The Reading of Russian Literature in China: A Moral Example and Manual of Practice by M. GamsaThe Reading of Russian Literature in China: A Moral Example and Manual of Practice by M. Gamsa

The Reading of Russian Literature in China: A Moral Example and Manual of Practice

byM. Gamsa

Hardcover | July 21, 2010

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A comparative cultural and intellectual history, this study treats the reception of Russian literature in twentieth-century China, highlighting its elevation as a model for personal behaviour as well as for collective revolutionary struggle - “a moral example and manual of practice”. Analyzing the Chinese reading of Russian nineteenth-century literature and early Soviet fiction, Gamsa explains what led readers to a particularly close engagement with this literature and examines in fascinating detail the forms that this engagement took. Addressed to all those interested in the passage of ideas between cultures, this book makes an innovative contribution to research in modern Chinese and Russian history and literature, comparative literature, and book history.

Mark Gamsa teaches modern Chinese history and literature in Tel Aviv University, Israel. He is the author of The Chinese Translation of Russian Literature: Three Studies (2008).
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Title:The Reading of Russian Literature in China: A Moral Example and Manual of PracticeFormat:HardcoverDimensions:236 pages, 8.5 × 5.51 × 0 inPublished:July 21, 2010Publisher:Palgrave Macmillan USLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0230623492

ISBN - 13:9780230623491

Reviews

Table of Contents

The Russian classics as a moral example * Writers and Readers * The Agents of Soviet Literature * Soviet Socialist Realism as a Manual of Practice

Editorial Reviews

'This meticulously researched book, which draws on both Russian and Chinese archival materials, will be of great interest to all scholars looking for new paradigms by which to compare literatures and cultures.' - Slavic Review'Mark Gamsa not only examines the Sino-Russian cultural encounter more closely than anyone heretofore has done, but also reflects on it perceptively from the viewpoint of a new century. While the implications of undervaluing the individual usually appear in the context of collectivization, industrialization, and other Communist Party–led socioeconomic transformations, Gamsa calls attention to their importance in literature and art. His discussion leads on to interesting reflections on what literature is, whether it really can change society and history, and in what, if any, sense it can teach and guide readers. Reading, he thinks, is a one-on-one experience in which an individual writer speaks to an individual reader, often across distances of time and space, and even long after the writer's death. Literature is written by individuals for individuals. Its impact occurs in one mind at a time and is not a mass phenomenon.'—China Review International '...not only does the book shed new light on the study of modern Chinese literature in a comparative paradigm, but it also makes a unique and much-needed contribution towards a better understanding of Chinese intellectual history, Sino-Soviet relations, and intercultural exchanges at the state and personal levels.' - Yan Li, Northeastern University, Modern Language Review 'Despite the close ties between China and the Soviet Union, few sinologists in the West have so far been able to draw on a knowledge of both languages. Hence this is a welcome contribution, and one which can be developed further.' - Comparativ