The Professionalization of Women Writers in Eighteenth-Century Britain by Betty A. SchellenbergThe Professionalization of Women Writers in Eighteenth-Century Britain by Betty A. Schellenberg

The Professionalization of Women Writers in Eighteenth-Century Britain

byBetty A. Schellenberg

Paperback | January 11, 2009

Pricing and Purchase Info

$51.72

Earn 259 plum® points

In stock online

Ships free on orders over $25

Not available in stores

about

The Professionalisation of Women Writers in Eighteenth Century Britain is a full study of a group of women who were actively and ambitiously engaged in a range of innovative publications at the height of the eighteenth century. Using personal correspondence, records of contemporary reception, research into contemporary print culture and sociological models of professionalisation, Betty A. Schellenberg challenges oversimplified assumptions of women's cultural role in the period, focusing on those women who have been most obscured by literary history, including Frances Sheridan, Frances Brooke, Sarah Fielding and Charlotte Lennox.
Title:The Professionalization of Women Writers in Eighteenth-Century BritainFormat:PaperbackDimensions:264 pages, 8.98 × 5.98 × 0.59 inPublished:January 11, 2009Publisher:Cambridge University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0521093414

ISBN - 13:9780521093415

Look for similar items by category:

Customer Reviews of The Professionalization of Women Writers in Eighteenth-Century Britain

Reviews

Table of Contents

Acknowledgements; Note on citations; Introduction: 'building on public approbation'; 1. Frances Sheridan, John Home, and public virtue; 2. The politicised pastoral of Frances Brooke; 3. Sarah Scott, historian, in the republic of letters; 4. The (female) literary careers of Sarah Fielding and Charlotte Lennox; 5. Harmless mediocrity: Edward Kimber and the Minifie sisters; 6. From propensity to profession in the early career of Frances Burney; 7. Women writers and 'the Great Forgetting'; Coda; Notes; Bibliography; Index.

Editorial Reviews

'With admirable brilliance, lucidity, and grace, Schellenberg provides an illuminating corrective to assumptions that a woman writer can be defined as victim rather than as agent, or that gender is prime in determining an author's agency. In a cogent analysis of the works of a number of women authors, she reads their writings into the public sphere. This magisterial work is required reading for students of gender, literature, and history. ' Betty Rizzo, Professor Emerita, The City College of New York and the CUNY Graduate Centre