The Unlikely Pilgrimage of Harold Fry

Paperback | June 4, 2013

byRachel Joyce

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Recently retired, sweet, emotionally numb Harold Fry is jolted out of his passivity by a letter from Queenie Hennessy, an old friend, who he hasn't heard from in twenty years. She has written to say she is in hospice and wanted to say goodbye. Leaving his tense, bitter wife Maureen to her chores, Harold intends a quick walk to the corner mailbox to post his reply but instead, inspired by a chance encounter, he becomes convinced he must deliver his message in person to Queenie--who is 600 miles away--because as long as he keeps walking, Harold believes that Queenie will not die. So without hiking boots, rain gear, map or cell phone, one of the most endearing characters in current fiction begins his unlikely pilgrimage across the English countryside. Along the way, strangers stir up memories--flashbacks, often painful, from when his marriage was filled with promise and then not, of his inadequacy as a father, and of his shortcomings as a husband. Ironically, his wife Maureen, shocked by her husband's sudden absence, begins to long for his presence. Is it possible for Harold and Maureen to bridge the distance between them? And will Queenie be alive to see Harold arrive at her door?

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From the Publisher

Recently retired, sweet, emotionally numb Harold Fry is jolted out of his passivity by a letter from Queenie Hennessy, an old friend, who he hasn't heard from in twenty years. She has written to say she is in hospice and wanted to say goodbye. Leaving his tense, bitter wife Maureen to her chores, Harold intends a quick walk to the corn...

The author, Rachel Joyce, has written over twenty original afternoon plays for BBC Radio 4, and has created major adaptations for the Classic series and Woman’s Hour, as well as a TV drama adaptation for BBC2. In 2007 she won the Tinniswood Award for Best Radio Play. Joyce moved to writing after a twenty-year career in theatre and tele...

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Format:PaperbackDimensions:384 pages, 8 × 5.37 × 1 inPublished:June 4, 2013Publisher:Doubleday CanadaLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0385677715

ISBN - 13:9780385677714

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Read from the Book

1Harold and the LetterThe letter that would change everything arrived on a Tuesday. It was an ordinary morning in mid-April that smelled of clean washing and grass cuttings. Harold Fry sat at the breakfast table, freshly shaved, in a clean shirt and tie, with a slice of toast that he wasn’t eating. He gazed beyond the kitchen window at the clipped lawn, which was spiked in the middle by Maureen’s telescopic washing line, and trapped on all three sides by the neighbors’ stockade fencing.“Harold!” called Maureen above the vacuum cleaner. “Post!”He thought he might like to go out, but the only thing to do was mow the lawn and he had done that yesterday. The vacuum tumbled into silence, and his wife appeared, looking cross, with a letter. She sat opposite Harold.Maureen was a slight woman with a cap of silver hair and a brisk walk. When they first met, nothing had pleased him more than to make her laugh. To watch her neat frame collapse into unruly happiness. “It’s for you,” she said. He didn’t know what she meant until she slid an envelope across the table, and stopped it just short of Harold’s elbow. They both looked at the letter as if they had never seen one before. It was pink. “The postmark says Berwick-upon-Tweed.”He didn’t know anyone in Berwick. He didn’t know many people anywhere. “Maybe it’s a mistake.”“I think not. They don’t get something like a postmark wrong.” She took toast from the rack. She liked it cold and crisp.Harold studied the mysterious envelope. Its pink was not the color of the bathroom suite, or the matching towels and fluffed cover for the toilet seat. That was a vivid shade that made Harold feel he shouldn’t be there. But this was delicate. A Turkish Delight pink. His name and address were scribbled in ballpoint, the clumsy letters collapsing into one another as if a child had dashed them off in a hurry: Mr. H. Fry, 13 Fossebridge Road, Kingsbridge, South Hams. He didn’t recognize the handwriting.“Well?” said Maureen, passing a knife. He held it to the corner of the envelope, and tugged it through the fold. “Careful,” she warned.He could feel her eyes on him as he eased out the letter, and prodded back his reading glasses. The page was typed, and addressed from a place he didn’t know: St. Bernadine’s Hospice. Dear Harold, This may come to you as some surprise. His eyes ran to the bottom of the page.“Well?” said Maureen again.“Good lord. It’s from Queenie Hennessy.”Maureen speared a nugget of butter with her knife and flattened it the length of her toast. “Queenie who?”“She worked at the brewery. Years ago. Don’t you remember?”Maureen shrugged. “I don’t see why I should. I don’t know why I’d remember someone from years ago. Could you pass the jam?”“She was in finances. She was very good.”“That’s the marmalade, Harold. Jam is red. If you look at things before you pick them up, you’ll find it helps.”Harold passed her what she needed and returned to his letter. Beautifully set out, of course; nothing like the muddled writing on the envelope. Then he smiled, remembering this was how it always was with Queenie: everything she did so precise you couldn’t fault it. “She remembers you. She sends her regards.”Maureen’s mouth pinched into a bead. “A chap on the radio was saying the French want our bread. They can’t get it sliced in France. They come over here and they buy it all up. The chap said there might be a shortage by summer.” She paused. “Harold? Is something the matter?”He said nothing. He drew up tall with his lips parted, his face bleached. His voice, when at last it came, was small and far away. “It’s—cancer. Queenie is writing to say goodbye.” He fumbled for more words but there weren’t any. Tugging a handkerchief from his trouser pocket, Harold blew his nose. “I um. Gosh.” Tears crammed his eyes.Moments passed; maybe minutes. Maureen gave a swallow that smacked the silence. “I’m sorry,” she said.He nodded. He ought to look up, but he couldn’t.“It’s a nice morning,” she began again. “Why don’t you fetch out the patio chairs?” But he sat, not moving, not speaking, until she lifted the dirty plates. Moments later the vacuum cleaner took up from the hall.Harold felt winded. If he moved so much as a limb, a muscle, he was afraid it would trigger an abundance of feeling he was doing his best to contain. Why had he let twenty years pass without trying to find Queenie Hennessy? A picture came of the small, dark-haired woman with whom he had worked all that time ago, and it seemed inconceivable that she was—what? Sixty? And dying of cancer in Berwick. Of all the places, he thought; he’d never traveled so far north. He glanced out at the garden and saw a ribbon of plastic caught in the laurel hedging, flapping up and down, but never pulling free. He tucked Queenie’s letter into his pocket, patted it twice for safekeeping, and rose to his feet.Upstairs Maureen shut the door of David’s room quietly and stood a moment, breathing him in. She pulled open his blue curtains that she closed every night, and checked that there was no dust where the hem of the net drapes met the windowsill. She polished the silver frame of his Cambridge portrait, and the black-and-white baby photograph beside it. She kept the room clean because she was waiting for David to come back, and she never knew when that would be. A part of her was always waiting. Men had no idea what it was like to be a mother. The ache of loving a child, even when he had moved on. She thought of Harold downstairs, with his pink letter, and wished she could talk to their son. Maureen left the room as softly as she had entered it, and went to strip the beds.Harold Fry took several sheets of Basildon Bond from the sideboard drawer and one of Maureen’s rollerball pens. What did you say to a dying woman with cancer? He wanted her to know how sorry he felt, but it was wrong to put In Sympathy because that was what the cards in the shops said after, as it were, the event; and anyway it sounded formal, as if he didn’t really care. He tried Dear Miss Hennessy, I sincerely hope your condition improves, but when he put down the pen to inspect his message, it seemed both stiff and unlikely. He crumpled the paper into a ball and tried again. He had never been good at expressing himself. What he felt was so big it was difficult to find the words, and even if he could, it was hardly appropriate to write them to someone he had not contacted in twenty years. Had the shoe been on the other foot, Queenie would have known what to do.“Harold?” Maureen’s voice took him by surprise. He thought she was upstairs, polishing something, or speaking to David. She had her rubber gloves on.“I’m writing Queenie a note.”“A note?” She often repeated what he said.“Yes. Would you like to sign?”“I think not. It would hardly be appropriate to sign a note to someone I don’t know.”It was time to stop worrying about expressing anything beautifully. He would simply have to set down the words in his head: Dear Queenie, Thank you for your letter. I am very sorry. Yours Best wishes—Harold (Fry). It was limp, but there it was. Sliding the letter into an envelope, he sealed it quickly, and copied the address of St. Bernadine’s Hospice onto the front. “I’ll nip to the postbox.”It was past eleven o’clock. He lifted his waterproof jacket from the peg where Maureen liked him to hang it. At the door, the smell of warmth and salt air rushed at his nose, but his wife was at his side before his left foot was over the threshold.“Will you be long?”“I’m only going to the end of the road.”She kept on looking up at him, with her moss-green eyes and her fragile chin, and he wished he knew what to say but he didn’t; at least not in a way that would make any difference. He longed to touch her like in the old days, to lower his head on her shoulder and rest there. “Cheerio, Maureen.” He shut the front door between them, taking care not to let it slam.Built on a hill above Kingsbridge, the houses of Fossebridge Road enjoyed what estate agents called an elevated position, with far-reaching views over the town and countryside. Their front gardens, however, sloped at a precarious angle toward the pavement below, and plants wrapped themselves round bamboo stakes as if hanging on for dear life. Harold strode down the steep concrete path a little faster than he might have wished and noticed five new dandelions. Maybe this afternoon he would get out the Roundup. It would be something.Spotting Harold, the next-door neighbor waved and steered his way toward the adjoining fence. Rex was a short man with tidy feet at the bottom, a small head at the top, and a very round body in the middle, causing Harold to fear sometimes that if he fell there would be no stopping him. He would roll down the hill like a barrel. Rex had been widowed six months ago, at about the time of Harold’s retirement. Since Elizabeth’s death, he liked to talk about how hard life was. He liked to talk about it at great length. “The least you can do is listen,” Maureen said, although Harold wasn’t sure if she meant “you” in the general sense or the particular.“Off for a walk?” said Rex.Harold attempted a jocular tone that would act, he hoped, as an intimation that now was not the time to stop. “Need anything posted, old chap?”“Nobody writes to me. Since Elizabeth passed away, I only get circulars.”Rex gazed into the middle distance and Harold recognized at once the direction the conversation was heading. He threw a look upward; puffs of cloud sat on a tissue-paper sky. “Jolly nice day.”“Jolly nice,” said Rex. There was a pause and Rex poured a sigh into it. “Elizabeth liked the sun.” Another pause.“Good day for mowing, Rex.”“Very good, Harold. Do you compost your grass cuttings? Or do you mulch?”“I find mulching leaves a mess that sticks to my feet. Maureen doesn’t like it when I tread things into the house.” Harold glanced at his yachting shoes and wondered why people wore them when they had no intention of sailing. “Well. Must get on. Catch the midday collection.” Wagging his envelope, Harold turned toward the pavement.For the first time in his life, it was a disappointment to find that the postbox cropped up sooner than expected. Harold tried to cross the road to avoid it, but there it was, waiting for him on the corner of Fossebridge Road. He lifted his letter for Queenie to the slot, and stopped. He looked back at the short distance his feet had traveled.The detached houses were stuccoed and washed in shades of yellow, salmon, and blue. Some still had their pointed fifties roofs with decorative beams in the shape of a half sun; others had slate-clad loft extensions; one had been completely rebuilt in the style of a Swiss chalet. Harold and Maureen had moved here forty-five years ago, just after they were married. It took all his savings to pay the deposit; there had been nothing left for curtains or furniture. They had kept themselves apart from others, and over time neighbors had come and gone, while only Harold and Maureen remained. There had once been vegetable beds, and an ornamental pond. She made chutneys every summer, and David kept goldfish. Behind the house there had been a potting shed that smelled of fertilizer, with high hooks for hanging tools, and coils of twine and rope. But these things too were long since gone. Even their son’s school, which had stood a stone’s throw from his bedroom window, was bulldozed now and replaced with fifty affordable homes in bright primary colors and street lighting in the style of Georgian gas lamps.Harold thought of the words he had written to Queenie, and their inadequacy shamed him. He pictured himself returning home, and Maureen calling David, and life being exactly the same except for Queenie dying in Berwick, and he was overcome. The letter rested on the dark mouth of the postbox. He couldn’t let it go.“After all,” he said out loud, though nobody was looking, “it’s a nice day.” He hadn’t anything else to do. He might as well walk to the next one. He turned the corner of Fossebridge Road before he could change his mind.It was not like Harold to make a snap decision. He saw that. Since his retirement, days went by and nothing changed; only his waist thickened, and he lost more hair. He slept poorly at night, and sometimes he did not sleep at all. Yet, arriving more promptly than he anticipated at a postbox, he paused again. He had started something and he didn’t know what it was, but now that he was doing it, he wasn’t ready to finish. Beads of perspiration sprouted over his forehead; his blood throbbed with anticipation. If he took his letter to the post office on Fore Street, it would be guaranteed next day delivery.The sun pressed warm on the back of his head and shoulders as he strolled down the avenues of new housing. Harold glanced in at people’s windows, and sometimes they were empty, and sometimes people were staring right back at him and he felt obliged to rush on. Sometimes, though, there was an object that he didn’t expect; a porcelain figure, or a vase, and even a tuba. The tender pieces of themselves that people staked as boundaries against the outside world. He tried to visualize what a passerby would learn about himself and Maureen from the windows of 13 Fossebridge Road, before he realized it would be not very much, on account of the net curtains. He headed for the quayside, with the muscles twitching in his thighs.The tide was out and dinghies lolled in a moonscape of black mud, needing paint. Harold hobbled to an empty bench, inched Queenie’s letter from his pocket, and unfolded it.She remembered. After all these years. And yet he had lived out his ordinary life as if what she had done meant nothing. He hadn’t tried to stop her. He hadn’t followed. He hadn’t even said goodbye. The sky and pavement blurred into one as fresh tears swelled his eyes. Then through them came the watery outline of a young mother and child. They seemed to be holding ice cream cones, and bore them like torches. She lifted the boy and set him down on the other end of the bench.“Lovely day,” said Harold, not wanting to sound like an old man who was crying. She didn’t look up, or agree. Bending over her child’s fist, she licked a smooth path to stop the ice cream from running. The boy watched his mother, so still and close it was as if his face was part of hers.Harold wondered if he had ever sat by the quay eating ice cream with David. He was sure he must have done, although searching in his mind for the memory, he found it wasn’t readily available. He must get on. He must post his letter.Office workers were laughing with lunchtime pints outside the Old Creek Inn, but Harold barely noticed. As he began the steep climb up Fore Street, he thought about the mother who was so absorbed in her son she saw no one else. It occurred to him it was Maureen who spoke to David and told him their news. It was Maureen who had always written Harold’s name (“Dad”) in the letters and cards. It was even Maureen who had found the nursing home for his father. And it raised the question—as he pushed the button at the pelican crossing—that if she was, in effect, Harold, “then who am I?”He strode past the post office without even stopping.

Bookclub Guide

1. Harold’s journey is both physical and metaphorical. He is not the only character in the novel to go on a journey and Rachel Joyce has said that writing the book was in itself a journey. What other literary journeys does this novel call to mind?2. Harold says he is not a religious man but his journey is called a pilgrimage and it is undoubtedly a leap of faith. How much and how consciously do you feel RJ draws on Christian tenets and/or other belief systems in the novel.3. Harold is a man with many flaws. Despite, or perhaps because of this, do you see him as an archetypal Englishman? Or is he an Everyman?4. When we first meet Harold and Maureen, while they share breakfast they seem in different worlds. To what extent did you see Maureen as the cause of Harold’s departure?5. The mental health of several characters is called into question in the novel. Depression, Alzheimers, addiction are all diseases that touch many of us and yet mental illness remains to a great extent taboo in our society. How is RJ using this? Do you find it effective?6. Harold and Maureen are married but both are lonely. The couple Harold meets at Buckfast Abbey travel together but have also lost sight of what holds them together. What makes a marriage happy? How much is romantic happiness about being a pair and how much about other people and interests?7. At the start of the book both Harold and Maureen have allowed friends to fall by the wayside. This story is all about how we all connect with one another. What makes someone a true friend and how does RJ represent friendship?8. Regret is an emotion that plays a key part in the novel. Do you think RJ sees it as a positive or negative force?9. Is Harold’s relationship with David the inevitable result of Harold’s own upbringing?10. Rachel Joyce writes beautifully about the English countryside – but how crucial to the telling of her story is the actual landscape she describes? How would it change the novel if it was set in Scotland, perhaps, or France, or..?11. The sea provides bookends for the novel and plays a vivid part in Harold’s memories. Is this significant?12. How does RJ use food, and the sharing of food in the novel?13. How much are Harold’s responses to his fellow pilgrims dic­tated by his past?14. Was the ending of the novel a shock or the inevitable conclusion?15. Who saves who in this novel?16. Has The Unlikely Pilgrimage of Harold Fry inspired you to do something out of the ordinary – take a journey? Renew contact with someone? Look at strangers with a new perspective? Do share your response with us at

Editorial Reviews - Best 100 Books of - Best 100 Books of 2012Shortlisted for the Commonwealth Book Prize“Late last year the time came to pick 2012’s ‘new face’ for books: I read a pile of first novels and enjoyed a few, but there was only one I adored, and that was The Unlikely Pilgrimage of Harold Fry… It is a funny book, a wise book, a charming book – but never cloying.  It’s a book with a savage twist, - and yet never seems manipulative.  Perhaps because Harold himself is just wonderful… This book may follow a pattern set by another radio dramatist-turned-novelist, David Nicholls, whose One Day has now sold more than a million copies and been made into a successful film simply because one reader said to another ‘I love this book’ over and over again.  So I’m telling you now: I love this book.”—The Times “The redemption Joyce offers at the end of this novel is haunting, unexpected and inspiring. She makes you want to leave your phone at home and walk out to discover things.” —The Times (UK) “[A] moving debut.” —The Guardian (UK)"Very rarely, you come upon a novel that feels less like a book than a poignant passage of your own life, and the protagonist like an acquaintance who has gently corrected your path. . . . Rachel Joyce's The Unlikely Pilgrimage of Harold Fry starts off in just this way. . . . A smart, subtle, funny, painful, weirdly personal novel." —The Globe and Mail“ . . . a gentle adventure with an emotional wallop. It's a smart, feel-good story that doesn't feel forced.” —USA Today “The Unlikely Pilgrimage of Harold Fry is not just a book about lost love. It is about all the wonderful everyday things Harold discovers through the mere process of putting one foot in front of the other. . . . it is very much a story of present-day courage. She writes about how easily a mousy, domesticated man can get lost and how joyously he can be refound.” —The New York Times“Joyce’s beguiling debut is another modest-seeming story of ‘ordinary’ English lives that enthralls and moves you as it unfolds.” —People Magazine (four stars) “. . . [a] gorgeously poignant novel of hope and transformation.” —O, the Oprah Magazine “The Unlikely Pilgrimage of Harold Fry is not just a book about lost love.  It is about all the wonderful everyday things Harold discovers through the mere process of putting one foot in front of the other.” —The New York Times“It’s a deceptively simple novel about the anguish of regret, the importance of faith, and the redemptive power of love. . . . [Harold’s] story is humorous, moving and profound—one of those you keep thinking about weeks after you’ve finished it. . . . I promise it’s one of the best books you’ll read this year.” —Daily Mail (UK) “When it seems almost too late, Harold Fry opens his battered heart and lets the world rush in. This funny, poignant story about an ordinary man on an extraordinary journey moved and inspired me.” —Nancy Horan, author of Loving Frank “There’s tremendous heart in this debut novel by Rachel Joyce, as she probes questions that are as simple as they are profound: Can we begin to live again, and live truly, as ourselves, even in middle age, when all seems ruined? Can we believe in hope when hope seems to have abandoned us? I found myself laughing through tears, rooting for Harold every step of his journey. I’m still rooting for him.” —Paula McLain, author of The Paris Wife “The Unlikely Pilgrimage of Harold Fry isn’t just a book I enjoyed reading, it’s a book I feel lucky to have read. It takes the most ordinary and unassuming of men and turns him into a hero for us all. Harold Fry faces the same questions we all do as we age, questions about the meaning of our lives, faith and love, but confronts them in a most surprising way. To go on this journey with him will not only break your heart, it might also just heal it.” —Tiffany Baker, New York Times bestselling author of The Little Giant of Aberdeen County “The odyssey of a simple man. Original, subtle and touching.” —Claire Tomalin, author of Charles Dickens: A Life“A delightful story of faith, hope and redemption. Harold encounters human nature in all its guises, becomes a minor celebrity, learns to manage with few possessions and takes pleasure in the smallest of things. It's funny and touching, a celebration of life and a reminder that it's never too late to change.” —The New Zealand Herald “ . . . Joyce captures Harold’s emotions with a tidiness of words that is at times thrilling. It’s a trip worth taking.” —Maclean’s “Life-affirming delight. A comic pleasure.”— Woman & Home  “A tender, funny debut about second chances and regained love as a man takes to the road on an unusual quest.”— Marie Claire“Tender and funny, The Unlikely Pilgrimage of Harold Fry shows that even our frailties can be uplifting and redemptive.” —Edward Stourton“A wonderful book . . . Full of sadness, hope, and ultimately love. I found it very moving.” —Esther Freud “[A] charming début . . . Deeply affecting.” —The Bookseller “While [Joyce] handles her material with deceptive lightness, Harold’s journey towards a better version of himself is totemic. To read about him is to be moved to follow him.” —The Telegraph (UK)“ . . . Joyce captures Harold’s emotions with a tidiness of words that is at times thrilling. It’s a trip worth taking.” —Maclean’s “Rachel Joyce’s first novel—about a retired Englishman shuffling off to visit a dying colleague—sounds twee, but it’s surprisingly steely, even inspiring, the kind of quirky book you want to shepherd into just the right hands. . . . For all her merciless insistence on the brutality of illness, she has a lovely sense of the possibilities of redemption. In this bravely unpretentious and unsentimental tale, she’s cleared space where miracles are still possible.” —The Washington Post"Oh to be a pilgrim in yachting shoes and waxed cotton jacket, fueled only by a microwaved burger from a roadside garage and a sudden burning need to save a dying friend. Harold Fry is infuriating, hilarious and completely out of his depth, but I held my breath at his every blister and cramp and felt, as if by turning the pages, I might help his impossible quest succeed. Marvelous!" —Helen Simonson, author of Major Pettigrew's Last Stand