The Roman Noir in Post-War French Culture: Dark Fictions

Hardcover | July 10, 2003

byClaire Gorrara

not yet rated|write a review
The Roman Noir in Post-War French Culture offers a lively introduction to the post-war French roman noir from a cultural studies perspective. A populist and widely disseminated genre, the French roman noir has suffered from a reputation as a minor genre with its roots in American popularculture. In this study, Claire Gorrara challenges such preconceptions and examines how selected writers have appropriated the roman noir as a critical response to formative concerns and debates in post-war French society. Starting with the first truly French roman noir, Leo Malet's 120 rue de la gare (1943) and concluding with Maud Tabachnik's feminist thriller Un ete pourri (1994), Gorrara analyses both texts and film in relation to their specific historical and cultural context. From the heritage of the SecondWorld War and France's wars of decolonisation to the rise of consumer culture and questions of gender and sexual equality, the roman noir operates in dialogue with its times, mediating social change and transformation with stories of crime, transgression, and marginality. All the novelists studiedwere published initially in popular collections, such as the Serie noire, but they have been chosen for the innovation of their work and the exciting ways in which they resist tired conventions and offer new ways of representing social reality. One of the first English-language studies of this popular genre, The Roman Noir in Post-War French Culture offers much more than close readings of these fascinating texts; it demonstrates the important contribution of the roman noir to the cultural histories of post-war France.

Pricing and Purchase Info

$174.15 online
$240.00 list price (save 27%)
In stock online
Ships free on orders over $25

From the Publisher

The Roman Noir in Post-War French Culture offers a lively introduction to the post-war French roman noir from a cultural studies perspective. A populist and widely disseminated genre, the French roman noir has suffered from a reputation as a minor genre with its roots in American popularculture. In this study, Claire Gorrara challenges...

Claire Gorrara is Senior Lecturer in French at Cardiff University. She is author of French Women's Writing and the Occupation in Post-1968 France (Macmillan, 1998) and co-editor of European Memories of the Second World War (Berghahn, 1998) and France Since the Revolution: Texts and Contexts (Arnold, forthcoming 2003).

other books by Claire Gorrara

Women's Representations Of The Occupation In Post-'68 France
Women's Representations Of The Occupation In Post-'68 F...

Paperback|Jan 1 1998

$173.55 online$195.00list price(save 11%)
Format:HardcoverDimensions:242 pages, 8.5 × 5.43 × 0.65 inPublished:July 10, 2003Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199246092

ISBN - 13:9780199246090

Look for similar items by category:

Customer Reviews of The Roman Noir in Post-War French Culture: Dark Fictions

Reviews

Extra Content

Table of Contents

Introduction1. Origins and beginnings: Leo Malet's 120, rue de la Gare (1943)2. Criminal Intentions: Film Noir and Les Diabioliques (1955)3. Counter-Cultural Politics: Jean-Patrick Manchette's Le Petit Bleu de la cote ouest (1976)4. Historical investigations: Didier Daenickx's Meurtres pour memoire (1984)5. Telling Tales: Daniel Pennac's La Fee Carabine (1987)6. Feminist fictions: Maud Tabachnik's Un ete pourri (1994)ConclusionSelect BibliographyIndex