The Thirteen by Susie MoloneyThe Thirteen by Susie Moloney

The Thirteen

bySusie Moloney

Paperback | April 10, 2012

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The Witches of Eastwick meets Desperate Housewives in Susie Moloney's The Thirteen, a Globe and Mail Best Book.

Haven Woods is suburban heaven, a great place to raise a family. It's close to the city, quiet, with great schools and its own hospital right up the road. Property values are climbing. The streets are clean, people keep their yards really nicely. It's fairly pet friendly, though barking dogs are not welcomed. The crime rate is practically non-existent, unless you count the odd human sacrifice, dismemberment, animal attack, demon rape and blood atonement. When Paula Wittmore goes home to Haven Woods to care for a suddenly ailing mother, she brings her daughter and a pile of emotional baggage. She also brings the last chance for twelve of her mother's closest frenemies, who like to keep their numbers at thirteen. And her daughter, young, innocent, is a worthy gift to the darkness.

A circle of friends will support you through bad times. A circle of witches can drag you through hell.
Susie Moloney is the bestselling author of Bastion Falls, A Dry Spell and The Dwelling. She has been published in numerous countries and assorted languages. She divides her time between the wild prairies of Manitoba and the wild world of New York City. She's not a witch, except maybe a little in the morning.From the Hardcover edition.
Title:The ThirteenFormat:PaperbackDimensions:336 pages, 7.96 × 5.15 × 0.96 inPublished:April 10, 2012Publisher:Random House of CanadaLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0307361586

ISBN - 13:9780307361585

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Rated 2 out of 5 by from I was disappointed Aside from a few events in this book that were really interesting, this book was really slow moving. The only reason I kept reading is because I was waiting for that event in the book that would change everything and surprise me. But that never happened. I ended up reaching the end of the book feeling unfulfilled, still having a lot of questions, and still wanting to read the story I thought this would be.
Date published: 2017-03-06
Rated 2 out of 5 by from like a C rated made straight for tv movie except its a book started off good- interested characters, povs, setting and some mystery to get the reader inching closer to the edge of the seat. you will read a lot of the characters' povs (could be annoying or interesting depending what you are use to) starts off about our 2 main characters (paula and rowan) we get to know them who they are and what type of situation they are in that leads them back to paula's hometown of haven woods.....dun dun dun spooky name for a seemingly perfect community. as every seemingly charming community they all have skeleton's in the closet- deep dark bloody sacrificial secrets. goes pretty well but never really leads anywhere until we get to the last 10 pages. 3/4s of the book is just setting up for the last 10 pages which is weak. the book is ameture- characters, writing, setting and plot. could've been but wasn't if you are curious get it, but if you've got something else to read stick to it. you can skip this one and it wouldn't hurt
Date published: 2012-05-03
Rated 3 out of 5 by from Could have been better but ok beach read The Good Stuff Absolutely loved the dogs in this one, they had so much personality Very dark and suspenseful Fabulous character development for Marla, a character that could easily have been a caricature Quite a few on the edge of your seat moments Some nice humour added in just the right spots, made me want to pick up other books by the author for this alone Fabulous cover - that chick really gives you the creeps! Satisfying ending Rowan and Paula were likeable characters, would have rather had the story only told from their point of view - think it would have been a far tighter story that way The description from Goodreads really says it all ""Desperate Housewives" meets "The Witches of Eastwick" The Not So Good Stuff Think that author has a hate on for cats LOL! A little too much animal and child nastiness for me personally - I'm a wee bit sensitive when children or animals are tortured Jumps around a little and I was very confused at times about what was going on -- now this could also be because I am exhausted from lack of sleep and stress - so take this comment with a grain of salt Way too many character point of views Its uneven and I was very frustrated with how stupid some of the characters were in terms of their actions - really you didn't notice that no one else was in the hospital and than did nothing about it when you did find out Favorite Quotes/Passages "She stared at Glory sprawled on the grass, her mouth open in horror, then looked at the doll in her hand. It was covered in blood to the knees. Murder-Weapon Barbie." "It was big news and it got around fast; even in those days before Twitter and Facebook, everyone seemed to know." "There were really so many: shoes, lunch out, slow and quiet lovemaking in the morning, a glass of wine when you were cooking, fresh laundry, a laugh - A person didn't need much. Not really. She wished she'd known that sooner." Who Should/Shouldn't Read Those looking for a fun, spooky story with witches Good beach read 3.5 Dewey's I received this from HarperCollins in exchange for an honest review Posted by mountie9 at 10:49 AM 0 comments
Date published: 2012-04-20
Rated 4 out of 5 by from Good psychological horror Pros: psychological horror, good set-up for a creepy climax/ Cons: more swearing than I like/ Paula Wittmore's mother falls ill after the death of a friend in the close knit community of Haven Woods. Another friend, Izzy, notifies the young woman and suggests that she and her daughter, Rowan, return to visit. But a special sisterhood there needs both Paula and Rowan in order to regain their number. And be their sacrifice./ This is my kind of horror novel, where you're given hints of what's really going on and your imagination is left to fill in the blanks. Rather than dealing in depth with all of the sisterhood, Moloney focuses on a few - keeping the novel tight and encouraging sympathy in surprising ways. Paula and Rowan are immediately sympathetic (if not immediately likable), but I hadn't expected to like Marla, Paula's childhood friend who's trapped in a life that's becoming ever more distant from the perfect life she was promised when she joined the sisterhood./ And while I'm definitely a cat lover, this book managed to show the darker side of the animals, making me cheer for the dogs in the book (and I don't generally like dogs)./ The only thing I wasn't keen on was the amount of swearing. The characters cuss easily and often./ The climax is suitably long and dark, given the lead up, but not gratuitous or overbearing. In other words, if you like psychological horror, this is a good book.
Date published: 2011-09-27
Rated 2 out of 5 by from Not the greatest Ohhhhh. I wanted to like this one. I really did. When I read what this book was about, I immediately went to take it out of the library and giggled with glee as I didn’t have to put it on hold or anything. It did have it’s great moments! I was all ready for a really nice dark gothy read! I loved the idea of a cat filled town (furbabies!!!) where things aren’t what they seem. The town had a nice dark theme to it, almost akin to Witches of Eastwick mixed with Stepford Wives theme. So that in itself was great. Audra’s curse was great! I thought that was really interesting and fun to read. It’s most certainly a well descriptive curse. Each of the ‘witches’ and what they wished for was also interesting, but of course everything comes at a price. When things do get messy, the consequences are severe. This was also fun to read - especially when they all go into a panic. The panic gets contagious and they’re suddenly resembling frantic chickens. Then...the story itself just falls apart. What is it with this dogs vs cats theme? that really bugged me. It really played on that a little too much and the old adage of cats being the ‘witches familiar’ is really really old. That bugged me because I knew in the long run in this book, that there was going to be a mass killing of cats somewhere along the line. Oh for crying out loud. Seriously? we’re still writing about how evil they are and that dogs are every body’s best friend and the champions against the dark witchcraft magic. Have we suddenly gone Middle Ages all over again? the animal cruelty (both for dogs and cats) was not necessary and this dogs vs cats thing was silly. Let’s now talk about Rowan. She was all right. For a while. Until the story starts in her point of view. Then we get writing like this: “No one answered it of course, until (another weirdo) the nurse Tula came down the hall” WHY were her thoughts written this way??!!! WHY??? not only did this interrupt the flow of the story but it was very distracting and haphazard to read. It was so disruptive, it was almost as if these thoughts were interrupting the book itself. It made for very annoying reading. Finally, we go to a chase scene, where it was going at least in a circle three times and it made the reading redundant and the last scene of the book felt so long to play out because of this. Although it was rather exciting to read, as the chase started getting longer, it started getting absurd. This was certainly a book you can pass on. I expected so much more and it ended up falling short. It’s definitely not what I was hoping for.
Date published: 2011-08-26
Rated 3 out of 5 by from Good read but not as much as I had hoped 3.5/5 I first discovered Canadian author Susie Moloney when I read her novel A Dry Spell way back in 1997. She followed that up with The Dwelling in 2003. Both seemed to fall under the horror genre - a la Stephen King - with everyday occurrences and things becoming sinister, such as a lack of rain and a house that just won't sell. But Moloney also does a fine job of exploring reactions and behaviour as a result of those occurrences. Moloney's latest novel - The Thirteen - centres on the perfect little town of Haven Woods. Things are, well, just as they should be, according to the thirteen women who seem to have a grip on the town. Until one of their own breaks rank and upsets everything. What to do? The leader Izzy calls Paula -daughter of one of their group (coven) and convinces her to come home - with her daughter Rowan. After all thirteen is the magic number and a sacrifice is needed... Moloney has crafted another entertaining tale, drawing upon today's fascination with all things paranormal. But it just didn't grab me as much as her past books. Paula is unable to contact the doctor tending to her mother in the Haven Woods Hospital. Or even a nurse (other than one of the thirteen posing as one). No cleaners, no other patients, nothing. Really, after the fourth or fifth visit and she is still acquiescing, it stretched credibility. It reminded me of a slasher film where you want to yell at the lead character to "open your eyes and look around!" Desperate Housewives sprang to mind and indeed this is one comparison that the publisher uses as well - "The Witches of Eastwick meets Desperate Housewives in Susie Moloney's The Thirteen, her new and long-awaited novel." Once I got past being annoyed at the hospital situation, I did enjoy the book. Moloney has a wry sense of humour that is fun to catch. She again explores the human dynamic with lots of back stories of many of the characters and emotion drives some of the plot line. I was never really 'horrified', but did appreciate Moloney's take on urban witches and the desire of many to 'have it all.' The action in the last few chapters had me quickly turning pages and the ending employed a great hook.
Date published: 2011-08-16

Read from the Book

ONE The drunk at table eight was shouting something at the dancer. Paula couldn’t hear what it was over the music, but from his ugly expression she guessed it wasn’t nice. Then he threw something that landed on the stage in front of poor Rachel. A typical Tuesday night at Blondie’s. Paula looked away, pretended not to see. Another asshole in the bar. She hated her job. Hated. “What the fuck?” Andy said from behind the bar. “Go see what’s going on.” “He threw something at Rachel,” Paula said. She and Andy had a sometimes thing, which she also sometimes hated. Today she could smell his cologne on her hair. Chaps. Right now she didn’t like his tone. “I said go see,” he snarled, and turned his back to her. Paula groaned and grabbed her tray, wet with spilled beer, and headed for the fray. There were only about ten people in the whole bar. It was early, just a couple of hours into her shift. The man had been drunk when she’d got there, obnoxious, loud. She’d picked him out right away. When the first dancer came on, he’d shut up and Paula had hoped that would be it. “Excuse me, sir,” she said. Even as she did she tensed against the inevitable transfer of his anger. His spittle. Wet-eyed, he tried to focus. Paula had a horrible moment of bar clarity as she imagined this guy stumbling home to his family and picking a fight with his sober, half-awake wife. Keep your voice down, honey, you’ll wake the kids— Shut the fuck up— The man ignored Paula and lurched to his feet, yelling at Rachel to get her fat ass off the stage. At Rachel’s feet was an olive. She must have stepped on it, because it was flattened and the pimento had separated. It must be what the man had thrown at her. Rachel’s face was red and her movements were choppy. Choppier than usual. Andy didn’t exactly run the A-list on the first shift. “Sir,” Paula repeated firmly, “please take your seat.” An ugly grin began on his mouth and gave up early. “What did you say to me?” “Could you sit down, please? The dancer’s just doing her job.” He was middle-aged—they always were—overweight, wearing a good jacket. Probably from out of town. Maybe his business hadn’t gone well. He pointed a fat finger at her. A wedding ring glinted in the stage lights. “And you can shut your fat mouth.” He reeked of gin, usually a pleasant, juniper-bush smell. Not on him. “C’mon, mister, please?” She tried to smile but she couldn’t do it. “Aren’t you just a fucking crackerjack bitch . . .” She stared at him, and for a moment his red-blotched, booze-slackened face disappeared. His eyes were clear and burning on her, his gaze steady. This time he managed his grin, and for an instant Paula felt as if she should duck. “You should shut your mouth and get your fat ass home,” he said, not slurring anymore. “Excuse me?” She’d had enough, and turned away. The song was just midway through, the few patrons in the bar every bit as interested in what was going on off the stage as on. She raised her hand to try to signal Andy, and then Rachel screamed. The drunk had grabbed Rachel’s ankle, catching it on a turn, and she fell to the hard stage floor with a terrible thud. Paula heard the air rush out of her. That was it. “Let her go!” Paula slapped her tray onto the nearest table. Nickels and quarters jumped wetly in the beery ashtray. It startled the drunk and he twisted his fat head on his fat neck to look at her. His eyes narrowed, whether to focus or to look mean, she wasn’t sure. He was still hanging on to Rachel’s ankle. “If I want to watch some old cow take her clothes off I’ll stay home with my wife.” Rachel groaned and tried to kick free of his hand. Her cheap strappy sandal came off and dangled sadly from her foot. “Let go of Rachel and sit down—” Paula could feel bile rising in her throat; the smell of him, mixed with beer and sweat, was almost too much. He was her fourth bad drunk of the week and she was done. Fucking done. Her right hand clenched into a fist and she ached to use it. She said it again: “Let go of her.” The drunk made his own fist and raised it. “Gimme a reason.” Paula felt a rush of heat through her body—a tempting heat, a huge desire to lash out, to pound this man’s sweaty face. Her eyes closed as she drew her own fist back like a bow—somewhere far away she heard someone gasp and a titter of laughter hit him kid knock him to the floor. Then she thought of her daughter, Rowan. Twelve and at home alone, probably curled up in front of the TV, maybe homework in her lap, waiting for her mom to call on her break. She did not hit him. She opened her eyes to see the drunk backed up against the stage, hands up, palms out, Rachel sitting up, sobbing and rubbing her ankle, just as Andy got there. “Back off!” Andy shouted. Paula’s fist was still cocked and she realized Andy was talking to her. Her arm dropped to her side. She laughed nervously. “Whoa,” was all she could think of to say. “She was going to fucking hit me,” the drunk said. “Sit down,” Andy said to the drunk, who was suddenly innocent take it easy buddy what kind of joint you running as if he had never grabbed Rachel, as if he’d never made a fist at Paula. “Andy—” Paula started. He turned to her angrily and pointed to the back. “Get outta here. Dump your tray and change at the bar.” “I’m not missing a shift for this loser,” she protested. “You’re not missing shit, Paula. You’re fired.” Her mouth dropped open. He had to be kidding. “You’re kidding.” Andy pointed again to the bar. “Go.” She grabbed her tray and stomped away. Behind her she heard a guffaw. Her stomach got tight and she was momentarily thrown again, this time by fear. She hated herself for it. She set her tray on the bar carefully, and then she lifted the ashtray with her change from the puddle of beer and put that beside the cash. She was at a loss. She’d stomped out of her fair share of jobs, but she’d never been fired. “Paula, I’m so goddamn sorry,” Rachel said from behind her. Paula turned to find the dancer, an unlit cigarette in her hand, a man’s long denim jacket over her costume. Her eye makeup was smeared. “I’m going for a smoke. Bastards. Thanks for trying, Paula. It’s a sisterhood, eh?” Rachel popped the cigarette into the corner of her mouth. She waved Rachel away. “Don’t worry about it. Go have your smoke.” Rachel stood a second longer, checked over her shoulder for Andy, who was in a firing mood. When she saw him walking very slowly towards them, she scuttled away. When he was close enough, Paula said, “What the hell, Andy?” “You were going to hit a customer—what’s that shit?” “I didn’t hit him. You’re firing me for something I didn’t even get to do.” He snorted. “I’m firing you for lots of reasons. That one’s just handy.” “What?” she said, too loudly. “No way. No fucking way. I’m on time, I work hard enough. What are you talking about?” Andy stepped back behind the bar and punched keys on the register. It popped open. He got some bills from under the tray. He held them out to her. They both looked at the money. “Debbie’s hired back,” he said. Debbie who? “My girlfriend.” Ah. He held out the cash. It was twenties, maybe five of them. A hundred bucks. She laughed softly and shook her head. Unbelievable. “I quit anyway. This place is a dive.” He handed her the money, not looking her in the eye. Fuck you she wanted to add, but her mouth was too dry. She went into the back and got her jacket and purse. When she came out, he still wouldn’t meet her eye. She left by the back door. She made it as far as the edge of the parking lot before it hit her. She was unemployed. Again. Worst Tuesday at Blondie’s, ever. — Normally Paula took a taxi home after her evening shift, using tip money, but tonight she headed for the bus. Who knew when she’d have another job. Streetlamps were the only light on the road. Most of the businesses around there were daytime things, wholesale places and electrical shops that turned off their signs to save a buck. A traffic light half a block away flashed red. The bus was empty, just her and the driver, who stared straight ahead when Paula got on and put her money in the box. By the time she’d sat down—at the back, where the losers sit—she was in full panic, full pity, full fear mode. What would she tell Rowan? The truth seemed harsh. Paula pictured Rowan in her school uniform and decided she couldn’t say a thing. She was twenty-eight years old. She’d just been fired from a bar job. This was not how it was supposed to be. When she’d been a kid back in Haven Woods, bar girl was not on her list of life goals. She couldn’t quite remember what had been, but she could remember sitting for hours in a homemade tent with her friends, dreaming about who they would grow up to be. Not bar girls. A sisterhood, Rachel had said. Six hundred in chequing, a hundred and fourteen in her wallet, courtesy of Andy’s hush money, and thirty in the coffee can at home. There was a brief moment of regret when she thought about her temper and how hard it was sometimes to keep it down. She had really wanted to clock that drunk (but I didn’t) She leaned her head against the bus window and watched as industrial turned into downtown, then into residential, across the railroad yard to the wrong side of the tracks. Home. Every light in the apartment was on, as usual. Paula didn’t mind so much. When she was Rowan’s age, she was never left alone, never mind most nights. She walked through the apartment, flipping lights off as she went until she was in the kitchenette. Supper things were still on the table, a plate scraped clean, knife and fork, a glass with milk slowly drying in the bottom and chopsticks. Chopsticks. On the counter beside the sink was a Styrofoam takeout container, empty. She opened the fridge. Two more takeout containers were in there, one with a serving spoon sticking out the top. A brown bag in the recycling box was from Captain Wu’s, the receipt for eighteen dollars, which left twelve dollars in the coffee can. Paula went to Rowan’s door, which was open just a crack, her Ariel nightlight glowing. Rowan still watched The Little Mermaid now and then even though she was getting too old. “Ro?” Paula whispered. She could just make her out under the covers, all limbs and hair. A fierce love rose in her, as familiar as the panic and fear, but better. She was about to give up and close the door; it was nearly eleven. “Mom? How come you’re home?” “Ro, did you have takeout?” “Mmm, yeah. Delivery.” “Where did you get the money?” “From the emergency can.” “Who said you could use that? That money’s for emergencies—” Rowan sat up and rubbed her eyes. “It was an emergency. There was nothing to eat.” Paula groaned. “Rowan! There was tinned soup. Tuna. Leftover casserole from Sunday—I know you don’t love it, but we can’t just have takeout whenever we freaking want.” She was trying to stay calm, but it was hard, thinking of the thirty dollars that had been in the can, reducing their total wealth now to six hundred in chequing, fourteen in my purse, twelve in the can— “Jeez, I’m sorry. I had homework. I didn’t feel like cooking.” Rowan flopped backwards and closed her eyes. “Ro—” Paula started. “I’m sorry, Mom. I have to go to sleep. Can’t you ground me tomorrow?” “It’s not funny, Ro.” She turned over onto her side and Paula could hear a change in her breathing. Then she spoke again. “I’m sorry. Don’t be mad.” Eighteen dollars. What was that? Bread and milk and eggs, maybe the paper. “I’m not,” Paula finally said. “Not really. I love you.” She backed out of the room, remembering to leave her daughter’s door open just a crack. In the kitchen she pulled the leftover takeout from the fridge and ate it with the chopsticks, standing up, not tasting it. Her throat was thick, wanting to cry, to freak out. What was lower than bar waitress? Not too much. Welfare, she guessed. Rowan’s tuition was paid to the end of the year, thanks to her mother, but after that she’d have to go to public school. She didn’t even have a car they could live in, although there was a beater for sale across the street. She passed it every day. She threw the takeout container into the trash, then dropped to the sofa and picked up the remote. She turned on the TV to snow, then noticed a note taped to the back of the remote. She squinted to read it. You didn’t pay cable Mom. She flicked off the set and soon she was asleep, dreamless except for one moment in the middle of the night when she thought she heard her mother calling her to get up. It was time for—  It was a beautiful morning, but little of it bled though the frosted glass windows of the second-floor bathroom at St. Mary’s Academy for Girls. Rowan was with Nicki and Caleigh. Nicki had stolen a couple of cigarettes from her mother’s pack. They were all crowded into the last stall and Nicki was about to light one. Caleigh had shoved gum in the smoke detectors. It was bright pink against the rest of the gobs of gum, some so ancient they had lost all colour. Nicki flicked the lighter (also pinched from her mother) and held the flame to the end of the cigarette. It caught and flared briefly, like a firework. Rowan and Caleigh—children of nonsmokers—flinched and stepped back a little. Nicki inhaled and coughed roughly, but not as much as a person might expect. Then she held it out to Caleigh. “Don’t just stare at it. Smoke it, dork.” With a glance at Rowan, Caleigh put it in her mouth like a straw. She sucked on it once, then burst into terrible, deep coughs, as if she had lung cancer or something. Nicki laughed, and patted her hard on the back. Thump thump thump. “You baby!” She took the cigarette back. “They keep you skinny. That’s why my mom smokes. She says if she quits she’ll put on, like, twenty pounds.” Nicki held it out to Rowan. “C’mon.” Rowan shook her head. Caleigh was still sputtering and looked sick. “I don’t think so. It causes cancer.” “Not the first time,” Nicki said. “I don’t want to.” Nicki drew on the cigarette herself and blew smoke out like a pro, holding in a cough that made her eyes water. “If you try it I’ll let you use my Friis bag for the city trip. My big one.” Grade seven and eight French students were going to Montreal for a weekend, to see an opera in French and to eat in French restaurants in order to have an “immersion experience.” Sister Claire was taking them. Everyone loved Sister Claire. Rowan would like to be Sister Claire, except for the nun part. Nicki watched her with a half-grin, but Rowan wouldn’t meet her eyes. She stared at her feet, then the wall. “No way,” she said finally. “I’m not going anyway.” “Really? Why not?” Caleigh said. “It’s lame.” It cost five hundred dollars. “I don’t want to go.” Nicki grinned slyly. “Can’t your mother afford it?” “That’s none of your business, Sickie Nicki,” Caleigh said. “Get the money from your dad,” she said to Rowan. “That’s what I do when my mom won’t give me something.” “My dad’s dead,” Rowan said. “He died in a car wreck when I was a baby. I’ve never even seen him, except in pictures.” “Wow,” said Caleigh. “That’s kind of sad. My dad had a heart attack two years ago, but he’s okay now.” Caleigh looked at Rowan with a new sort of interest. Nicki played with the cigarette. “Isn’t your mom a stripper? They make lots of money, you know. She should totally have the money.” “She’s not a stripper, Nic,” Rowan said. “Hey, there’s nothing wrong with being a stripper. I think it’s cool. I would love to have men staring at me because I’m beautiful,” Nicki said. “They stare at strippers because they’re naked, not because they’re pretty,” Caleigh said. “Is your mom a stripper really?” “No!” Rowan was red-faced. “She works in a bar downtown. But gawd, she’s not a stripper.” “But she’s poor, right? That’s why you’re not going on the trip—” “Fuck off, Nicki.” Rowan stared her down. “Whatever, Wittmore,” Nicki said, as she put the cigarette to her mouth for another puff. “If my mom was a stripper I wouldn’t lie—” It was as far as she got before Rowan pulled back and smacked her in the face. The cigarette hit the wall, and sparks and ash bounced off the tile. The smack seemed to echo loudly in the bathroom. Nicki blinked, her mouth dropped open in total surprise, a red mark appearing where Rowan had hit her. There was complete, shocked silence for a split second. Then Caleigh screamed. “You fucking hit me,” Nicki said. “You have a big mouth,” Rowan said, surprised at how her heart was pounding, and also at how good it had felt to hit Nicki’s (smug) face. Then Nicki’s chin started to wiggle and her bottom lip practically swallowed her top lip as fat tears plopped out of her eyes onto her pink cheeks. “You fucking hit me, Wittmore! You fucking did so!” “Shut up, Nicki,” Rowan said. Caleigh put her hands up. “I’m going to—” and then she ran away from them, leaving Nicki and Rowan standing like idiots, staring each other down while the cigarette burned between them on the washroom floor. That’s how it was when Sister Claire came in, Caleigh trailing behind her, and all hell broke loose, shit hit the fan, everybody had a big fat crap sandwich.  Light burned through Paula’s eyelids, something wrong about that for sure, but there was something else too, a shoo-fly feeling, an irritation like an itch, pulsing. She was not in her bedroom. The light was coming at her from the big window at the front of the apartment. Morning light. She was on the sofa in the living room, still in her clothes from the night before. She could smell beer very faintly. From her pants, most likely. Ugh. The phone rang beside her head once more, pulling her completely out of sleep. “Shit,” Paula mumbled, pawed towards the sound of the phone and hit upon the receiver, thumbing the button as much to make it stop as to answer the call. “Hello?” “Mrs. Wittmore? This is Candace Fines, principal at St. Mary’s Academy—” “It’s Miss,” Paula corrected her, her voice froggy. “Be that as it may . . .” Fines continued, her voice chilly. Paula listened, anger growing inside her, feeling like the bitter taste of the last straw. She hung up the phone and dragged herself off the sofa and changed her clothes. Rowan was in deep trouble. In deep shit. shit shit shit  Rowan was sitting on the wooden bench outside the principal’s office when Paula came out. She looked up shyly, but with a tiny bit of the expression Nicki probably had seen right before Rowan clocked her. The two Wittmore girls stared at each other. Paula kept her expression blank, both because she was unsure how she felt and because she was exhausted. It was only ten thirty in the morning and there had already been a disaster. Mother Teresa would have been exhausted. “Get your book bag,” Paula said. “Do you have anything in your locker that you’ll need?” Rowan’s eyes widened and the trace of defiance disappeared. “Need for what?” Paula’s purse felt as if it weighed twenty pounds. She dropped it to the floor and sat beside her daughter on the bench. “Need in the next two months. You’ve been suspended for the rest of term.” Rowan gasped. “Because I hit Nicki?” Paula nodded. “They have a zero-tolerance violence policy.” “What about the smoking?” “You were smoking?” Rowan let out a frustrated sigh. “No. Nicki had a cigarette and was trying to make us try it. But I didn’t.” “Is that why you hit her?” In truth she was still trying to digest the idea of Rowan hitting anyone. She’d never been what you would call an angelic child, but she’d never been violent. Rowan had always used her words when she was angry. Rowan shook her head. “Well, what then?” Rowan stared at the floor, her hair covering her face, but Paula could still see her through the breaks in the curtain it made. She was frowning. “Nicki’s an asshole.” “Rowan! You’re not making this any better for yourself. Tell me why you hit her.” Rowan shook her head and then shrugged. “What did Fines say?” “She said, ‘Nicole and Rowan had a disagreement and Rowan struck Nicole in the face.’ And when I asked what the disagreement was about, she suggested I ask you, that it was personal.” She put her hand on Rowan’s shoulder. “What was it about, honey?” “Nicki said you were a stripper.” It was Paula’s turn to be speechless. And when she didn’t respond, Rowan looked at her, concerned. “You’re not, are you?” “No. No. Rowan, you know I’m not. I’m a waitress. Lots of women are waitresses—” “Not here.” Touché. Paula stood up. “Go get your stuff. I’ll meet you out front.”  Without discussion they took the long way home, down Cascade Street, past the library and the big Whole Foods that they went to around Christmas time. Neither of them was anxious to get back to the crummy apartment. For most of the walk they were quiet. Then Paula said, “I’m still surprised you hit her, Ro. You want to talk about it?” “No.” Paula couldn’t help it, and laughed a little. Of course she didn’t want to talk about it. Neither did Paula, truthfully. But she had to say something. She took a breath. “I wish I was a lawyer or a doctor or something great like that, but I got pregnant and had you, and I had to choose. I wanted to be your mother more than I wanted to be a doctor or a lawyer.” It was true, after a fashion. Paula had been lost in those days, heartbroken, angry. She had been only sixteen, practically a child and pregnant with one. Her father had just died. What had surprised her most of all was her mother’s solution. At a time when they should have needed each other most, her mother had sent her away, to the same school Rowan was now suspended from. Maybe it had been too much for both of them. Their house had become unbearably sad, grief seeming to echo off every wall. Paula had been full of secrets that she couldn’t share. Sometimes she suspected that her mother knew that. But neither of them said anything then, and they had said nothing since about those days. Bad times, but a long time ago. Rowan snorted, and that took Paula by surprise. “What?” “Maybe it would have been better if you’d been doctor or something. Look at us now—we’re all broke and crap. We don’t even have cable any more.” “Oh, please—” “Maybe you should have gotten a better job or gone to a better school or something. Instead, now we’re stuck and you can’t even make it better!” “First of all, I went to a very good school—the same one you just got booted out of. I don’t have to explain my choices to you, Ro.” “Why? Aren’t you always asking me what I think about life and telling me to be honest? Well, are you a stripper? You could be, right? I mean, you had me and you weren’t married or even with a boyfriend—” “Rowan! What does that have to do with anything?” “I don’t know! I just wish—we were normal. I don’t have a dad, I don’t have a sister or a brother . . . I don’t even have a grandma! All the teachers call you Mrs. Wittmore and I don’t tell them you’re not married . . . but everybody knows—” Rowan’s forehead was sweaty, as it always got when she was upset, and her bangs clung. “You have a grandmother, Ro. She pays your tuition, remember?” “But I don’t see her,” she said, petulantly. “Is she ashamed of me?” Paula reached out. “Rowan, of course not! She loves you. She’s just not . . . that kind of grandmother. Come on, you’re upsetting yourself. Let me take your bag—” She jerked away. “No! I’m going home—you walk too slow!” “Jesus, Ro—” she said, but Ro was leaving. She’d adjusted her bag on her tiny shoulders and was actually stomping away. “Do you have your key?” Paula called. She spun back to face her mother. “Yes, I have my key. Of course I have my key. I always have my key—I’m a latchkey kid!” “You’re not a latchkey kid, Ro. You go to the lunch program.” “I am at night!” “Rowan, please—”  When Paula got back she found an envelope taped to the apartment door. Paula Wittmore was written in pencil on the front in Andy’s handwriting. Paula unstuck the envelope, then let herself into the apartment. She could hear music, a little too loud, coming from Rowan’s room. She was grateful not to have to face her. Paula would have to say something about her job situation (which did not bear thinking about just yet) and they would have to plan for the days of school Ro would miss. She dropped her purse and tossed her jacket onto the sofa, where the blanket from the night before was still where she had left it. She took the envelope over to the kitchen counter, stuck her finger under the flap and tore it open. The cheque was for five hundred dollars. Double what she was expecting. There was no note. Guilt money (and she didn’t care) and she noticed that the message light was blinking on the archaic answering machine. Paula pressed Play. “Paula? This is a message for Paula—” and even as she heard the voice, her heart nearly stopped in her chest, and everything else about the day slid off her. “Dear, it’s Izzy Riley, from Haven Woods? I’m sorry to tell you, but your mother has taken ill. She’s in the hospital here. I hope you’ll come home. I know you and she haven’t been so close these past years, but she’d love to see you. And your daughter.” Her mother was ill, badly enough off to be in the hospital in Haven Woods. That crummy little hospital. She and Rowan had been back home to visit only once, and Rowan had gotten so sick they had to go back to the city—there was no way she was taking her baby to the Haven Woods emergency room. Her mother had come to see them maybe twice since then and actively discouraged any suggestion from Paula that she and Rowan come home. And now . . . Izzy Riley. Paula dropped to a chair beside the table and tried to take that in. Last time she’d seen Izzy she’d been standing outside the church after David’s funeral. Izzy had turned and looked over her shoulder just as the Wittmores got into their car. A quick glance and then she turned back to talk to someone. That was the last time Paula had laid eyes on a Riley. Rowan’s other grandmother. Not that Izzy knew that. She would go home. She and Rowan. Her mother was ill: Audra was ill. Old Tex, the dog—he would be sixteen, seventeen? She pondered that, considered that he might be dead. The house would be empty. Haven Woods, a million miles away from Blondie’s, St. Mary’s Academy; a million miles away from where she was now. A million miles away.From the Hardcover edition.

Editorial Reviews

WINNER 2012 – Manitoba Book Awards’ Michael Van Rooy Award for Genre FictionA Globe and Mail Best Book"Moloney can make even the sunniest places seem dark, and...Haven Woods is more like hell on Earth." —Uptown "Moloney brings a comical matter-of-factness to witchcraft.... It has a page-turning energy, with bursts of vivid writing and dark humour. Moloney continues to stretch the horror genre." —Winnipeg Free Press "Compellingly uncanny.... Pick up a copy of The soon as possible." —The Globe and Mail