The Culture of Sentiment: Race, Gender, and Sentimentality in 19th-Century America by Shirley SamuelsThe Culture of Sentiment: Race, Gender, and Sentimentality in 19th-Century America by Shirley Samuels

The Culture of Sentiment: Race, Gender, and Sentimentality in 19th-Century America

EditorShirley Samuels

Hardcover | March 1, 1994

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Samuels's collection of critical essays gives body and scope to the subject of nineteenth-century sentimentality by situating it in terms of "women's culture" and issues of race. Presenting an interdisciplinary range of approaches that consider sentimental culture before and after the CivilWar, these critical studies of American literature and culture fundamentally reorient the field. Moving beyond alignment with either pro- or anti-sentimentality camps, the collection makes visible the particular racial and gendered forms that define the aesthetics and politics of the culture ofsentiment. Drawing on the fields of American cultural history, American studies, and literary criticism, the contributors include Lauren Berlant, Ann Fabian, Susan Gillman, Karen Halttunen, Carolyn L. Karcher, Joy Kasson, Amy Schrager Lang, Isabelle Lehuu, Harryette Mullen, Dana Nelson, Lora Romero,Shirley Samuels, Karen Sanchez-Eppler, Lynn Wardley, and Laura Wexler.
Shirley Samuels is at Cornell University.
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Title:The Culture of Sentiment: Race, Gender, and Sentimentality in 19th-Century AmericaFormat:HardcoverDimensions:360 pages, 9.49 × 6.38 × 1.06 inPublished:March 1, 1994Publisher:Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10:0195063546

ISBN - 13:9780195063547

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From Our Editors

In this important new collection, leading scholars in nineteenth-century American culture re-examine the vexed subject of sentimentality. These essays draw upon a range of interdisciplinary approaches to situate sentimentality in terms of "women's culture" and issues of race, before and after the Civil War. Moving beyond the canonical debates about sentimentality, the collection makes visible the particular racial and gendered forms that define the aesthetics and politics of the American culture of sentiment. The contributors use evidence from American cultural history, American studies, and literary criticism, to examine the process by which nineteenth-century American culture was both produced and contested. They present incisive readings of scenes like an antebellum murder trial, the erotic attention audiences paid to the statues of Hiram Powers, and the engravings of Godey's Ladies Book. In addition, they use the writings of Harriet Jacobs, Mark Twain, James Fenimore Cooper, Pauline Hopkins, W.E.B. DuBois, and Harriet Beecher Stowe, to question the political f

Editorial Reviews

"I consider this volume to be a significant contribution to an area of study that has considerably changed our view of American Studies....The contributors to this volume have no doubt added to the new perspectives already established in cultural studies and have further elaborated problematicareas of discourse in American culture. This volume will undoubtedly exert some impact on future historians of ideas in America."--English Literary History