The Semblance of Subjectivity: Essays in Adorno's Aesthetic Theory

Paperback | January 22, 1999

EditorTom Huhn, Lambert Zuidervaart

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Theodor W. Adorno died in 1969 and his last major work, Ästhetische Theorie, was published posthumously a year later. Few philosophers have been as well versed in contemporary art, especially music, as Adorno, and even fewer have written so much that is of interest to the social sciences. Yet only recently have his aesthetic writings begun to receive sustained attention in the English-speaking world. This collection of essays is an important contribution to the growing discussion of Adorno's aesthetics in Anglo-American scholarship.

The essays in the volume, by many of the major Adorno scholars in the United States and Germany, are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno's links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy of consciousness stemming from Kant, Hegel, and Lukács. Adorno's elaboration of the two concepts takes many dialecical twists. Art, despite the taint of illusion that it has carried since Plato's Republic, turns out in Adorno's account of modernism to have a sophisticated capacity to critique illusion, including its own. Adorno's aesthetics emphasizes the connection between aesthetic theory and many other aspects of social theory. The paradoxical genius of Aesthetic Theory is that it turns traditional concepts into a theoretical cutting edge.

Studies in Contemporary German Social Thought

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Despite his significance and brilliance in the world of philosophical study, Theodore W. Adorno’s theories have had little impact upon the American School. The Semblance of Subjectivity addresses this gap in American scholarship, offering a rounded and probing discussion of Adorno’s thoughts on semblance or illusion and subjectivity or...

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Theodor W. Adorno died in 1969 and his last major work, Ästhetische Theorie, was published posthumously a year later. Few philosophers have been as well versed in contemporary art, especially music, as Adorno, and even fewer have written so much that is of interest to the social sciences. Yet only recently have his aesthetic writings ...

Lambert Zuidervaart is Professor of Philosophy at the Institute for Christian Studies.

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Format:PaperbackDimensions:368 pages, 9 × 6 × 1 inPublished:January 22, 1999Publisher:The MIT PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0262581760

ISBN - 13:9780262581769

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From Our Editors

Despite his significance and brilliance in the world of philosophical study, Theodore W. Adorno’s theories have had little impact upon the American School. The Semblance of Subjectivity addresses this gap in American scholarship, offering a rounded and probing discussion of Adorno’s thoughts on semblance or illusion and subjectivity or consciousness.