The Oxford Handbook of American Drama

Hardcover | January 22, 2014

EditorJeffrey H. Richards, Heather S. Nathans

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This ambitious collection of essays will cover American drama in its entirety - from its inception in colonial America, through its many incarnations in the nineteenth century, to its zenith in the twentieth and early twenty-first centuries. Differentiating itself from other treatments of thegenre, the handbook will not only highlight the major works of the twentieth century, but will also attend carefully to earlier works and contexts. The collection's first part will explore the genre's eighteenth-century genesis. William Dunlap's complex, sympathetic portrait of British forces inAndre is counterbalanced by the biting anti-colonial political satire of the nation's first female playwright, Mercy Otis Warren, through an appraisal of her witty, subversive skewering of British loyalists in The Group. The nineteenth century saw the form diversifying with offerings like theantebellum era's reform plays, the melodrama, and the musical - a flowering that was given a new center of action in the growth of Broadway. A full survey of the vexing tradition of minstrelsy and the struggles of Black Americans on the stage provides a transition into the twentieth century. The new approaches to playwriting and performance pioneered by Eugene O'Neill, Susan Glaspell, and the Provincetown Players gave theater a new cachet early in the century through the possibilities offered by naturalism and expressionism. Overtly political content took the stage in the protest playsof Clifford Odets during the Great Depression though in general a more insular realism proved the dominant style, albeit one interrupted by recurring periods of experimentalism. Key moments and artists who defined the later half of the twentieth-century are illuminated through in-depth essays on thescathing indictments of the American dream put forward by Arthur Miller, Tennessee Williams, and Edward Albee; the impact of the countercultural, mixed-race musical Hair; the complex nature of David Mamet's social critique; the energy of experimental, off-Broadway theater; the importance of placeand memory in August Wilson's works; and the acute anxiety over the AIDS crisis during the Regan eighties as presented in Angels in America. The volume will conclude with a consideration of what lies ahead for the nation's drama, focusing on the pivotal work of leading lights such as Sarah Ruhl andSuzan Lori-Parks.

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This ambitious collection of essays will cover American drama in its entirety - from its inception in colonial America, through its many incarnations in the nineteenth century, to its zenith in the twentieth and early twenty-first centuries. Differentiating itself from other treatments of thegenre, the handbook will not only highlight ...

Jeffrey H. Richards was Eminent Professor of Literature at Old Dominion University. He was the author of Drama Theater, and Identity in the American New Republic and the editor of Early Plays: Eugene O'Neill and Early American Drama (Penguin; 2001, 1997). Heather S. Nathans is Professor of Theatre at the University of Maryland and the ...

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Format:HardcoverDimensions:560 pages, 9.75 × 6.75 × 0.98 inPublished:January 22, 2014Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199731497

ISBN - 13:9780199731497

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Table of Contents

PrefaceJeffrey H. Richards: Introduction1. Odai Johnson: Theatre Companies before the Revolution2. Jason Shaffer: Revolutionary American Drama and Theater3. Jeffrey H. Richards: Early Republican Drama4. Scott C. Martin: The Politics of Antebellum Melodrama5. Sarah Meer: Minstrelsy and Uncle Tom6. Heather S. Nathans: Representing Ethnic Identity on the Antebellum Stage, 1825-18617. Amelia Howe Kritzer: Antebellum Plays by Women: Contexts and Themes8. Mark Mullen: Reform Drama9. Rosemarie Bank: Antebellum Frontier and Urban Plays, 1825-186010. Mark Hodin: Late Melodrama11. Mark Fearnow: A New Realism12. Thomas S. Hischak: American Musical Theatre, 1870 to 194513. Katherine E. Kelly: The New Woman, the Suffragist, and the Stage14. Marvin McAllister: The Rise of African American Drama, 1822-187915. Brenda Murphy: The Provincetown Players in American Culture16. Steven F. Bloom: Eugene O'Neill17. Julie A. Walker: Naturalism and Expressionism in American Drama18. Christopher J. Herr: American Political Drama, 1910-194519. Barry B. Witham: Federal Theatre Project20. Kathy A. Perkins: African American Drama, 1910-194521. Jeffrey D. Mason: Arthur Miller: A Radical Politics of the Soul22. Stephen Bottoms: Tennessee Williams and the Winemiller Inheritance23. Theodore Shank: Experimental Theatre: Beyond Illusion24. Harry J. Elam, Jr.: Post-World War II African American Theater25. Michelle Dvoskin: The Postwar Musical26. S. E. Wilmer: Postwar Protest Plays27. Dorothy Chansky: Feminist Drama28. Roger Bechtel: Drama and Technology29. Jordan Schildcrout: Drama and the New Sexualities30. Stephen Watt: Political Drama31. Jon D. Rossini: Ethnicity and Postwar Drama32. Marc Robinson: Running Lines: Narratives of Twenty-First-Century American Theater