May 27, 2003
Penguin Publishing Group
The following ISBNs are associated with this title:
ISBN - 10: 0142002836
ISBN - 13: 9780142002834
Read from the Book
CHAPTER ONEWhat a wild life! What a fresh kind of existence!-Henry Wadsworth Longfellow, considering the possibility of writing an epic poem about the American explorer John FremontBy the time Eustace Conway was seven years old, he could throw a knife accurately enough to nail a chipmunk to a tree. By the time he was ten, he could hit a running squirrel at fifty feet with a bow and arrow. When he turned twelve, he went out into the woods, alone and empty-handed, built himself a shelter, and survived off the land for a week. When he turned seventeen, he moved out of his family's home altogether and headed into the mountains, where he lived in a teepee of his own design, made fire by rubbing two sticks together, bathed in icy streams, and dressed in the skins of the animals he had hunted and eaten.This move occurred in 1977, by the way. Which was the same year the film Star Wars was released.The following year, when he was eighteen, Eustace Conway traveled the Mississippi River in a handmade wooden canoe, battling eddies so fierce, they could suck down a forty-foot tree and not release it to the surface again until a mile downriver. The next year, he set off on the two-thousand-mile Appalachian Trail, walking from Maine to Georgia and surviving almost exclusively on what he hunted and gathered along the way. And in the years that followed, Eustace hiked across the German Alps (in sneakers), kayaked across Alaska, scaled cliffs in New Zealand, and lived with the Navajo of New Me
From the Publisher
Finalist for the National Book Award 2002
In this rousing examination of contemporary American male identity, acclaimed author and journalist Elizabeth Gilbert explores the fascinating true story of Eustace Conway. In 1977, at the age of seventeen, Conway left his family's comfortable suburban home to move to the Appalachian Mountains. For more than two decades he has lived there, making fire with sticks, wearing skins from animals he has trapped, and trying to convince Americans to give up their materialistic lifestyles and return with him back to nature. To Gilbert, Conway's mythical character challenges all our assumptions about what it is to be a modern man in America; he is a symbol of much we feel how our men should be, but rarely are.
About the Author
Elizabeth Gilbert is the author of a short story collection, Pilgrims-a finalist for the PEN/Hemingway Award, and winner of the 1999 John C. Zacharis First Book Award from Ploughshares-and a novel, Stern Men. A Pushcart Prize winner and National Magazine Award-nominated journalist, she works as writer-at-large for GQ. Her journalism has been published in Harper's Bazaar, Spin, and The New York Times Magazine, and her stories have appeared in Esquire, Story, and the Paris Review.
"The finest examination of American masculinity and wilderness since Jon Krakauer's Into the Wild." —Outside"Wickedly well-written...Without compromising her obvious admiration, Ms. Gilbert presents a warts-and-all portrait of Mr. Conway and a sophisticated understanding of why those warts are only natural.... A vigorous, engaging book." —The New York Times Book Review"Gilbert artfully taps into this unique life to create a fascinating, deeply thought-out and anthralling narrative." —Los Angeles Times"A vivid, nuanced portrait of an endlessly complicated man." —San Francisco Chronicle"The Last American Man relates the riveting story of Conway's odyssey from a child of affluent parents, to mountain man, to the owner of 1,000 acres of woods and fields in western North Carolina. Gilbert sees in Conway's life a parable for our time, a way of capturing how our culture is sapping us of all that is vital." —Chicago Tribune"There are so many reasons to read this book. Read it for the portrait of a man who isn't divorced from the land below and the sky above. Read it to watch his youthful ambitions fade into tired gasps. Read it to see how Gilbert gets at her subject without ever stabbing him in the back." —Entertainment Weekly"Conway is a character almost too goofd to believe...In Gilbert, he may have found the perfect writer to tell his story...from Conway's life, Gilbert takes off on delightful tangents about the nature of manhood, the appeal of utopian communities, the history of