The Cinematic

April 20, 2007|
The Cinematic by David Campany
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Key writings by artists and theorists chart the shifting relationship between film and photography and how the rise of cinema forced photography to make a virtue of its stillness.

The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel''s Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.

Still photography—cinema''s ghostly parent—was eclipsed by the medium of film, but also set free. The rise of cinema obliged photography to make a virtue of its own stillness. Film, on the other hand, envied the simplicity, the lightness, and the precision of photography. Russian Constructivist filmmakers considered avant-garde cinema as a sequence of graphic "shots"; their Bauhaus, Constructivist and Futurist photographer contemporaries assembled photographs into a form of cinema on the page. In response to the rise of popular cinema, Henri Cartier-Bresson exalted the "decisive moment" of the still photograph. In the 1950s, reportage photography began to explore the possibility of snatching filmic fragments. Since the 1960s, conceptual and postconceptual artists have explored the narrative enigmas of the found film still. The Cinematic assembles key writings by artists and theorists from the 1920s on—including László Moholy-Nagy, Pier Paolo Pasolini, Victor Burgin, Jeff Wall, and Catherine David—documenting the photography-film dialogue that has enriched both media.

David Campany is a curator and writer based in London. He is the author of Walker Evans: The Magazine Work, The Open Road: Photography and the American Road Trip, Jeff Wall: Picture for Women (Afterall Books/MIT Press), and other books.Thierry de Duve is Director of Studies, Association de préfiguration de l''Ecole des Beaux-Arts ...
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Title:The Cinematic
Format:Paperback
Product dimensions:222 pages, 8.25 X 5.94 X 0.82 in
Shipping dimensions:222 pages, 8.25 X 5.94 X 0.82 in
Published:April 20, 2007
Publisher:MIT Press
Language:English
Appropriate for ages:All ages
ISBN - 13:9780262532884

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