The Great War and the Language of Modernism by Vincent SherryThe Great War and the Language of Modernism by Vincent Sherry

The Great War and the Language of Modernism

byVincent Sherry

Paperback | July 7, 2004

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With the expressions "Lost Generation" and "The Men of 1914," the major authors of modernism designated the overwhelming effect the First World War exerted on their era. Literary critics have long employed the same phrases in an attempt to place a radically experimental, specifically modernistwriting in its formative, historical setting. What real basis did that Great War provide for the verbal inventiveness of modernist poetry and fiction? Does the literature we bring under this heading respond directly to that provocation, and, if so, what historical memories or revelations can beheard to stir in these words? Vincent Sherry reopens these long unanswered questions by focusing attention on the public culture of the English war. He reads the discourses through which the Liberal party constructed its cause, its Great Campaign. A breakdown in the established language of liberal modernity--the idioms ofpublic reason and civic rationality--marked the sizable crisis this event represents in the mainstream traditions of post-Reformation Europe. If modernist writing characteristically attempts to challenge the standard values of Enlightenment rationalism, this study recovers the historical culturalsetting of its most substantial and daring opportunity. And this moment was the occasion for great artistic innovations in the work of Virginia Woolf, T.S. Eliot, and Ezra Pound. Combining the records of political journalism and popular intellectual culture with abundant visual illustration, Vincent Sherry provides the framework for new interpretations of the major texts of Woolf, Eliot, and Pound. With its relocation of the verbal imagination of modernism in the context ofthe English war, The Great War and the Language of Modernism restores the historical content and depth of this literature, revealing its most daunting import.
Vincent Sherry is Professor of English at Villanova University. He is the author of The Uncommon Tongue: The Poetry and Criticism of Geoffrey Hill, Ezra Pound, Wyndham Lewis, and Radical Modernism, and James Joyce: Ulysses.
Title:The Great War and the Language of ModernismFormat:PaperbackDimensions:416 pages, 6.1 × 9.09 × 0.98 inPublished:July 7, 2004Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0195178181

ISBN - 13:9780195178180

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Editorial Reviews

"Sherry's book offers a learned, elegant, intricate, and intriguing argument about the collapse of liberal languages of rationality under the pressure of WW I, so that he can suggest a set of historical pressures on the emerging of modernist efforts to decompose and recompose prevailing modelsfor determining social values. The result is an extraordinary weaving of the historian's skills with the modes of attention fostered by literary criticism." --Charles Altieri, University of California, Berkeley