The Sixties: Passion, Politics, and Style by Dimitry AnastakisThe Sixties: Passion, Politics, and Style by Dimitry Anastakis

The Sixties: Passion, Politics, and Style

byDimitry Anastakis

Paperback | February 1, 2008

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Dimitry Anastakis teaches history at Trent University and is the author of Auto Pact: Creating a Borderless North American Auto Industry, 1960-1971.
Dimitry Anastakis teaches history at Trent University and is the author of Auto Pact: Creating a Borderless North American Auto Industry, 1960-1971.
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Title:The Sixties: Passion, Politics, and StyleFormat:PaperbackDimensions:208 pages, 9 × 6 × 0.68 inPublished:February 1, 2008Publisher:McGill-Queen's University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0773533222

ISBN - 13:9780773533226

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Reviews

Rated 5 out of 5 by from Great Collection of Essays This group of essays edited by Dimitry Anastakis is proof that the writing of Canadian history is alive and well. It would be impossible for any collection, a short 190 page one at that, to capture the totality of the revolutionary epoch of the 1960s, even such periodization is problematic as Anastakis admits to in the introduction. But each essay addresses a particular issue in the postwar liberal consensus with academic rigor. I can't go through with a close analysis of each essay (you'll have to buy the book and read for yourself) but I will highlight the ones I felt had the most significance. The first is Kristy A. Holmes essay "Negotiating Citizenship" which explores Trudeau's grand social experiments into bilingualism, multiculturalism, and feminism incorporated into the motto "Reason over Passion." Holmes problematizes the gendered notions of liberal citizenship through its universalizing tendencies and individualistic masculinity. De Gaulle's "Vivre Le Quebec" speech is given a close contextual analysis by Olivier Courteaux who argues that de Gaulle's vision of a commonwealth of francophonie nations was too utopian and neglected the divergent paths that say Quebec and France had taken in the past 200+ years. Finally, Krys Verrall's essay "Art and Urban Renewal" compares slum clearances in the U.S. with Canada with close attention to the racialized aspects in Africville in Halifax as they were in Harlem in New York. I could go on, but the other essays on automobiles and masculinity, social control over drug use, the legacy of the Quiet Revolution, and suburbanization are all prominently featured as well. Ultimately, the over-arching theme is the ambiguous legacy of the 1960s. A time of great contradiction, and as Anastakis' fellow Trent Professor Bryan Palmer argues, great irony. We may never fully explore what the 1960s meant to Canadians, but this book is a good start.
Date published: 2009-08-22