The Oxford Handbook of Creative Industries by Candace JonesThe Oxford Handbook of Creative Industries by Candace Jones

The Oxford Handbook of Creative Industries

EditorCandace Jones, Mark Lorenzen, Jonathan Sapsed

Paperback | November 4, 2017

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The Oxford Handbook of Creative Industries is a reference work, bringing together many of the world's leading scholars in the application of creativity in economics, business and management, law, policy studies, organization studies, and psychology. Creative industries research has become aregular theme in academic journals and conferences across these subjects and is also an important agenda for governments throughout the world, while business people from established companies and entrepreneurs revaluate and innovate their models in creative industries.The Handbook is organized into four parts: Following the editors' introduction, Part One on Creativity includes individual creativity and how this scales up to teams, social networks, cities, and labour markets. Part Two addresses Generating and Appropriating Value from Creativity, as achieved byagents and organizations, such as entrepreneurs, stars and markets for symbolic goods, and considers how performance is measured in the creative industries.Part Three covers the mechanics of Managing and Organizing Creative Industries, with chapters on the role of brokerage and mediation in creative industry networks, disintermediation and glocalisation due to digital technology, the management of project-based organzations in creative industries,organizing events in creative fields, project ecologies, Global Production Networks, genres and classification and sunk costs and dynamics of creative industries.Part Four on Creative Industries, Culture and the Economy offers chapters on cultural change and entrepreneurship, on development, on copyright, economic spillovers and government policy.This authoritative collection is the most comprehensive source of the state of knowledge in the increasingly important field of creative industries research. Covering emerging economies and new technologies, it will be of interest to scholars and students of the arts, business, innovation, andpolicy.
Candace Jones is an Associate Professor at the Carrol School of Management, Boston College. Her research interests focus on cultural frameworks, cultural meaning and social structures. She is currently on the editorial review boards of Organization Science, Strategic Management Journal, Journal of Management Studies and Organization St...
Title:The Oxford Handbook of Creative IndustriesFormat:PaperbackDimensions:576 pages, 9.69 × 6.73 × 0.03 inPublished:November 4, 2017Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198787790

ISBN - 13:9780198787792

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Table of Contents

Part I: Introduction1. Candace Jones, Mark Lorenzen, and Jonathan Sapsed: Creative Industries: A Typology of ChangePart II: Creativity2. Robert Sternberg and James Kaufman: The Creative Mind3. Lucy Gilson: Creativity in Teams: Processes and Outcomes in Creative Industries4. Gino Cattani, Simone Ferrani, and Mariachiara Colucci: Creativity in Social Networks: A Core-Periphery Perspective5. Richard Florida, Charlotta Mellander, and Patrick Adler: Creativity in the CityPart III: Valuing Creativity and Creating Value6. Barbara Townley and Elizabeth Gulledge: The Market for Symbolic Goods: Translating Economic and Symbolic Capitals in Creative Industries7. Anna Dempster: Trading Places: Auctions and the Rise of the Chinese Art Market8. Pierre-Michel Menger: The Market for Creative Labor: Talent and Inequalities9. Elizabeth Currid-Halkett: Stars and Stardom in the Creative Industries10. Silviya Svejenova, Barbara Slavich, and Sondos AbdelGawad: Creative Entrepreneurs: The Business Models of Haute Cuisine Chefs11. Mukthi Khaire: Entrepreneurship in Creative Industries and Cultural Change: Art, Fashion, and Modernity in India12. Allegre Hadida: Performance in the Creative IndustriesPart IV: Organizing Creative Industries13. Tara Vinodrai and Sean Keddy: Projects and Project Ecologies in Creative Industries14. Robert DeFillippi: Managing Project-Based Organization in Creative Industries15. Elke Schussler and Jorg Sydow: Organizing Events for Configuring and Maintaining Creative Fields16. Elonora di Maria, Vladi Finotto, and Francesco Rullani: User Innovation in Creative Industries17. Paul Hirsch and Daniel Gruber: User Innovation in the Music Software Industry: The Case of Sibelius18. Narasimhan Anand and Gregoire Croidieu: Niches, Genres, and Classifications in the Creative IndustriesPart V: Industrial Organisation and Creative Economy19. Gerben Bakker: Sunk Costs and the Dynamics of Creative Industries20. Stuart Cunningham and Jason Potts: Creative Industry and the Wider Economy21. Pacey Foster and Richard Ocejo: Brokerage, Mediation, and Social Networks in the Creative Industries22. Paul Hirsch and Daniel Gruber: Digitizing Fads and Fashions: Disintermediation and Glocalized Markets in Creative IndustriesPart VI:Policy and Development23. Fiona Macmillan: Copyright, The Creative Industries and The Public Domain24. Martin Kretschmer: Copyright and its Discontents25. Hasan Bakhshi, Stuart Cunningham and Juan Mateos-Garcia: Public Policy for the Creative Industries26. Neil Coe: Global Production Networks in the Creative Industries27. Andy Pratt: Creative Industries and Development: Culture in Development, or the Cultures of Development?