The Magic Toyshop by Angela CarterThe Magic Toyshop by Angela Carter

The Magic Toyshop

byAngela Carter

Paperback | August 1, 1996

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From the master of the literary supernatural and author of The Bloody Chamber, a startling tale of the redemptive power of physical and emotional love
 
One night Melanie walks through the garden in her mother's wedding dress. The next morning her world is shattered. Forced to leave the comfortable home of her childhood, she is sent to London to live with relatives she has never met: Aunt Margaret, beautiful and speechless, and her brothers, Francie, whose graceful music belies his clumsy nature, and the volatile Finn, who kisses Melanie in the ruins of the pleasure gardens. And brooding Uncle Philip loves only the life-sized wooden puppets he creates in his toyshop. This classic gothic novel established Angela Carter as one of our most imaginative writers and augurs the themes of her later creative work.
Angela Carter (1940–1992) wrote nine novels and numerous short stories, as well as nonfiction, radio plays, and the screenplay for Neil Jordan's 1984 movie The Company of Wolves, based on her story of the same name. She won numerous literary awards, traveled and taught widely in the United States, and lived in London.
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Title:The Magic ToyshopFormat:PaperbackDimensions:208 pages, 7.8 × 5 × 0.6 inPublished:August 1, 1996Publisher:Penguin Publishing Group

The following ISBNs are associated with this title:

ISBN - 10:0140256407

ISBN - 13:9780140256406

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Reviews

Rated 5 out of 5 by from Delicious I'm slightly biased on the rating because I adore Gothic lit--definitely a favourite genre, if not number one. Angela Carter is like no author you've ever read, guaranteed. She's vulgar, she's dark, she has razor sharp wit and has such delicious prose you won't want to stop reading her entire repertoire. She is the master at making you feel like you've just done something naughty, like peeking at a photograph or present you weren't supposed to see, when reading her work. Should you go on? Absolutely. But it always feels like you've gotten away with something obscene when you do. Her stories, both short, long, and re-makes on classic fairy tales (which are arguably the best) are highly creative and so, so magical. Gothic literature is a difficult genre in which to write well and if you're studying it or just looking for a gorgeous read, Carter is among the finest. A brilliant talent taken far too soon.
Date published: 2015-03-20
Rated 5 out of 5 by from Most intriging writings i've ever met! Angela Carter delivers the most imaginative stories writen in the fiction categories. If you want to be apart of a romance, this book will sweep you off your feet. Her writing styles is so good that you can almost imagine yourself being a part of the story. Based on the theme of engulfing families, this novel has romance, actions, incest, violents, fairy tale fantasies and it goes on. I recommand this bok to anyone that loves to have a good read on Sunday nights. I well prefer this to WTN's Sunday Night Romance Movies!
Date published: 2000-11-22

From Our Editors

In this brilliantly imagined novel, Angela Carter explores the tormented world of adolescence and the heart's ability to withstand even the deepest sorrows. "A tour de force . . . put out shoots of all Carter's fascinations, which turns up in her later books: illusion and stage magic, myths and folktales, sorcery, the allure of suffering, incest, revenge, escape".--Voice Literary Supplement

Editorial Reviews

"A magic novel, sexy and eccentric, romantic and tricky." —The Village Voice Literary Supplement "Beneath its contemporary surface, this novel shimmers with blurred echoes—from Lewis Carroll, from 'Giselle' and 'Coppelia,' Harlequin and Punch . . . It leaves behind it a flavor, pungent and unsettling." —The New York Times Book Review Acclaim for Angela Carter “Carter produced . . . fiction that was lavishly fabulist and infinitely playful, with a crown jeweler’s style, precise but fully colored. . . . Her books are . . . revered by fans of speculative fiction stateside and have influenced writers as diverse as Rick Moody, Sarah Waters, Neil Gaiman, Jeff VanderMeer, Jeanette Winterson and Kelly Link. Salman Rushdie, who became her friend, described her as ‘the first great writer I ever met.’ Yet her legacy has been a slow and stealthy one, invisible to many of the readers who have benefited from it. . . . Most contemporary literary fiction with a touch of magic, from Karen Russell’s to Helen Oyeyemi’s, owes something to Angela Carter’s trail-blazing. . . . If our personal and literary spaces feel more wide open now, she’s one of the ones we have to thank.” —Laura Miller, Salon “She writes a prose that lends itself to magnificent set pieces of fastidious sensuality . . . dreams, myths, fairy tales, metamorphoses, the unruly unconscious, epic journeys, and a highly sensual celebration of sexuality in both its most joyous and darkest manifestations.” —Ian McEwan