The Psychology of Music Performance Anxiety

Paperback | July 2, 2011

byDianna Kenny

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Why are some performers exhilarated and energized about performing in public, while others feel a crushing sense of fear and dread, and experience public performance as an overwhelming challenge that must be endured? What are the factors that produce such vastly different performanceexperiences? Why have consummate artists like Frederic Chopin, Sergei Rachmaninoff, Pablo Cassals, Tatiana Troyanos, and Barbra Streisand experienced such intense music performance anxiety? This is a disorder that can affect musicians across a range of genres and of all standards. Some of the'cures' musicians resort to can be harmful to their health and detrimental to their playing. This is the first rigorous exposition of music performance anxiety. In this groundbreaking work, Dianna Kenny draws on a range of disciplines including psychology, philosophy, phenomenology, psychoanalysis, and performance theory in order to explain the many facets of music performance anxiety thathave emerged in the empirical and clinical literature. She identifies some unifying guiding principles that will enhance our understanding of the condition and guide researchers and clinicians in the development of effective treatments. The book provides a detailed conceptual framework for the studyof music performance anxiety and a review of the empirical and clinical research on the anxiety disorders. In addition it presents a thorough analysis of the concepts related to music performance anxiety, its epidemiology, and theories and therapies that may be useful in understanding and treatingthe condition. The voices of musicians are clearly heard throughout the book and in the final two chapters, we hear directly from musicians about how they experience it and what they do to manage it. This book will lay a firm foundation for theorizing music performance anxiety and be of enormous value interest to those in the fields of music and music education, clinical psychology, and performance studies.

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From the Publisher

Why are some performers exhilarated and energized about performing in public, while others feel a crushing sense of fear and dread, and experience public performance as an overwhelming challenge that must be endured? What are the factors that produce such vastly different performanceexperiences? Why have consummate artists like Frederi...

Dianna Kenny is a Professor of Psychology and a Professor of Music at the University of Sydney, Australia. She was the Founding Director of the Australian Centre for Applied Research in Music Performance at the Sydney Conservatorium of Music, University of Sydney, a post she held for five years. Dianna is interested in interdisciplina...

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Format:PaperbackDimensions:400 pages, 9.21 × 6.14 × 0.91 inPublished:July 2, 2011Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199586144

ISBN - 13:9780199586141

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Customer Reviews of The Psychology of Music Performance Anxiety

Reviews

Rated 5 out of 5 by from Worth the read! As a musician, I learned a lot from reading this book. I would highly recommend to any musician
Date published: 2016-11-08

Extra Content

Table of Contents

1. Phenomenology of Music Performance Anxiety2. Conceptual framework3. The Anxiety Disorders4. Defining Music Performance Anxiety5. Epidemiology of Music Performance Anxiety6. Theoretical Contributions to Understanding Music Performance Anxiety7. Treatment8. Severe Music Performance Anxiety: Phenomenology and Theorizing9. Common Themes in the lives of performing musicians10. Prevention and Pedagogy