The Lyre of Orpheus: Popular Music, the Sacred, and the Profane by Christopher PartridgeThe Lyre of Orpheus: Popular Music, the Sacred, and the Profane by Christopher Partridge

The Lyre of Orpheus: Popular Music, the Sacred, and the Profane

byChristopher Partridge

Paperback | November 15, 2013

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The study of religion and popular culture is an increasingly significant area of scholarly inquiry. Surprisingly, however, Christopher Partridge's The Lyre of Orpheus is the first general introduction to the subject of religion and popular music. His aim in this book is to introduce a range oftheoretical and methodological perspectives to be used in the study of religion and popular music and popular music subcultures. He addresses a range of issues from postcolonialism to postmodernism, from sex to drugs, from violence to the demonic, and from misogyny to misanthropy. Part One provides a general overview of the history of popular music scholarship and the key approaches that have been taken. Part Two looks at approaches from the perspectives of theology and religious studies, examining key themes relating to particular genres and subcultures. Part Three narrowsthe focus and examines key artists and bands mentioned in Part Two, including Elvis, Bob Dylan, Madonna and Bjork. Written to be accessible to the undergraduate, The Lyre of Orpheus will also appeal to general readers interested in the role of religion in our culture.
Christopher Partridge is Professor of Religious Studies at Lancaster University.
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Title:The Lyre of Orpheus: Popular Music, the Sacred, and the ProfaneFormat:PaperbackDimensions:368 pages, 9.25 × 6.12 × 0.68 inPublished:November 15, 2013Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199751404

ISBN - 13:9780199751402

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Table of Contents

AcknowledgementsIntroductionPart One1. Society and Culture2. Emotion and MeaningPart Two3. Transgression4. Romanticism5. ReligionNotesIndex