The Musical Temperament: Psychology and Personality of Musicians by Anthony E. KempThe Musical Temperament: Psychology and Personality of Musicians by Anthony E. Kemp

The Musical Temperament: Psychology and Personality of Musicians

byAnthony E. KempAs told byAnthony E. Kemp

Paperback | April 30, 1999

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In their attempts to understand the nature of musicianship, music psychologists have generally focused their attention on cognitive processes and abilities. Although a kind of folklore has long existed in musical circles relating to personality differences between players of differentinstruments, this is the first book to examine the impact of personality and temperament on musicianship. After an introductory chapter which summarizes the relevant personality theories, the book deals with each fact of the musicians' personality in turn: introversion, independence, sensitivity,anxiety, and gender issues. Different forms of musicianship (such as orchestral playing, singing and conducting) are considered next, to clarify the ways in which specific skills impact upon personality development or predispose a person towards different instruments and styles ofperformance.
Anthony E. Kemp is at University of Reading.
Title:The Musical Temperament: Psychology and Personality of MusiciansFormat:PaperbackDimensions:296 pages, 9.21 × 6.14 × 0.67 inPublished:April 30, 1999Publisher:Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10:0198523629

ISBN - 13:9780198523628

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Table of Contents

Introduction: Personality assessment1. Musicianship from a different perspective2. Introversion3. Independence4. Anxiety5. Gender role adaptability6. Music preferences and listening styles7. Orchestral performers9. Musicians in popular fields and conductors10. Composers11. Music teachers12. Development of musical talent

From Our Editors

The study of musicians' personalities promise to open up for us a new vista of understanding concerning the nature of musicianship. Although the study of music psychology has loosened itself from the straight-jacket of music ability measurement, the inheritance may well have engulfed us in a predominantly cognitive view of our art.

Editorial Reviews

`'...He presents his insights in a clear and well-organized narrative that will interest graduate students and professionals in music and psychology...''E.Franklin, Choice