The Image of the Black in Western Art, Volume II: From the Early Christian Era to the "Age of Discovery", Part 2: Africans in the Christian Ordinance  by David BindmanThe Image of the Black in Western Art, Volume II: From the Early Christian Era to the "Age of Discovery", Part 2: Africans in the Christian Ordinance  by David Bindman

The Image of the Black in Western Art, Volume II: From the Early Christian Era to the "Age of…

EditorDavid Bindman

Hardcover | November 1, 2010

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.

Africans in the Christian Ordinance of the World, written by a small team of French scholars, has established itself as a classic in the field of medieval art. The most striking development in this period was the gradual emergence of the black Magus, invariably a figure of great dignity, in the many representations of the Adoration of the Magi by the greatest masters of the time. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject.

David Bindman is Emeritus Professor of the History of Art at University College London.
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Title:The Image of the Black in Western Art, Volume II: From the Early Christian Era to the "Age of…Format:HardcoverDimensions:400 pages, 9.41 × 7.24 × 0.98 inPublished:November 1, 2010Publisher:HarvardLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0674052587

ISBN - 13:9780674052581

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Monumental and groundbreaking volumes...[with] beautifully reproduced and thought-provoking images.A vast array of different "Images of the Black" appear in these volumes, from statues of black saints such as St. Maurice or St. Benedict the Moor, to portraits of notable African ambassadors and kings, poets and musicians, or drawings of literary characters such as Shakespeare's Othello, Aphra Behn's Oroonoko, or Yarico from George Colman's Inkle and Yarico...Africans have been painted and sculpted by some of the most eminent artists in the Western tradition, including Titian, Tiepolo, Rubens, Rembrandt,Van Dyck, Reynolds, Hogarth, Watteau and Gainsborough. More importantly, they have not been caricatured, but sensitively portrayed by these masters, their humanity captured on canvas for all to see...In placing such a vast variety of different images together, both positive and negative, these volumes show that the "Image of the Black" was not at all homogenous but rather reflected the wide range of the Western response to the "other."...Seen through the prism of "Western Art," these "Images of the Black" often tell us more about the Europeans and their agendas than the Africans they portray. Nonetheless, the cumulative effect of the images is to demonstrate a continuous black presence in the Western imagination and experience.This series will pose new questions to scholars of art, history and literature and provoke us all to reconsider the role of "the Black" in Western civilization.