The Masks of Keats: The Endeavour of a Poet by Thomas McFarlandThe Masks of Keats: The Endeavour of a Poet by Thomas McFarland

The Masks of Keats: The Endeavour of a Poet

byThomas McFarland

Hardcover | March 31, 2000

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This book surveys the poetic endeavour of John Keats and urges that his true poetry is uniquely constituted by being uttered through three artificial masks, rather than through the natural voice of his quotidian self. The first mask is formed by the attitudes and reality that ensue from aconscious commitment to the identity of poet as such. The second, called here the Mask of Camelot, takes shape from Keats's acceptance and compelling use of the vogue for medieval imaginings that was sweeping across Europe in his time. The third, the Mask of Hellas, eventuated from Keats'senthusiastic immersion in the rising tide of Romantic Hellenism. Keats's great achievement, the book argues, can only be ascertained by means of a resuscitation of the defunct critical category of 'genius', as that informs his use of the masks. To validate this category, the volume is concernedthroughout with the necessity of discriminating the truly poetic from the meretricious in Keats's endeavour. The Masks of Keats thus constitutes a criticism of and a rebuke to the deconstructive approach, which must treat all texts as equal and must entirely forego the conception of quality.
Thomas McFarland is Murray Professor of English Literature Emeritus at Princeton University.
Title:The Masks of Keats: The Endeavour of a PoetFormat:HardcoverPublished:March 31, 2000Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198186452

ISBN - 13:9780198186458


Table of Contents

Key to Brief Titles Cited1. The Two Masks2. The Mask of Camelot3. Life Mask and Death Mask4. Aspects of the Mask of Hellas5. The Too-Muchness of Keats: The Narrative Line6. The Churning of Genius7. The Great AchievementIndex

Editorial Reviews

`McFarland is deeply learned and a fine writer. His discussions of the great poems are sensitive and continually rewarding.'CHOICE Oct. 2000. Vol.38, No.2.