The Origins Of Cool In Postwar America by Joel DinersteinThe Origins Of Cool In Postwar America by Joel Dinerstein

The Origins Of Cool In Postwar America

byJoel Dinerstein

Hardcover | May 17, 2017

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Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change.

Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among Jean-Paul Sartre, Simone de Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white Negro" and black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool.

This is the first work to trace the history of cool during the Cold War by exploring the intersections of film noir, jazz, existential literature, Method acting, blues, and rock and roll. Dinerstein reveals that they came together to create something completely new—and that something is cool.
Joel Dinerstein was the curator of American Cool, an acclaimed exhibit at the Smithsonian’s National Portrait Gallery, and the author of its accompanying catalog. He is also the author of the award-winning Swinging the Machine: Modernity, Technology, and African-American Culture and Coach: A History of New York Cool. He is a cultural h...
Title:The Origins Of Cool In Postwar AmericaFormat:HardcoverDimensions:541 pages, 9 × 6 × 1.8 inPublished:May 17, 2017Publisher:University of Chicago PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0226152650

ISBN - 13:9780226152653

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Table of Contents

Prelude: Paris, 1949
Introduction: The Origins of Cool
1 Lester Young and the Birth of Cool
2 Humphrey Bogart and the Birth of Noir Cool from the Great Depression
3 Albert Camus and the Birth of Existential Cool from the Idea of Rebellion (and the Blues)
4 Billie Holiday and Simone de Beauvoir: Toward a Postwar Cool for Women
5 Cool Convergences, 1950: Jazz, Noir, Existentialism
A Generational Interlude: Postwar II (1953–1963) and the Shift in Cool
6 Kerouac and the Cool Mind: Jazz and Zen
7 From Noir Cool to Vegas Cool: Swinging into Prosperity with Frank Sinatra
8 American Rebel Cool: Brando, Dean, Elvis
9 Sonny Rollins and Miles Davis Sound out Cool Individuality
10 Hip versus Cool in The Fugitive Kind (1960) and Paris Blues (1962)
11 Lorraine Hansberry and the End of Postwar Cool
Epilogue: The Many Lives of Postwar Cool

Editorial Reviews

“In his examination of what we mean when we characterize a person as cool and how and why this concept emerged, Dinerstein engagingly illuminates the complex origins of the word and how its early icons responded to create the image and persona we recognize today. . . . In the end, we have greater appreciation for the tremendous resilience and bravery of these pioneers as they navigate a compelling era—as well as the ways in which dramatic societal shifts demand that we all rise to the challenge. And gaining these insights from the thoughtful and entertaining analysis of a word is, well, cool.”