The Snowman by Jo NesboThe Snowman by Jo Nesbo

The Snowman

byJo Nesbo

Paperback | January 4, 2011

Book 7 of 11 
Harry Hole Series

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One night, after the first snowfall of the year, a boy named Jonas wakes up and discovers that his mother has disappeared. Only one trace of her remains: a pink scarf, his Christmas gift to her, now worn by the snowman that inexplicably appeared in their yard earlier that day.
Inspector Harry Hole suspects a link between the missing woman and a suspicious letter he’s received. The case deepens when a pattern emerges: over the past decade, eleven women have vanished—all on the day of the first snow. But this is a killer who makes his own rules... and he’ll break his pattern just to keep the game interesting, as he draws Harry ever closer into his twisted web.
With brilliantly realized characters and hair-raising suspense, international bestselling author Jo Nesbø presents his most chilling case yet—one that will test Harry Hole to the very limits of his sanity.


With his ten internationally acclaimed crime novels featuring Detective Harry Hole, Jo Nesbo has achieved an unparalleled success both in his native country Norway and abroad, winning the hearts of critics, booksellers and readers alike. Translated into more than forty languages, awarded a whole range of awards and boasting record-brea...
Title:The SnowmanFormat:PaperbackDimensions:464 pages, 8 × 5.1 × 1 inPublished:January 4, 2011Publisher:Random House of CanadaLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0307358666

ISBN - 13:9780307358660

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Rated 4 out of 5 by from The Snowman (Harry Hole #7) by Jo Nesbø I found the frequent references to early 1990/2000s American politics a bit odd. However, once I had a chance to settle into the world of Harry Hole, I was hooked. Hole is my kind of antihero- he's rough, full of action with little regard for politics or personal consequences, and determined to suss out the truth no matter what the outcome; yet he is still a man with a tender core, he has his own strong code of ethics and an intense respect for justice. The red herrings, frequent twists and shocking revelations really kept the story moving along, and the ending was ridiculously vivid and suspenseful. I hope that Harper Collins plays on the success of this novel and goes back to release the Harry Hole novels in order. I'd be first on line for my copies.
Date published: 2017-05-30
Rated 5 out of 5 by from Could Not Put it Down This book had me hooked from the get go. I picked it up during a reading slump when nothing really appealed to me and I found myself struggling to get through books. When I read about this book I was immediately interested. I had not read any of the other books in the series, this was my first introduction to Harry Hole but it did not feel as if I had to play catch up. Harry Hole is a troubled soul, obviously carries a lot of baggage of past cases, memories, and relationships which affect him deeply yet I was with him from the first introduction as if I had already experienced that past alongside him. I would recommend this book to anyone and everyone I know. It's fast paced, intelligent, thrilling and most of all entertaining. I could not wait to read the next book after this one. If you haven't gotten into the Harry Hole series, do yourself a favour and get this book!
Date published: 2016-11-13

Read from the Book

1WEDNESDAY, 5 NOVEMBER 1980.The Snowman. It was the day the snow came. At eleven o’clock in the morning, large flakes appeared from a colourless sky and invaded the fields, gardens and lawns of Romerike like an armada from outer space. At two, the snowploughs were in action in Lillestrøm, and when, at half past two, Sara Kvinesland slowly and carefully steered her Toyota Corolla SR5 between the detached houses in Kolloveien, the November snow was lying like a down duvet over the rolling countryside. She was thinking that the houses looked different in daylight. So different that she almost passed his drive. The car skidded as she applied the brakes, and she heard a groan from the back seat. In the rear-view mirror she saw her son’s disgruntled face. ‘It won’t take long, my love,’ she said. In front of the garage there was a large patch of black tarmac amid all the white, and she realised that the removal van had been there. Her throat constricted. She hoped she wasn’t too late. ‘Who lives here?’ came from the back seat. ‘Just someone I know,’ Sara said, automatically checking her hair in the mirror. ‘Ten minutes, my love. I’ll leave the key in the ignition so you can listen to the radio.’ She went without waiting for a response, slithered in her slippery shoes up to the door she had been through so many times, but never like this, not in the middle of the day, in full view of all the neighbours’ prying eyes. Not that late-night visits would seem any more innocent, but for some reason acts of this kind felt more appropriate when performed after the fall of darkness. She heard the buzz of the doorbell inside, like a bumblebee in a jam jar. Feeling her desperation mount, she glanced at the windows of the neighbouring houses. They gave nothing away, just returned reflections of bare black apple trees, grey sky and milky-white terrain. Then, at last, she heard footsteps behind the door and heaved a sigh of relief. The next moment she was inside and in his arms. ‘Don’t go, darling,’ she said, hearing the sob already straining at her vocal cords. ‘I have to,’ he said in a monotone that suggested a refrain he had tired of long ago. His hands sought familiar paths, of which they never tired. ‘No, you don’t,’ she whispered into his ear. ‘But you want to. You don’t dare any longer.’ ‘This has nothing to do with you and me.’ She could hear the irritation creeping into his voice at the same time as his hand, the strong but gentle hand, slid down over her spine and inside the waistband of her skirt and tights. They were like a pair of practised dancers who knew their partner’s every move, step, breath, rhythm. First, the white lovemaking. The good one. Then the black one. The pain. His hand caressed her coat, searching for her nipple under the thick material. He was eternally fascinated by her nipples; he always returned to them. Perhaps it was because he didn’t have any himself. ‘Did you park in front of the garage?’ he asked with a firm tweak. She nodded and felt the pain shoot into her head like a dart of pleasure. Her sex had already opened for the fingers which would soon be there. ‘My son’s waiting in the car.’ His hand came to an abrupt halt. ‘He knows nothing,’ she groaned, sensing his hand falter. ‘And your husband? Where’s he now?’ ‘Where do you think? At work of course.’ Now it was she who sounded irritated. Both because he had brought her husband into the conversation and it was difficult for her to say anything at all about him without getting irritated, and because her body needed him, quickly. Sara Kvinesland opened his flies. ‘Don’t . . .’ he began, grabbing her around the wrist. She slapped him hard with her other hand. He looked at her in amazement as a red flush spread across his cheek. She smiled, grabbed his thick black hair and pulled his face down to hers. ‘You can go,’ she hissed. ‘But first you have to shag me. Is that understood?’ She felt his breath against her face. It was coming in hefty gasps now. Again she slapped him with her free hand, and his dick was growing in her other.  He thrust, a bit harder each time, but it was over now. She was numb, the magic was gone, the tension had dissolved and all that was left was despair. She was losing him. Now, as she lay there, she had lost him. All the years she had yearned, all the tears she had cried, the desperate things he had made her do. Without giving anything back. Except for one thing. He was standing at the foot of the bed and taking her with closed eyes. Sara stared at his chest. To begin with, she had thought it strange, but after a while she had begun to like the sight of unbroken white skin over his pectoral muscles. It reminded her of old statues where the nipples had been omitted out of consideration for public modesty. His groans were getting louder. She knew that soon he would let out a furious roar. She had loved that roar. The ever-surprised, ecstatic, almost pained expression as though the orgasm surpassed his wildest expectation each and every time. Now she was waiting for the final roar, a bellowing farewell to his freezing box of a bedroom divested of pictures, curtains and carpets. Then he would get dressed and travel to a different part of the country where he said he had been offered a job he couldn’t say no to. But he could say no to this. This. And still he would roar with pleasure. She closed her eyes. But the roar didn’t come. He had stopped. ‘What’s up?’ she asked, opening her eyes. His features were distorted alright. But not with pleasure. ‘A face,’ he whispered. She flinched. ‘Where?’ ‘Outside the window.’ The window was at the other end of the bed, right above her head. She heaved herself round, felt him slip out, already limp. From where she was lying, the window above her head was set too high in the wall for her to see out. And too high for anyone to stand outside and peer in. Because of the already dwindling daylight all she could see was the double-exposed reflection of the ceiling lamp. ‘You saw yourself,’ she said, almost pleading. ‘That was what I thought at first,’ he said, still staring at the window. Sara pulled herself up onto her knees. Got up and looked into the garden. And there, there was the face. She laughed out loud with relief. The face was white, with eyes and a mouth made with black pebbles, probably from the drive. And arms made from twigs off the apple trees. ‘Heavens,’ she gasped. ‘It’s only a snowman.’ Then her laugh turned into tears; she sobbed helplessly until she felt his arms around her. ‘I have to go now,’ she sobbed. ‘Stay for a little while longer,’ he said. She stayed for a little while longer. As Sara approached the garage she saw that almost forty minutes had passed. He had promised to ring now and then. He had always been a good liar, and for once she was glad. Even before she got to the car she saw her son’s pale face staring at her from the back seat. She pulled at the door and found to her astonishment that it was locked. She peered in at him through steamed-up windows. He only opened it when she knocked on the glass. She sat in the driver’s seat. The radio was silent and it was ice-cold inside. The key was on the passenger seat. She turned to him. Her son was pale, and his lower lip was trembling. ‘Is there anything wrong?’ she asked. ‘Yes,’ he said. ‘I saw him.’ There was a thin, shrill tone of horror in his voice that she couldn’t recall hearing since he was a little boy jammed between them on the sofa in front of the TV with his hands over his eyes. And now his voice was changing, he had stopped giving her a goodnight hug and had started being interested in car engines and girls. And one day he would get in a car with one of them and also leave her. ‘What do you mean?’ she said, inserting the key in the ignition and turning. ‘The snowman . . .’ There was no response from the engine and panic gripped her without warning. Quite what she was afraid of, she didn’t know. She stared out of the windscreen and turned the key again. Had the battery died? ‘And what did the snowman look like?’ she asked, pressing the accelerator to the floor and desperately turning the key so hard it felt as though she would break it. He answered, but his answer was drowned by the roar of the engine. Sara put the car in gear and let go of the clutch as if in a sudden hurry to get away. The wheels spun in the soft, slushy snow. She accelerated harder, but the rear of the car slid sideways. By then the tyres had spun their way down to the tarmac and they lurched forward and skidded into the road. ‘Dad’s waiting for us,’ she said. ‘We’ll have to get a move on.’ She switched on the radio and turned up the volume to fill the cold interior with sounds other than her own voice. A newsreader said for the hundredth time today that last night Ronald Reagan had beaten Jimmy Carter in the American election. The boy said something again, and she glanced in the mirror. ‘What did you say?’ she said in a loud voice. He repeated it, but still she couldn’t hear. She turned down the radio while heading towards the main road and the river, which ran through the countryside like two mournful black stripes. And gave a start when she realised he had leaned forward between the two front seats. His voice sounded like a dry whisper in her ear. As if it was important no one else heard them. ‘We’re going to die.’

Editorial Reviews

INTERNATIONAL BESTSELLERA New York Times Notable Crime Book of 2011 Finalist for for the International IMPAC Dublin Literary Award Winner of the Norwegian Book Club Prize for Best Novel of the Year Winner of the Norwegian Booksellers’ Prize for Best Novel of the Year “A book as fathomless as the snow, as luminous and abstract as Beethoven’s Late String Quartets and a very jarring and unique literary experience. It exists on a recognizable plane of propulsive energy undercut with the irony that moulds all kind of fiction, including my own.” James Ellroy“Every now and then, a truly exceptional crime novel comes along, something so gripping that it recalls classics such as The Silence of the Lambs. Jo Nesbo has pulled it off with The Snowman.” The Sunday Times  "Many authors know how to make the hairs on the back of your neck stand up. Jo Nesbø's one of the few who keeps them there." Linwood Barclay“The Snowman by Jo Nesbo is relentless. His terrifying transformation of a childhood icon permeated my sleep.” Patti Smith“Fiendishly complex and terrifically entertaining." The New York Times Book Review“If you don’t know Nesbo, it’s time to get with it.” USA Today“Nesbo explores the darkest criminal minds with grim delight and puts his killers where you least expect to find them.... His novels are maddeningly addictive.” Vanity Fair“A superb thriller. Jo Nesbo is astonishingly good; he knows how to grab you, by the throat and by the heart.” Jeff Abbott"A masterpiece." Der Spiegel (Germany)“With Henning Mankell having written his last Wallander novel and Stieg Larsson no longer with us, I have had to make the decision, to my own satisfaction, on whom to confer the title of best current Nordic writer of crime fiction. After finishing Jo Nesbo’s The Snowman, I hesitate no longer. The Norwegian wins. . . . This is crime writing of the highest order, in which the characters are as strong as the story, where an atmosphere of evil permeates, and the tension begins in the first chapter and never lets up.” The Times “The Snowman is certainly the most disturbing of Nesbo’s books, with a spine-chilling quality that evokes the English master of the macabre, M.R. James. . . . With its tensile-steel narrative grip, this most ambitious of Nesbø’s crime novels banishes any fears that the omniscient serial killer scenario has been exhausted.” The Independent