The Plains of Mars: European War Prints, 1500-1825, from the Collection of the Sarah Campbell…

Hardcover | October 2, 2014

byJames & Lesl Clifton

not yet rated|write a review

From 1500 to 1825, Europe remained in an almost perpetual state of war. Religion, politics, economics, and dynastic ambition all played a role in the turmoil that spread across the continent. War-related printed images also proliferated during this time, serving a variety of functions—commemorative, propagandistic, iconic, narrative, eulogistic, critical, or instructional.

 

This handsome volume is the first graphic print survey of the theme of war in the early modern period. Featuring work by such artists as Dürer, Goya, and Géricault, the book presents varied images of soldiers; battles (including specific historical events); production, innovation, and instruction in arms and armor; and representations of abstract concepts related to war and peace. The text includes essays by eminent authorities that illuminate artistic and historical issues of the era.

Pricing and Purchase Info

$2.00 online
$75.00 list price
Out of stock online

From the Publisher

From 1500 to 1825, Europe remained in an almost perpetual state of war. Religion, politics, economics, and dynastic ambition all played a role in the turmoil that spread across the continent. War-related printed images also proliferated during this time, serving a variety of functions—commemorative, propagandistic, iconic, narrative, e...

James Clifton is the director of the Sarah Campbell Blaffer Foundation and curator of Renaissance and Baroque painting at the Museum of Fine Arts, Houston. Leslie Scattone is assistant curator at the Sarah Campbell Blaffer Foundation. 
Format:HardcoverDimensions:254 pages, 11.75 × 9.5 × 0.98 inPublished:October 2, 2014Publisher:Yale University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0300137222

ISBN - 13:9780300137224

Customer Reviews of The Plains of Mars: European War Prints, 1500-1825, from the Collection of the Sarah Campbell Blaffer Foundation

Reviews