, other than he learned to read French, Latin, and Italian. His experiences as a civil servant and diplomat are said to have developed his fascination with people and his knowledge of English life. In 1359-1360 Chaucer traveled with King Edward III's army to France during the Hundred Years' War and was captured in Ardennes. He returned to England after the Treaty of Bretigny when the King paid his ransom. In 1366 he married Philippa Roet, one of Queen Philippa's ladies, who gave him two sons and two daughters. Chaucer remained in royal service traveling to Flanders, Italy, and Spain. These travels would all have a great influence on his work. His early writing was influenced by the French tradition of courtly love poetry, and his later work by the Italians, especially Dante, Boccaccio, and Petrarch. Chaucer wrote in Middle English, the form of English used from 1100 to about 1485. He is given the designation of the first English poet to use rhymed couplets in iambic pentameter and to compose successfully in the vernacular. Chaucer's Canterbury Tales is a collection of humorous, bawdy, and poignant stories told by a group of fictional pilgrims traveling to the shrine of St. Thomas a Becket. It is considered to be among the masterpieces of literature. His works also