The Farm: A Novel by Joanne RamosThe Farm: A Novel by Joanne Ramos

The Farm: A Novel

byJoanne Ramos

Paperback | May 7, 2019

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about

Life is a lucrative business, as long as you play by the rules.

"[Joanne] Ramos''s debut novel couldn''t be more relevant or timely." —O: The Oprah Magazine (25 Books We Can''t Wait to Read in 2019)

Nestled in New York''s Hudson Valley is a luxury retreat boasting every amenity: organic meals, personal fitness trainers, daily massages—and all of it for free. In fact, you''re paid big money to stay here—more than you''ve ever dreamed of. The catch? For nine months, you cannot leave the grounds, your movements are monitored, and you are cut off from your former life while you dedicate yourself to the task of producing the perfect baby. For someone else.

Jane, an immigrant from the Philippines, is in desperate search of a better future when she commits to being a "Host" at Golden Oaks—or the Farm, as residents call it. But now pregnant, fragile, consumed with worry for her family, Jane is determined to reconnect with her life outside. Yet she cannot leave the Farm or she will lose the life-changing fee she''ll receive on the delivery of her child.

Gripping, provocative, heartbreaking, The Farm pushes to the extremes our thinking on motherhood, money, and merit and raises crucial questions about the trade-offs women will make to fortify their futures and the futures of those they love.
JOANNE RAMOS was born in the Philippines and moved to Wisconsin when she was six. She graduated with a BA from Princeton University. After working in investment banking and private-equity investing for several years, she became a staff writer at The Economist. She lives in New York City with her husband and three children.
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Title:The Farm: A NovelFormat:PaperbackProduct dimensions:336 pages, 9.2 X 6.3 X 0.86 inShipping dimensions:336 pages, 9.2 X 6.3 X 0.86 inPublished:May 7, 2019Publisher:Doubleday CanadaLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0385693214

ISBN - 13:9780385693219

Appropriate for ages: All ages

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Read from the Book

It is Jane’s first day. Her interview at Golden Oaks was only six weeks ago, but it seems like everything has changed. An unknown baby lies in her stomach, and she is a hundred miles away from Amalia, surrounded by strangers. The smiling woman who greeted her in the Dorm’s lobby this morning took not only her suitcase and wallet but her cell phone, so Jane has no sense of the time, and she feels even more cut off from her daughter. Jane rolls up her sleeve and extends her arm, wondering if she is getting another shot, and why, since she is already pregnant. The Coordinator straps a bracelet onto Jane’s wrist, rubber or rubbery looking, and pushes a button that makes its thin, rectangular screen light up. “This is a WellBand. Custom-made for us. I gave you red ‘cause it was just Valentine’s day!” Jane stares at it. Mrs Davis used to wear something like it, a circle of blue plastic like a child’s toy that looked strange next to her diamond tennis bracelet, the gleaming ovals of her nails.  “It tracks your activity levels. Try jumping.” Jane begins to jump. “See?” the Coordinator angles the bracelet face toward Jane. The green zeroes that had once filled the screen have been replaced by orange numbers that climb steadily as Jane hops, growing short of breath. “You can stop,” says the Coordinator, but in a friendly way. She holds Jane’s wrist and guides the bracelet over a reader attached to a laptop until the reader bleeps. “There. Now you’re synched up with our Data Management Team. Let’s say your heart rate spikes—this happens, it’s usually no biggie, but it can also signal some underlying irregularity in your heart, pregnancy being a strain on your tick-tocker,” the Coordinator—Carla?—pauses, waiting for the severity of this possibility to set in. “We’ll know immediately, can whisk you in to see a nurse. Or if you’re not getting enough exercise, we’ll have Hanna all over it.” Carla grins, “All over you.” Her freckled cheeks fold into dimples. Jane has never seen so many freckles in her life—freckles on top of freckles receding into freckles. “Hanna…?” “She’s our Wellness Coordinator. You’ll get to know her real well,” Carla winks at Jane. She runs through a tutorial of the WellBand—its various monitors, timers, the alarm and snooze and panic buttons, the GPS locator, calendar, alerts, how to receive announcements. “How do the clothes fit?” Carla’s eyes rake over Jane, head to toe and back up again.  Jane feels her face grow hot. In truth, she has never worn clothes so thin and so soft. Just this morning in her winter coat, she was freezing. Ate and Amalia waited with her on the street outside their apartment building for the car to arrive, Amalia buried under so many layers of wool and fleece that Jane could barely see her face. But here, in clothes light as air that fit her perfectly, Jane is warm. Jane says so to Carla. “Cashmere,” Carla answers matter-of-factly. “Golden Oaks doesn’t skimp, that’s for sure.” There is a knock on the open door. “Hi Jane,” sings Ms Yu, giving Jane a stiff hug. “Hello Ms. Yu,” Jane jumps to her feet. “Please.  Sit.  I just wanted to make sure you’re settling in.” Ms Yu takes a seat on the bench next to Jane. “How’s the morning sickness? Is your room okay? Did you meet Reagan?” “I feel okay, only a little tired,” Jane answers. “The room is beautiful. So are the clothes.” Jane rubs the cashmere on her thigh with her palm, “I have not yet met my roommate.” Ms Yu frowns slightly. “But,” Jane says quickly, not meaning to get her roommate into trouble, “I have only been here since nine o’clock, and I had the check-in with the nurse. I have been busy.” Ms Yu’s face relaxes. She places a hand on Jane’s hand. “I’m guessing Reagan was tied up with an appointment. She’ll be around soon, I’d think. This is your new home, we want to help you feel at home.” At the word “home”, Jane’s throat tightens. It is past eleven, and by now Amalia is likely strapped into her bouncy chair, thighs jiggling from the chair’s battery-powered vibrations, waiting impatiently for Ate to fix lunch.  As if sensing Jane’s thoughts, Ms Yu asks, “How’s Amalia? Was the goodbye hard?” Jane is pierced by gratitude that Ms Yu, who is so busy, remembers Amalia’s name. She shifts her gaze to the wall so that Ms Yu cannot see her eyes, which are teary. “It was fine. Amalia is almost seven months now; she is a big girl. And she has my cousin.” “She’s in good hands, then.” Ms Yu’s voice is kind. Jane still does not trust herself to face Ms Yu. She can hear Carla’s fingers tapping on a keyboard. “I know you know our policy, Jane, which is that we don’t allow visitors, and we don’t allow Hosts offsite unless at the request of a Client.” Ms Yu leans closer to whisper, “But I think we can convince your Client to let Amalia come see you.”  “Really?” Jane blurts, almost exploding with gratitude to Ms Yu. Ms Yu puts a finger to her lips and smiles. She asks Jane if she is ready for lunch and, when Jane confesses she was too nervous this morning to eat, leads her to the dining hall. Jane trails several steps behind, wiggling her toes in her new fur-lined moccasins, a tentative sense of well-being creeping over her. Ms Yu keeps up a constant stream of chatter, pointing out her favorite views of the mountains, giving Jane bits of trivia about the surrounding towns. As they walk, Jane imagines Amalia here—hiding beneath the soft blankets draped on the sofas, mesmerized by the fires crackling in the stone fireplaces. “Do you think you’ll feel at home here?” Ms Yu asks. She pushes the dining room door open with her shoulder. “Oh yes,” says Jane, and she means it.

Editorial Reviews

National Bestseller"Equal parts feminist dystopia and immigrant story, Ramos''s debut novel couldn''t be more relevant or timely." —O: The Oprah Magazine, "25 Books We Can’t Wait to Read in 2019""This topical, provocative debut anatomizes class, race and the American dream." —The Guardian (UK), "What You’ll Be Reading This Year""The Handmaid''s Tale vibes are strong, but the ''holy sh*t this book is genius'' vibes are stronger." —Cosmopolitan ("The 14 Best Books Coming Out in May 2019")"In an ever-growing field of borderline-dystopian novels, this one hits home hard—a thrilling read about the myth of meritocracy." —Vulture, "Spring Books Preview: Fiction We Can''t Wait to Read""Wow, Joanne Ramos has written the page-turner about immigrants chasing what''s left of the American dream. . . . Truly unforgettable." —Gary Shteyngart, New York Times bestselling author of Super Sad True Love Story and Lake Success"A highly original and provocative story about the impossible choices in so many women''s lives. These characters will stay with me for a long time." —Karen Thompson Walker, New York Times bestselling author of The Age of Miracles and The Dreamers"Ramos has written a firecracker of a novel, at once caustic and tender, page-turning and thought-provoking. This is a fierce indictment of the vampiric nature of modern capitalism, which never loses sight of the very human stories at its center. . . . Highly recommended." —Madeline Miller, #1 New York Times bestselling author of Circe"Perhaps the most powerful element of this debut novel by Ramos . . . is its portrait of the world of Filipinas in New York. The three-page soliloquy of instructions for nannying delivered to Jane by her more experienced cousin is a work of art in itself. Excellent, both as a reproductive dystopian narrative and as a social novel about women and class." —Kirkus Reviews, starred review"Compelling storytelling. . . . Ramos''s debut is so engaging that the reader might not understand the depths she probes until the book is done. . . . Each character''s complexity will give book groups plenty to discuss." —Booklist, starred review"Transfixing. . . . Ramos particularly shines at her nuanced, emotional depictions of these women''s interior struggles. A surefire hit with book groups, this striking novel will also appeal strongly to readers who like dystopian touches and ethically complicated narratives." —Publishers Weekly"[A] thrilling debut about the new frontier of colonialism and the savagery of the American dream. . . . [The Farm] asks us to consider who gets to rise (from poverty, immigrant abjection), and who must serve that person''s narrative. . . . The Farm is a great read." —The Guardian "[The Farm] could not have come at a more pressing moment. . . . Given that The Farm explores women''s agency over their bodies, it makes for particularly pertinent reading at a time when their reproductive rights are under threat—nowhere more conspicuously so than in America." —Vogue UK"Using reproductive health as a means to explore dystopian themes is nothing new, but Ramos utilizes a different angle than Leni Zumas''s Red Clocks or Margaret Atwood''s The Handmaid''s Tale. The true villain in The Farm is capitalism. . . . Subtle and at times thrilling, The Farm is a dystopia born of the world in which we live." —Paste"The Farm . . . sets the stage for the examination of the American dream. . . . [The Farm''s] all-too-real circumstances . . . leave readers wondering about the weight of responsibility mothers carry, about what it means to do the best for your children, and about the immense expectations placed on mothers." —Bustle"The Farm is a smart, thoughtful novel about women, choices and the immigrant experience that asks the question: How far would you go for the American dream?" —PopSugar"Traveling from the glitz of Manhattan to multiethnic, immigrant Queens and the isolation of the rural Hudson Valley, this is an exciting read about the politics of motherhood and female autonomy." —Library Journal"The Farm terrifies with a simple question: How much of ourselves are we willing to sell? With characters so real they leap off the page, Ramos yanks the reader into a world of Haves and Have-Nots, and her question lingers long after we turn the final page." —Christina Dalcher, author of Vox"The Farm is a completely plausible imagination of the future of pregnancy in a world of ever-greater inequality. What at first feels off-kilter is slowly ramped up to truly chilling, and it''s done so subtly that we barely notice the change happening—it''s not afraid to ask searching questions about who wins and who loses when women''s bodies are commodified, and how freedom and agency for some come at a cost for others. It''s sharply prescient, and terrifying, too." —Sophie Mackintosh, author of The Water Cure