The Odd One In: On Comedy by Alenka Zupancic

The Odd One In: On Comedy

byAlenka Zupancic

Paperback | February 8, 2008

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Why philosophize about comedy? What is the use of investigating the comical from philosophical and psychoanalytic perspectives? In The Odd One In, Alenka Zupancic considers how philosophy and psychoanalysis can help us understand the movement and the logic involved in the practice of comedy, and how comedy can help philosophy and psychoanalysis recognize some of the crucial mechanisms and vicissitudes of what is called humanity.

Comedy by its nature is difficult to pin down with concepts and definitions, but as artistic form and social practice comedy is a mode of tarrying with a foreign object -- of including the exception. Philosophy's relationship to comedy, Zupancic writes, is not exactly a simple story (and indeed includes some elements of comedy). It could begin with the lost book of Aristotle's Poetics, which discussed comedy and laughter (and was made famous by Umberto Eco's The Name of the Rose). But Zupancic draws on a whole range of philosophers and exemplars of comedy, from Aristophanes, Molière, Hegel, Freud, and Lacan to George W. Bush and Borat. She distinguishes incisively between comedy and ideologically imposed, "naturalized" cheerfulness. Real, subversive comedy thrives on the short circuits that establish an immediate connection between heterogeneous orders. Zupancic examines the mechanisms and processes by which comedy lets the odd one in.

About The Author

Alenka Zupancic is Senior Research Fellow at the Institute of Philosophy, Slovene Academy of Sciences, Ljubljana. She is the author of The Shortest Shadow: Nietzsche's Philosophy of the Two (MIT Press, 2003).
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Details & Specs

Title:The Odd One In: On ComedyFormat:PaperbackDimensions:240 pages, 8 × 5.38 × 0.5 inPublished:February 8, 2008Publisher:The MIT PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0262740311

ISBN - 13:9780262740319

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Editorial Reviews

The publication of Alenka Zupancic's new book gives us reason to be consoled for the discussion of comedy that is missing from Aristotle's Poetics. Zupancic has written a book that presents a major new theory of comedy from a philosophical and psychoanalytic perspective: her ideas are both a contribution to the great tradition of comic discourse and a remarkably original intervention, with exceptionally powerful interpretive implications. This is the great theory of comedy that we have been waiting for, one that can make sense of Hegel and the Marx Brothers, Aristophanes and Borat. It is elegantly written, and spangled with extraordinary philosophical thinking and cultural insights.