The Idolatrous Eye: Iconoclasm and Theater in Early-Modern England by Michael OConnellThe Idolatrous Eye: Iconoclasm and Theater in Early-Modern England by Michael OConnell

The Idolatrous Eye: Iconoclasm and Theater in Early-Modern England

byMichael OConnell

Hardcover | January 15, 2000

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This study argues that the century after the Reformation saw a crisis in the way that Europeans expressed their religious experience. Focusing specifically on how this crisis affected the drama of England, O'Connell shows that Reformation culture was preoccupied with idolatry and that thetheater was frequently attacked as idolatrous. This anti-theatricalism notably targeted the traditional cycles of mystery plays--a type of vernacular, popular biblical theater that from a modern perspective would seem ideally suited to advance the Reformation project. The Idolatrous Eye provides awide perspective on iconoclasm in the sixteenth century, and in so doing, helps us to understand why this biblical theater was found transgressive and what this meant for the secular theater that followed.
Michael O'Connell is at Universithy of California, Santa Barbara.
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Title:The Idolatrous Eye: Iconoclasm and Theater in Early-Modern EnglandFormat:HardcoverPublished:January 15, 2000Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:019513205X

ISBN - 13:9780195132052

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"The Idolatrous Eye powerfully reads not just Elizabethan, but all of post-classical Western European drama, as a crucible for the epistemological struggle between word and image over the mystery of the Incarnation."--Religion and Arts