The Return of the Real: Art and Theory at the End of the Century by Hal FosterThe Return of the Real: Art and Theory at the End of the Century by Hal Foster

The Return of the Real: Art and Theory at the End of the Century

byHal Foster

Paperback | September 25, 1996

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In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today.

After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real -- to art and theory grounded in the materiality of actual bodies and social sites. If The Return of the Real begins with a new narrative of the historical avant-gard, it concludes with an original reading of this contemporary situation -- and what it portends for future practices of art and theory, culture and politics.

Hal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University and the author of Prosthetic Gods (MIT Press) and other books.
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Title:The Return of the Real: Art and Theory at the End of the CenturyFormat:PaperbackDimensions:328 pages, 9 × 7 × 0.56 inPublished:September 25, 1996Publisher:The MIT Press

The following ISBNs are associated with this title:

ISBN - 10:0262561077

ISBN - 13:9780262561075

Reviews

From Our Editors

Foster's concise analysis of art practices over the past three decades traces important models at work in art and theory, with special attention to the controversial connections between the two during this period. The author includes a new narrative of the historical avant-garde and concludes with an original reading of our contemporary situation--and what it portends for future practices of art, theory, culture, and politics. 90 illustrations

Editorial Reviews

The Return of the Real is one of the most cogent and theoretically self-aware readings of contemprary art I have seen.