The Thought and Art of Joseph Joubert (1754-1824) by David P. KinlochThe Thought and Art of Joseph Joubert (1754-1824) by David P. Kinloch

The Thought and Art of Joseph Joubert (1754-1824)

byDavid P. Kinloch

Hardcover | April 30, 1999

Pricing and Purchase Info


Earn 1,650 plum® points

Prices and offers may vary in store


In stock online

Ships free on orders over $25

Not available in stores


This book rescues Joubert from the ranks of minor French moralistes, and, by tracing the development of his thought from his time as secretary to Diderot through to the period of his association with Chateaubriand, demonstrates that he was a writer on aesthetics of considerable sensitivity. Examination of his manuscripts and of his annotation to books in his library shows that Joubert's primary concern, during the period that witnessed the gradual but profound change from the intellectual values of the Enlightenment to those of the Romantic period, was to establish the status andnature of art and poetry. Reading widely among philosophers and poets from Plato and Homer to Kant and Andre Chenier, Joubert consigned his thoughts and perceptions to a series of carnets which form the basis of this study and bear witness to an unusually eclectic and enquiring mind. Joubert's significance is not confined to the Enlightenment and Romantic periods. He is unique among writers of his day in the way that his own interrogation of the very act of writing anticipates the aesthetic of later, highly influential writers such as Mallarme.
David P. Kinloch is at University of Strathclyde.
Title:The Thought and Art of Joseph Joubert (1754-1824)Format:HardcoverDimensions:248 pages, 8.5 × 5.43 × 0.83 inPublished:April 30, 1999Publisher:Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10:0198151837

ISBN - 13:9780198151838


Editorial Reviews

`Kinloch's splendid introduction and aesthetic ideas in The Thought and Art of Joseph Joubert is based on his comprehensive reading of Joubert's Carnets...Kinloch can present us with a more detailed and more coherent version of Joubert's Neoplatonnism and his thinking about art, including hisown, than had previously been available to anyone with only printed sources to go by.'French Review