The Untranslatable Image: A Mestizo History of the Arts in New Spain, 1500–1600

Hardcover | April 15, 2014

byAlessandra RussoTranslated bySusan Emanuel

not yet rated|write a review

From the first contacts between European conquerors and the peoples of the Americas, objects were exchanged and treasures pillaged, as if each side were seeking to appropriate tangible fragments of the "world" of the other. Soon, too, the collision between the arts of Renaissance Europe and pre-Hispanic America produced new objects and new images with the most diverse usages and forms. Scholars have used terms such as syncretism, fusion, juxtaposition, and hybridity in describing these new works of art, but none of them, asserts Alessandra Russo, adequately conveys the impact that the European artistic world had on the Mesoamerican artistic world, nor treats the ways in which pre-Hispanic traditions, expertise, and techniques—as well as the creation of post-Conquest images—transformed the course of Western art.

This innovative study focuses on three sets of paradigmatic images created in New Spain between the sixteenth and seventeenth centuries—feather mosaics, geographical maps, and graffiti—to propose that the singularity of these creations does not arise from a syncretic impulse, but rather from a complex process of "untranslatability." Foregrounding the distances and differences between incomparable theories and practices of images, Russo demonstrates how the constant effort to understand, translate, adapt, decode, transform, actualize, and condense Mesoamerican and European aesthetics, traditions, knowledge, techniques, and concepts constituted an exceptional engine of unprecedented visual and verbal creativity in the early modern transatlantic world.

Pricing and Purchase Info

$70.00

Ships within 1-3 weeks
Ships free on orders over $25

From the Publisher

From the first contacts between European conquerors and the peoples of the Americas, objects were exchanged and treasures pillaged, as if each side were seeking to appropriate tangible fragments of the "world" of the other. Soon, too, the collision between the arts of Renaissance Europe and pre-Hispanic America produced new objects and...

Alessandra Russo is an art historian studying and teaching the early modern worlds in the Department of Latin American and Iberian Cultures at Columbia University in New York City. She is author of El Realismo Circular: Tierras, espacios y paisajes de la cartografía novohispana and the coeditor of Images Take Flight: Feather Art in Mex...

other books by Alessandra Russo

Sabores inconscientes
Sabores inconscientes

Kobo ebook|May 29 2015

$5.99

Middle Ear and Mastoid Microsurgery
Middle Ear and Mastoid Microsurgery

Hardcover|May 23 2012

$303.95

see all books by Alessandra Russo
Format:HardcoverDimensions:373 pages, 9.25 × 6.32 × 1.11 inPublished:April 15, 2014Publisher:University Of Texas PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0292754132

ISBN - 13:9780292754133

Customer Reviews of The Untranslatable Image: A Mestizo History of the Arts in New Spain, 1500–1600

Reviews

Extra Content

Table of Contents

Note on TranslationsAcknowledgmentsPrologue: From One Triptych to AnotherIntroduction: At the Frontiers of Art HistoriesPart One: A Triptych from New SpainChapter 1. TreasuresChapter 2. FiguresChapter 3. MaliciasPart Two: Images between WordsChapter 4. MosaicsChapter 5. LandscapeChapter 6. ScratchingPart Three: The Creation of Unexpected LanguagesChapter 7. Relics of IxiptlaChapter 8. Circular RealismChapter 9. Figurative CondensationConclusion: Untranslatable Images?NotesBibliographyPhotographic CreditsIndex

Editorial Reviews

"This book, full of important discoveries and significant insights, is an important event. . . . It is astonishing to watch a scholar not merely discover and investigate hitherto understudied (and unstudied) materials, but then also construct language and concepts on the basis of the new materials, rather than simply assimilate them within the existing discourse. It is a heroic task. Anyone in the field of early modern art, not to mention people from diverse fields with an interest in ‘the intercultural,’ will be interested in this book." - Alexander Nagel, Professor of the History of Art, Institute of Fine Arts, New York University, and author of The Controversy of Renaissance Art