The Medieval Motion Picture: The Politics of Adaptation

Hardcover | April 2, 2014

EditorAndrew James Johnston, Margitta Rouse, Philipp Hinz

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Providing new and challenging ways of understanding the medieval in the modern and vice versa, The Medieval Motion Picture: The Politics of Adaptation highlights how medieval aesthetic experience breathes life into contemporary cinema. Engaging with the subject of time and temporality, the essays examine the politics of adaptation and our contemporary entanglement with the medieval: not only in overtly medieval-themed films but also in such diverse genres as thrillers, horror films, performance animation, and even science fiction. Among the films and TV shows discussed are productions such as HBO's award winning series Game of Thrones, Francis Ford Coppola's Bram Stoker's Dracula, Akira Kurosawa's Ran, and M. Night Shyamalan's The Sixth Sense.

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Providing new and challenging ways of understanding the medieval in the modern and vice versa, The Medieval Motion Picture: The Politics of Adaptation highlights how medieval aesthetic experience breathes life into contemporary cinema. Engaging with the subject of time and temporality, the essays examine the politics of adaptation and ...

Andrew James Johnston is Chair of Medieval and Renaissance English Literature at the Freie Universität Berlin, Germany, and author of Performing the Middle Ages from Beowulf to Othello. Margitta Rouse is Assistant Professor at the Humboldt-Universität zu Berlin, Germany. She teaches medieval English literature as well as cinematic ada...

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Format:HardcoverDimensions:256 pages, 8.5 × 5.6 × 0.8 inPublished:April 2, 2014Publisher:Palgrave MacmillanLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0230112501

ISBN - 13:9780230112506

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Table of Contents

Introduction: Temporalities of Adaptation; Andrew James Johnston and Margitta Rouse
1. "Now is the time": Shakespeare's Medieval Temporalities in Akira Kurosawa's Ran; Jocelyn Keller and Wolfram R. Keller
2. Dracula's Times: Adapting the Middle Ages in Francis Ford Coppola's Bram Stoker's Dracula; Cordula Lemke
3. Rethinking Anachronism for Medieval Film in Richard Donner's Timeline; Margitta Rouse
4. Otherness Redoubled and Refracted: Intercultural Dialogues in The Thirteenth Warrior; Judith Klinger
5. Crisis Discourse and Art Theory: Richard Wagner's Legacy in Films; Veith von Fürstenberg and Kevin Reynolds Stefan Keppler-Tasaki
6. Adaptation as Hyperreality: The (A)historicism of Trauma in Robert Zemeckis's Beowulf; Philipp Hinz and Margitta Rouse
7. Perils of Generation: Incest, Romance and the Proliferation of Narrative in Game of Thrones; Martin Bleisteiner
8. Arthurian Myth and Cinematic Horror: M. Night Shyamalan's The Sixth Sense; Hans Jürgen Scheuer
9. Marian Re-writes the Legend: The Temporality of Archaeological Remains in Richard Lester's Robin and Marian; Andrew James Johnston
Bibliography

Editorial Reviews

"The question of how various forms of art, discourse, and structure manage to negotiate the distance between various non-contiguous periods of history is at the heart of all medievalism studies. The contributors to The Medieval Motion Picture confront the issue of temporality by claiming, and demonstrating, for cinematic representations of medieval culture a joyous multimodality of temporal and aesthetic layers apt to adapt medieval artifacts, concepts, and practices to the diverse horizons of expectation postmedieval viewers bring to medievalist movies. From Kurosawa's Ran to HBO's Game of Thrones, the essays in this theoretically sophisticated volume reveal the complex dialogic interplay of pre-modern and (post)modern temporalities." - Richard Utz, Chair and Professor in the School of Literature, Media, and Communication, Georgia Institute of Technology, USA  "This ambitious collection explores the ideas and practices that link medievalism studies, adaptation theory and cinema studies. The 'politics' of adaptation here are institutional and disciplinary: these original and inventive essays show how far medievalism has developed from earlier preoccupations with fidelity to sources or to the historical past. Using the temporal uncertainties of medieval film as a starting-point, many of these essays offer brilliant insights into the nature of cinematic representation." - Stephanie Trigg, Professor of English, University of Melbourne, Australia.