The Museum On The Roof Of The World: Art, Politics, And The Representation Of Tibet by Clare E. HarrisThe Museum On The Roof Of The World: Art, Politics, And The Representation Of Tibet by Clare E. Harris

The Museum On The Roof Of The World: Art, Politics, And The Representation Of Tibet

byClare E. Harris

Paperback | November 13, 2014

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For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them.
 
Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.

About The Author

Clare E. Harris is professor of visual anthropology in the School of Anthropology and Museum Ethnography at the University of Oxford, curator for Asian collections at the Pitt Rivers Museum, and a fellow of Magdalen College, Oxford. She is the author of In the Image of Tibet: Tibetan Painting after 1959.

Details & Specs

Title:The Museum On The Roof Of The World: Art, Politics, And The Representation Of TibetFormat:PaperbackDimensions:328 pages, 10 × 7 × 0.9 inPublished:November 13, 2014Publisher:University Of Chicago PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:022621317X

ISBN - 13:9780226213170

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Extra Content

Table of Contents

List of Illustrations

Introduction
1  The Tibet Museum in the West
2  The Younghusband Mission and Tibetan Art
3  Picturing Tibet for the Imperial Archive
4  Photography and the Politics of Memory
5  The Tibet Museum in Exile
6  The Tibet Museum in Lhasa
7  The Invention of Tibetan Contemporary Art
8  The Buddha Goes Global

Acknowledgments
A Note on Languages
Notes
References
Index

Editorial Reviews

The Museum on the Roof of the World is a welcome addition to the literature on museums and nationalism, and makes a substantial contribution to our understanding of how the leadership of the modern Chinese state used European imperialist techniques, like building museums, to gain control of the multi-ethnic Qing territories.”