The Collected Essays And Criticism, Volume 3: Affirmations and Refusals, 1950-1956 by Clement GreenbergThe Collected Essays And Criticism, Volume 3: Affirmations and Refusals, 1950-1956 by Clement Greenberg

The Collected Essays And Criticism, Volume 3: Affirmations and Refusals, 1950-1956

byClement Greenberg

Paperback | June 1, 1995

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Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting.

With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Title:The Collected Essays And Criticism, Volume 3: Affirmations and Refusals, 1950-1956Format:PaperbackDimensions:340 pages, 8.5 × 5.5 × 0.9 inPublished:June 1, 1995Publisher:University of Chicago Press

The following ISBNs are associated with this title:

ISBN - 10:0226306232

ISBN - 13:9780226306230

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Table of Contents

Editorial Note
Introduction by John O'Brian

1. An Essay on Paul Klee
2. Review of Exhibitions of van Gogh and Alfred Maurer
3. Introduction to an Exhibition of Arnold Friedman
4. Renoir and the Picturesque
5. The Seeing Eye: Review of Landscape Painting by Kenneth Clark and Landscape, Portrait, Still-Life by Max J. Friedlander
6. Foreword to a Group Exhibition at the Kootz Gallery
7. The Venetian Line
8. Two Reconsiderations
9. Religion and the Intellectuals: A Symposium
10. The Art of China: Review of The Principles of Chinese Painting by George Rowley
11. Advertisement for an Exhibition of Franz Kline at the Egan Gallery
12. Self-Hatred and Jewish Chauvinism: Some Reflections on "Positive ]ewishness"
13. Foreword to an Exhibition of Marsden Hartley and Alfred Maurer
14. The European View of American Art
15. Realism and Beyond: Review of The History of Modern Painting from Picasso to Surrealism by Maurice Raynal et al., Pierre-Auguste Renoir by Walter Pach, Vincent van Gogh by Meyer Schapiro, and El Greco by Leo Bronstein
16. T. S. Eliot: The Criticism, The Poetry

17. Chaim Soutine
18. Letters Concerning J. Alvarez del Vayo's Column in The Nation
19. Cezanne and the Unity of Modern Art
20. Review of Gustave Courbet by Gerstle Mack
21. Review of The Social History of Art by Arnold Hauser

22. "Feeling Is All"
23. Jackson Pollock's New Style
24. Cross-Breeding of Modern Sculpture
25. Cezanne: Gateway to Contemporary Painting I
26. Foreword to an Exhibition of Jackson Pollock

27. Foreword to a Group Exhibition at the Stable Gallery
28. Foreword to an Exhibition of Willem de Kooning
29. The Plight of Our Culture
30. Independence of Folk Art: Review of Folk Art in Europe by Helmut Bossert
31. Symposium: Is the French Avant-Garde Overrated?
32. Two of the Moderns: Review of Chagall by Jacques Lassaigne and Soutine by Raymond Cogniat

33. Some Advantages of Provincialism
34. Master Leger
35. Foreword to a Group Exhibition at the Kootz Gallery
36. Review of The Art and Architecture of India by Benjamin Rowland, Painting in Britain by E. K. Waterhouse, Art and Architecture in France by Anthony Blunt, and Architecture in Britain by John Summerson
37. The Very Old Masters
38. Foreword to a Exhibition of Adolph Gottlieb
39. The Sculpture ofJacques Lipchitz
40. Abstract and Representational

41. Autobiographical Statement
42. Color in Madrid and from Amsterdam: Review of Art Treasures ofthe Prado Museum by Harry B. Wehle, and Rembrandt by Ludwig Munz
43. Review of The Art and Architecture of the Ancient Orient by Henri Frankfort, Painting in Britain: The Middle Ages by Margaret Rickert, and The Art and Architecture of Russia by George Heard Hamilton
44. The Jewishness of Franz Kafka: Some Sources of His Particular Vision
45. How Good is Kafka? A Critical Exchange with F. R. Leavis
46. "American-Type" Painting
47. A Critical Exchange with Fairfield Porter on "'American-Type' Painting"
48. Introduction to an Exhibition of Hans Hofmann
49. Lautrec's Art: Review of Henri de Toulouse-Lautrec: Drawings and Sketches in Colour by Hanspeter Landolt and H. de Toulouse-Lautrec: One Hundred Ten Unpublished Drawings by Arthur W. and M. Roland O. Heintzelman
50. Review of Piero della Francesca and The Arch of Constantine, both by Bernard Berenson
51. Polemic Against Modern Art: Review of The Demon of Progress in the Arts by Wyndham Lewis
52. Foreword to the Tenth Anniversary Exhibition of the Betty Parsons Gallery
53. Impress of Impressionism: Review of Impressionism by Jean Leymarie
54. Methods of the Master: Review of Leonardo's Treatise on Painting, annotated by A. Philip McMahon
55. Review of Four Steps Toward Modern Art by Lionello Venturi
56. American Stereotypes: Review of Cousins and Strangers: Comments on America by Commonwealth Fund Fellows from Britain, 1946-1952 edited by S. Gorley Putt
57. Roundness Isn't All: Review of The Art of Sculpture by Herbert Read
58. Picasso as Revolutionary: Review of Picasso by Frank Elgar and Robert Maillard
59. David Smith

Chronology 1950-1969

From Our Editors

The Bibliography list other writings by Greenberg, including books and translations fro the German. It also provides a selected bibliography of secondary sources on Greenberg's work. The Chronology offers a brief summary of events from 1950 to 1969 to five some background to the criticism.